The new compilation Pop Giant 80s, takes you with its tracklist on a musical journey through time, in the middle of the 80s. In the last issues of the show the Pop Giants, many other topics have already been covered. Anyone who thinks about what songs from the 80s come, will certainly hardly have the right songs. However, this changes very soon, as soon as you look at the track list of the 80ies pop giants, because youre already humming along with many songs that you can still memorize. Luckily, it will not take that long until the release of the Pop Giants 80s, because starting on January, 2019, the good piece is ready for you in the trade. If you want to start the new year with a time travel in the 80s, you can not ignore this compilation.

1968…. A immortal year that history finally changed! The year of the big strikes and protests. A revolt got started
that a new dynamism gave to the democratisation of politics and culture. But also musically, was 1968 a revolutionary year! MAY ‘68 brings all the musical highlights from the year 1968 together in a 4 CD box. With oa. Steppenwolf, The Kinks, Deep Purple, James Brown, Johnny Cash, The Monkees e.v.a. this is a fantastic historical document with great music that is still current sounds! 50 years of Imagination to the power! Relive those unique times back thanks to MAY ‘68!

Led Zeppelin returned from a nearly two-year hiatus in 1975 with the double-album Physical Graffiti, their most sprawling and ambitious work. Where Led Zeppelin IV and Houses of the Holy integrated influences on each song, the majority of the tracks on Physical Graffiti are individual stylistic workouts…

This box set devoted to Pink Floyd was somewhat frustrating at the time of its release. Priced at over 100 dollars, it included nine CDs drawn equally from their EMI and Columbia Records, starting with their second album, A Saucerful of Secrets. That seemed to confuse a lot of people who regard that transitional album as a lot less important and alluring than its predecessor, Piper at the Gates of Dawn…

This 52-disc (no, that is not a typo) comp, ABC of the Blues: The Ultimate Collection from the Delta to the Big Cities, may just indeed live up to its name. There are 98 artists represented , performing 1,040 tracks. The music begins at the beginning (though the set is not sequenced chronologically) with Charlie Patton, Son House, and Robert Johnson, and moves all the way through the vintage Chicago years of Muddy Waters and Howlin' Wolf, with stops along the way in Texas, Louisiana, Florida, Georgia, Mississippi, Tennessee, New York, and all points in between. Certainly, some of these artists are considered more rhythm & blues than purely blues artists: the inclusion of music by Johnny Otis, Wynonie Harris, Bo Diddley, and others makes that clear.

In de Top 4000 staan de mooiste liedjes uit 50 jaar TOP 40 gekozen door de luisteraars van Radio 10. Ook dit jaar is er weer een schitterende CD box samengesteld met de pareltjes uit deze lijst. Op deze 5-CD box staan maar liefst 99 hits, waaronder “Angels” van Robbie Williams, “Fix You” van Coldplay, “Valerie” van Mark Ronson Ft. Amy Winehouse, “Africa” van Toto, “Rood” van Marco Borsato, “Respect” van Aretha Franklin, “The Best” van Tina Turner, “Paradise By The Dashboardlight” van Meat Loaf en nieuwkomer in de lijst Zoutelande” van BLØF Ft. Geike Arnaert., en nog heel veel meer.

De Ultratop Hits blijven het goed doen en zijn ondertussen al aan hun 5e volume toe! De vorige volumes deden het zo goed dat een 5e volume niet op zich kon laten wachten. De bron met sterke nummer 1 hits is dan ook allesbehalve uitgedroogd.

