American Pie is the second studio album by the American singer-songwriter Don McLean, released by United Artists Records on 24 October 1971. The folk/rock album reached number one on the Billboard 200, containing the chart-topping singles "American Pie" and "Vincent." Recorded in May and June 1971 at The Record Plant in New York City, the LP is dedicated to Buddy Holly, and was reissued in 1980 minus the track "Sister Fatima". The album was released to much acclaim, later being included in the book 1001 Albums You Must Hear Before You Die.

Donald McLean is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8-and-a-half-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation. His other hit singles include "Vincent", "Dreidel", a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You", and "Wonderful Baby". McLean's composition "And I Love You So" has been recorded by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". In 2004, McLean was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively.

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper. A long, winding elegy for rock & roll, "American Pie" spent four weeks on the Billboard charts but that smash success was eclipsed by its enduring afterlife in the culture, where it served as the fodder for nostalgia and parodies for decades, eventually earning entry into the National Recording Registry in 2017. So strong was the allure of "American Pie" that it suggested McLean only had one charting hit, which isn't true: its follow-up, "Vincent," peaked at 12, and throughout the '70s he was a mainstay on Billboard's adult contemporary charts, culminating in his final crossover hit in the form of a 1980 cover of Roy Orbison's "Crying." McLean faded from the charts not long after that, but he'd keep touring and recording all the way into the 2010s, relying as much on affection for his entire catalog as he did on "American Pie."

The two-year interval covered in this volume of Time-Life Music's Singers & Songwriters series was one of consolidation for the many singer/songwriters who had emerged in the early '70s. Carole King followed up Tapestry, the album that established her as a performer after years as a songwriter, with Music, which spawned the hit "Sweet Seasons." James Taylor was on his second follow-up to his commercial breakthrough Sweet Baby James with One Man Dog, which produced "Don't Let Me Be Lonely Tonight." His new wife Carly Simon released her third album, No Secrets, which gave Simon her biggest hit yet with "You're So Vain." John Denver, too, hit new sales peaks with Rocky Mountain High and its title single. And Cat Stevens had followed the success of Tea for the Tillerman with Teaser and the Firecat and its second single "Morning Has Broken." Meanwhile, several new singer/songwriters were crowding the field, among them Don McLean with the epic allegory "American Pie," America with its Neil Young sound-alike "A Horse With No Name," and Seals & Crofts with the lilting "Summer Breeze".

40 years after his iconic "American Pie" reached #1 on the Billboard pop singles chart, Don McLean is the subject of an authorized documentary, Don McLean: American Troubadour. McLean granted unprecedented access and interviews for the film, revealing his personal account of a career spanning over four decades and performing songs that have become integral parts of American pop culture.

Fifty years after Don McLean's seminal release, American Pie, Don headed into the studio to record new original tracks for his upcoming release, American Boys. Don had not thought he would do another original album, but the pandemic hit us all, and he had time to consider and write. American Boys was conceived with the help of Vip Vipperman, Mike Severs, and many musical friends. Much like McLean's American Pie and its nostalgic shift of music from the '50s through the '60s, along with subsequent releases confronting other socio-political flaws within America, American Boys also examines the severedness within the country, its injustices, inequality, and more. True to his artistic nature, Don delivers a thoughtful record.

Don McLean's final album for United Artists was a musical tour de force, and the best self-contained account of the full breadth of McLean's talent. Recorded live in England, in Manchester, Bristol, London, and Oxford, the 26 songs encompassed not only the artist's best-known work, but also many of his personal favorites, among them works by other composers (including Bob Dylan's "Masters of War"). All the songs are done solo by McLean on acoustic guitar and banjo, performing in a loose, freewheeling style more appropriate to a folk performance at a small club than a rock concert – except that McLean was doing these performances to tens of thousands of people at a time. He ranges freely across his repertory, including a loose yet sincere rendition of "American Pie" and a stunning version of "Till Tomorrow" (his encore), through "The Arkansas Traveller" and "Homeless Brother" to "Castles in the Air," the last in a version that makes the studio recording seem cold and sterile.

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper.

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper.

The first eight tracks on this disc are rock and pop, including songs from Edie Brickell & The New Bohemians, Don McLean, and the Temptations. The last six are from the pen of John Williams. The music literally haunts you as you watch the movie. It's just as effective here.

Don McLean released his debut album, Tapestry, at the dawn of the 1970s when the hangover haze of the 1960s still lingered strongly in the air. McLean specialized in that netherworld between '60s coffeehouse folk and '70s introspection, navigating the distance between confessional singer/songwriter and MOR pop. He'd never abandon this aesthetic, crafting a handsome, modest body of work over the course of nearly five decades, but he'd always be known for "American Pie," his fluke 1971 chart-topper.

Producer and record executive Joel Dorn (who worked with Don McLean previously on his 1974 album Homeless Brother) assembled this retrospective CD/DVD collection by going through McLean's archives. Although no indication is given of the sources of the material, a majority of it has been previously released, starting with the original hit recording of "American Pie," licensed from EMI Special Products. The rest of the collection dates from after 1976, when McLean, for the most part, controlled his own recordings, and there is a heavy complement from albums issued on his own Don McLean Records label, notably "Vincent (Starry, Starry Night)," "Crying," "Homeless Brother," and "And I Love You So" (the last a duet with Nanci Griffith) from the live Starry Starry Night album; "El Paso" from Don McLean Sings Marty Robbins; "My Saddle Pals and I" from The Western Album; and "You've Got to Share" from You've Got to Share: Songs for Children. Previously unreleased tracks include McLean versions of the standards "Love Me Tender," "(It Was) A Very Good Year," and "TB Blues," and a McLean original, the Rolling Stones-like "Run, Diana Run."

2-disc compilation of pop and rock hits of the 70s. Classic hits by Shocking Blue, Beach Boys, Jackson 5, Cat Stevens, Lobo, Middle Of The Road, Slade, Sweet, Cher, 10CC, Smokie, Bonnie Tyler, Gerry Rafferty and more and more. And also contains a lot of forgotten hits of the 70s.

Known for the huge hit "American Pie", which earned him the number one American for four weeks in 1972 and in other English-speaking countries, the composer Don McLean (born Donald McLean III in New Rochelle, New York, on October 2, 1945) saw his songs covered by Elvis Presley and Madonna.

Known for the huge hit "American Pie", which earned him number one American for four weeks in 1972 and in other English-speaking countries, composer Don McLean (born Donald McLean III in New Rochelle, New York, on October 2, 1945) saw his songs covered by Elvis Presley and Madonna. The track "Vincent", a tribute to the painter Vincent Van Gogh ranked No. 12 on the Billboard that same year, is another classic of his repertoire between folk, rock and soft rock of the 1970s. Coming from the folk bars of the 1960s, Don McLean released his first album Tapestry in 1970 and modestly continued to work his art after the tidal wave of " American Pie "(admitted to the posterity of the National Recording Registry in 2017), over lesser-known albums.