The debut international long-player by the Bee Gees may shock anyone who only remembers them for their mid- to late-'70s disco mega-hits, or their quirky early-'70s romantic balladry. Up until 1966, they'd shown a penchant for melodic songs and rich, high harmonies, in the process becoming Australia's answer to the Everly Brothers. When the Bee Gees arrived in London late in 1966, however, they proved quick studies in absorbing and assimilating the progressive pop and rock sounds around them. In one fell swoop, they became competitors with the likes of veteran rock bands such as the Hollies and the Tremeloes, and this long-player, Bee Gees' 1st, is more of a rock album than the group usually got credit for generating.

An excellent collection of some of the best tracks from Judy Collins' early Elektra albums, Colors of the Day will both entertain and leave you wanting more. Lovingly programmed (it leads off with her excellent country-pop hit "Someday Soon," an Ian Tyson classic), this is Collins at her finest. Earlier explorations into folk-pop ("Both Sides Now"), British folk ("Sunny Goodge Street," "In My Life"), and gospel ("Amazing Grace") clearly show her eclecticism. Some of the record's finest moments are from her exquisite 1968 album Who Knows Where the Time Goes (such as that album's title track and the aforementioned "Someday Soon"). This anthology brings the "best-of" collection to a new art form.

Redshark was founded in 2012 in Barcelona - Spain, by Philip Graves (guitar) with the aim of delivering Classic Pounding Heavy Speed Metal. Their traditional 80s metal influences may plunder the nostalgia circuit but Redshark are ruthlessly carrying the torch with great attitude, and powerful melodic songwriting. Their debut official release "Evil Realm" EP came out in 2019 and showed the band pushing the velocity further. Those intense five songs drew a roaring response and helped to spread Redshark name nationwide and abroad. Redshark have since honed their gloriously raw yet precisely incisive, dark, catchy and addictive speed heavy metal crunch staying faithful to their original influences taken from undisputed metal legends like Judas Priest, Savatage, Exciter and Metal Church…

Parking features two works recorded 14 years apart registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages. The architectural form and function underpinning the parking garage demands a highly adaptive response to negotiate indeterminate conditions and hidden tensions generated by compressed space, reflective materiality, multipurpose infrastructure, and active thoroughfares. Rather than consider these as undesirable, situational practice offers an opportunity to be in the world, to observe and contest dominant narratives, and through improvised responses incorporate aleatory forces and spatial effects. (philip Samartzis)

Thomas Hardin Trio is a trio from Japan, performing jazz arrangements of compositions of various genres - from classical to Japanese pop music. The group's repertoire includes Bach, Mozart, Chopin, Kuwata Keisuke, Yosui Inoue, and Hikaru Utada. The name Thomas Hardin is fictitious, in fact the leader of the trio is Junichi Kamiyama - arranger and producer. The trio's main line-up includes pianist Haruki Mino, bassist Tohru Kase, drummers Milton Tomita and Yasushi Ichihara.

This 45-minute mini-set captures the quartet - Adrian Belew (guitar/vocals), Robert Fripp (guitar), Trey Gunn (Warr guitar), and Pat Mastelotto (percussion) - thrashing out some of the most intense and rhythmically diverse sounds to ever bear the King Crimson moniker. Likewise, Level Five reveals a band reaching for and obtaining new levels of soul - a quality sorely absent in the " alternative" rock of the early 21st century. A majority of the instrumental material makes its debut release on this disc. However, "The ConstruKction of Light" and "The Deception of the Thrush" date as far back as the ProjeKcts - five unique incarnations of King Crimson circa the mid-'90s. These various ProjeKcts toured, recorded, and rehearsed, finally settling into the reformed quartet heard here…

La Légende d'Eer (1977-1978) was composed when Iannis Xenakis was in the midst of his far-reaching explorations of mythology and philosophy. Variously inspired by Plato's myth of Er in The Republic, Pascal's Pensées, and even an article on supernovas in Scientific American, this piece transcends programmatic considerations and presents a strange, roiling soundscape that dwarfs Xenakis' earlier electro-acoustic efforts in scope and imagination. This astonishing piece begins with an extended passage of penetrating, shrill tones that break up into unevenly staggered and twittering pulses.

When Simple Minds released Black and White in 2005, it was obvious they'd been doing some creative soul searching in light of the success of bands clearly influenced by them, namely, the Killers and Manic Street Preachers. 2009's Graffiti Soul saw the return of drummer Mel Gaynor to the fold. He brought a familiar, tight, propulsive foundation to Charlie Burchill's guitar playing and Andy Gillespie's imaginative synths. Jim Kerr's alternately whispering and soaring vocals were still at the fore, but were showcased inside more economical songwriting, and Jez Coad's production celebrated the band's pop identity. Big Music finds Simple Minds coming full circle - going all the way back to 1979 for inspiration…

Sophie Ellis-Bextor’s much anticipated 8th studio album Perimenopop is a playful celebration of where Sophie is at in her life, knowing exactly who she is and embracing the joy and empowerment that brings. Featuring previously released tracks ‘Freedom of the Night’, ‘Relentless Love’ and ‘Vertigo’, it is the record Sophie was meant to make 7 studio albums into her 25-year career, seeing her confidently return to her iconic dance-pop sound.

The Media Champ presents "Legends of Rock - 90's" - 35 live radio broadcast recordings, including such bands as Nirvana, Pearl Jam, Eric Clapton, Tool, AC/DC etc.

Joseph Haydn often said that he had enjoyed an “exem­plary destiny”: starting from nothing, he became one of the most celebrated composers of his time. He was born in Rohrau, some fifty kilometres east of Vienna, into a relatively modest family – his father was a wheelwright, a recognised and respected mas­ter craftsman.

Incorporating elements of shoegaze, prog, post-hardcore and trip-hop into their alternative metal template, Deftones’ 2000 album ‘White Pony’ is rightly regarded as one of the most influential albums of the Noughties. Here, it gets a deluxe reissue for its twentieth anniversary, accompanied with a remix album titled ‘Black Stallion’ featuring reworks from Clams Casino, DJ Shadow, Robert Smith and more.

Babymetal return with their powerful new album Metal Forth, a bold evolution of their genre-defying fusion of J-pop and heavy metal, including features from Poppy, Slaughter To Prevail, Tom Morello and Bloodywood. Following the conceptual depths of The Other One, Metal Forth signals a new chapter, blending thunderous riffs, soaring vocals, and high-energy choreography. Building on their global legacy this release reaffirms Babymetal’s status as pioneers pushing metal into the future.