Following the release of their 2017 album, 'Defying Gravity', Mr. Big set out on a tour that took them all over the world to promote the new release in a live setting. Anyone who has ever had the distinct pleasure of seeing the band live knows that the virtuoso musicianship and incredible vocals are on full display in this setting…

HARMONY IN MY HEAD is another of Cherry Red's celebrations of a bygone era - this time, the boom in Power Pop and New Wave which followed the Punk explosion in 1977. This triple-CD box set spins off the success of the 4CD compilation Action Time Vision (2016), which documented Punk on independent labels. New Wave was a term coined in 1977 to describe a clutch of new artists whose music shared much of the energy of punk, but boasted a more sophisticated level of musicianship and a heavier reliance on traditional pop melodies. Although the term had such a wide definition in the States that it was quickly rendered almost meaningless, it was more strictly applied in the UK, with the radio-friendly likes of Elvis Costello and Squeeze scoring numerous hits and influencing younger bands to the extent that, by the early Eighties, the New Wave itself had become Old Wave.

La-La Land Records proudly presents, in association with Warner Bros. Entertainment and Warner Music Group, HARRY POTTER – THE JOHN WILLIAMS SOUNDTRACK COLLECTION, a limited edition, 7-CD box set containing Academy Award-Winning composer John Williams’ newly remastered, restored and expanded scores for the first three films in the HARRY POTTER series: HARRY POTTER AND THE SORCERER’S STONE (2001), HARRY POTTER AND THE CHAMBER OF SECRETS (2002) and HARRY POTTER AND THE PRISONER OF AZKABAN (2004). This deluxe presentation is composer approved and contains a bounty of previously unreleased music, featuring a total running time of just under eight hours (7:57). Housed in an attractive hardcover slipcase, this limited edition release of 5000 units.

La-La Land Records proudly presents, in association with Warner Bros. Entertainment and Warner Music Group, HARRY POTTER – THE JOHN WILLIAMS SOUNDTRACK COLLECTION, a limited edition, 7-CD box set containing Academy Award-Winning composer John Williams’ newly remastered, restored and expanded scores for the first three films in the HARRY POTTER series: HARRY POTTER AND THE SORCERER’S STONE (2001), HARRY POTTER AND THE CHAMBER OF SECRETS (2002) and HARRY POTTER AND THE PRISONER OF AZKABAN (2004). This deluxe presentation is composer approved and contains a bounty of previously unreleased music, featuring a total running time of just under eight hours (7:57). Housed in an attractive hardcover slipcase, this limited edition release of 5000 units.

Kyung Wha Chung's dazzling and probing artistry has made her one of classical music's most acclaimed performers. Lauded for her passion, her musicality and the intense excitement that she brings to her performances, Chung's uniquely expressive interpretations of the violin literature have established her as an artist of the very highest stature.

Eugene Istomin (1925–2003), one of America’s most respected pianists, was highly esteemed by audiences and colleagues alike for his mindful virtuosity and unusually wide-ranging repertoire. 2015 marks Istomin’s 90th birthday year, a milestone that Sony Classical celebrates with the first-ever release of his complete Columbia Masterworks concerto and solo recordings in a limited original-jacket collection including 10 previously unreleased studio recordings. Many of these performances appear in their first authorized CD editions, including the 19-year-old pianist’s recorded debut in Bach’s D minor Concerto led by Adolf Busch; his youthful concerto collaborations with Pablo Casals; Chopin’s complete Nocturnes; Brahms’s Handel Variations; Schubert’s D major D 850 Sonata, plus the long-out-of-print Rachmaninoff 2nd, Tchaikovsky 1st, Brahms 2nd, and Beethoven 4th and 5th (“Emperor”) Concertos with Eugene Ormandy and the Philadelphia Orchestra. Newly remastered from the original analogue tapes, the discs are presented in facsimile sleeves and labels corresponding to the original LP releases. An enclosed booklet offers full discographical information, an essay by Jed Distler, and a photographic retrospective.

This wonderful three-disc set brings together everything Willie Mae Thornton recorded for the folk music label in the mid-'70s. It's comprised of her two released albums from 1975, Jail and Sassy Mama, and a complete unreleased album, Big Mama Swings. Thornton was still in good voice on these sessions and while not as powerful as her Peacock sides, the production is solid and these recordings make an excellent addition to her scant discography.