There are some really nice tunes on this soundtrack to the excellent film "Grumpier Old Men". The highlights for me are the songs by Louis Armstrong, Dean Martin, Harry Belafonte, Doris Day, Nat King Cole and the couple of instrumentals by composer Alan Silvestri. These are the recordings that will remind you of the fun that GOM provided to those fortunate to see legends Lemmon, Matthau, Meredith, Ann-Margaret and Sophia Loren (holy moly) in their last great film together. The only pity is that because the first films soundtrack is not available to buy, that the song from that film "We're Having A Heatwave" is not here. Sound quality is excellent and joyous.

Formed in 1967 by former Motions guitarist Robbie Van Leeuwen, the Dutch quartet Shocking Blue originally had a lineup of Van Leeuwen on guitar, lead vocalist Fred DeWilde, bass player Klaasje Van der Wal, and drummer Cornelius Van der Beek, and the initial configuration of the band had a minor homeland hit with “Lucy Brown Is Back in Town” a year later in 1968. Things really got moving, though, when DeWilde was replaced by sultry singer Mariska Veres, whose sexy presence and solid singing brought the band a second Netherlands hit, “Send Me a Postcard,” and then a huge international smash with “Venus” in 1970 after the group had signed to Jerry Ross' Colossus Records imprint…

All albums in this CD box are the original Dutch Shocking Blue album releases from the sixties and seventies, housed in their original covers and with original artwork, representing the band at the time. For a long time Shocking Blue was believed only to be a hit singles band but their albums have well proven to stand the test of time, not only in the Netherlands but also internationally…

Third Album is the fourh album by Shocking Blue, released in 1971. Despite being titled Third Album, it is actually the fourth. This is most likely meaning the third album with Mariska Veres, the lead singer.

This two-fer from Repertoire features a pair of out of print Shocking Blue LPs: Ink Pot and Attila. Originally issued in 1972, these 31 tracks were written by guitarist Robby VanLeeuwen (with the exception of "I Ain't Never" and "Tobacco Road,") and are surprisingly better than might be expected from a one-hit wonder.

Shocking Blue was a Dutch rock band, formed in The Hague in 1967. The band spawned a number of psychedelic rock hits throughout the counterculture movements era during the 1960s and early 1970s, including Never Marry a Railroad Man, Mighty Joe, Love Buzz, Blossom Lady, Inkpot and "Venus", the latter became their biggest hit, it went to No. 1 on the U.S. Billboard Hot 100 and many other countries during 1969 and 1970. The band had sold 13.5 million discs by 1973, but the group disbanded in 1974, when the hippie, flower power and other counterculture movements around the world began to decline in the mid-1970s.

Shocking Blue's second album was partly recorded in New York and continues the band's exploration of Americana and country music, although its style is firmly rooted in rock. "Alaska Country" is one of the most obvious references to America, but "Sally Was a Good Old Girl" is a cover of an early-'60s country hit by songwriter Hank Cochran; Shocking Blue's rendition chugs along in a rock groove that reveals the source of its material with a touch of banjo. As always, the focal point is the inimitable voice of Mariska Veres, but songwriter/guitarist Robby VanLeeuwen shows no sign of a sophomore slump.

American listeners tend to remember Shocking Blue as the one-hit wonder behind the chart-topper "Venus," a melting pot of rock rhythms, country guitar licks, organ riffs, and Mariska Veres' heavily accented vocals. Sounding something like a cross between "96 Tears" and "Sugar, Sugar," "Venus" was not entirely representative of the group's first album, At Home. Like their fellow countrymen Golden Earring, Shocking Blue purveyed a mild strain of psychedelic rock, but leaned more toward country and folk music than bubblegum. Guitarist and principal songwriter Robby Van Leeuwen was already preoccupied with Americana at this early stage, from "Harley Davidson" and "California Here I Come" to a surprising rendition of the folk song "Boll Weevil" that sets the traditional lyrics to music reminiscent of the Easybeats' "Good Times."