Chrissie Hynde took a long, hard road to rock & roll stardom, but when her band, the Pretenders, finally broke through in 1979, they wasted no time, growing from promising newcomers on the British music scene to major international stardom with a pair of smash albums to their credit in a mere three years. But the Pretenders' meteoric rise came to a crashing halt in 1982, when drug abuse claimed the life of guitarist James Honeyman-Scott and forced Hynde and drummer Martin Chambers to dump bassist Pete Farndon, who would also succumb to an OD in April 1983. Hynde was forced by circumstance to reinvent the Pretenders for their third album, 1984's Learning to Crawl, but if the new edition of the group lacked some of the spark of the band that made the first two LPs, through sheer force of will Hynde created a masterpiece…

Why mess with a great formula if there's no need to change? The Pretenders espoused this winning philosophy on the magnetic Pretenders II, a spectacular sophomore record that lived up to the promises of its breakthrough debut and replicated the 1979 effort's distinctive, can't-miss musical and lyrical flair. Part pop, part new-wave punk, part R&B, part soul, and 100% pure melodic rock n' roll, Pretenders II continued to send the quartet on its quick rise to the top and still serves as an admitted inspiration for bands ranging from Kings of Leon to Garbage. The key to the record's enduring appeal lies in the chemistry between iconic frontwoman Chrissie Hynde and inventive guitarist James Honeyman-Scott. Akin to legendary pairings like Mick Jagger and Keith Richards, or Steven Tyler and Joe Perry, the male-female duo operates as an inseparable team, with one member rousing the other and driving them to greater heights.

Few rock & roll records rock as hard or with as much originality as the Pretenders' eponymous debut album. A sleek, stylish fusion of Stonesy rock & roll, new wave pop, and pure punk aggression, Pretenders is teeming with sharp hooks and a viciously cool attitude. Although Chrissie Hynde establishes herself as a forceful and distinctively feminine songwriter, the record isn't a singer/songwriter's tour de force – it's a rock & roll album, powered by a unique and aggressive band. Guitarist James Honeyman-Scott never plays conventional riffs or leads, and his phased, treated guitar gives new dimension to the pounding rhythms of "Precious," "Tattooed Love Boys," "Up the Neck," and "The Wait," as well as the more measured pop of "Kid," "Brass in Pocket," and "Mystery Achievement." He provides the perfect backing for Hynde and her tough, sexy swagger. Hynde doesn't fit into any conventional female rock stereotype, and neither do her songs, alternately displaying a steely exterior or a disarming emotional vulnerability.

The Pretenders' 1987 collection, The Singles, did a fine job of assembling most of the group's finest tracks up to that point in their career, so after another decade passed, their record company felt it was necessary to compile a more "updated" collection, 2000's Euro-only release Greatest Hits. Although it contains a total of 20 tracks, Greatest Hits ultimately fails to improve over its predecessor, for the simple fact that the early '80s was the Pretenders' artistic and commercial peak, and Greatest Hits contains too much latter-day material. Whereas it would have been a wise move to showcase such oft-overlooked classics as "Tattooed Love Boys," "Mystery Achievement," "Precious," "My City Was Gone," or "Birds of Paradise" (all of which weren't included on The Singles), Greatest Hits includes such not-as-strong selections as "Night in My Veins," "Breakfast in Bed," and "Human" instead. Although there are quite a few gems included ("Brass in Pocket," "Message of Love," "Talk of the Town," "Kid," "Back on the Chain Gang," etc.), Greatest Hits leaves out far too many prime selections to be considered truly definitive.

The Pretenders Greatest Hits is a selection of 20 songs and their variously successful videos. Chrissie Hynde arrived in the UK in 1973, and after a period as the "Loud Yank" NME journalist, she realised her dream of putting a band together. "Stop Your Sobbing" was a terrific first single for The Pretenders, debuting a voice that defied comparison or description. Naturally it's included here. Chrissie hated the early videos for her songs, especially "Brass in Pocket", which was one of the very first shown on MTV. She relays this sort of information to camera in the terrific documentary, "No Turn Left Unstoned", featured on this DVD. Comments come in from Rosanna Arquette, ex-managers, Elvis Costello, Bono, and her oldest friend.

Hate For Sale, produced by the revered Stephen Street (The Smiths, Blur), is the latest studio album by The Pretenders via BMG. The album features 10 new songs written collaboratively by Chrissie Hynde and the electrifyingly dynamic guitarist James Walbourne, in what is the first Hynde/Walbourne song writing collaboration to date.

Recorded to benefit the Special Olympics, this has some of the biggest names in contemporary music, most covering seasonal favorites with mixed success. Outstanding tracks include The Pretenders "Have Yourself a Merry Little Christmas," with Chrissie Hynde giving a touching performance. Run-D.M.C.'s topical "Christmas in Hollis" relies heavily on sampling "Back Door Santa," and may head you toward the dance floor. Alison Moyet's stately version of "The Coventry Carol" is beautifully haunting. Only the Material Girl, Madonna, embarrasses herself with an overly campy "Santa Baby".

Do you ever feel the need to stock up on tinned sweets and beaded seat covers and hit the road? Us too, which is why we’re bringing you a positively indulgent selection of Soft Rock favourites, guaranteed to add drama and interest to your journey. Who doesn’t want to listen to Whitesnake’s ’Is This Love’ while eating up the M4? Do you want to know what love is? So do Foreigner. Add belters from Cher, Bonnie Tyler and Chicago and you have the soundtrack to a great road trip or an intense evening in. Go nuts.