The Musea label and the Finnish magazine Colossus endlessly continue their quest for the greatest universal themes, in order to complete their collection of concept-albums dedicated to Progressive rock. The hero of the day is Dante Alighieri, the famous medieval author from Firenze who wrote "The Divine Comedy". That's precisely this epic piece of work, without a doubt one of the greatest books of all times, that serves as the basis for this project. And of course, it has been divided in three parts: Inferno, Purgatorio and Paradiso.
These Colossus projects are always a great way of getting to know dozens of prog acts all over the world and to hear how they are inspired by the literary source material and how they obey the producer's wish to sound like 70's prog. Italy is however much more represented than any other country, and it's understandable that often the same artists reappear on several projects. "Paradiso" could well be among the finest ones…

Over the last 20 years Hipbone Slim and the Kneetremblers have established themselves as a foremost force in the worlds of rock n roll, garage, beat, surf and all in between. They have recorded 13 highly acclaimed albums and a whole load of 45s on labels such as Voodoo Rhythm, Beast, Folc and Dirty Water. Not to mention various other related side-lines and pseudonym releases!

We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street." And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

There was a time when you could walk into your average record store and find the singles section by spotting the big block of black rows. These rows signaled the whereabouts of the Ds and tended to eat up a disproportionate space of the singles section. In 2004, the Mute label condensed all of these releases into Remixes 81-04, which itself was ironically (or fittingly) presented in multiple versions. This particular version is a triple-disc set that attempts to function as a representative sampling of Depeche Mode's innumerable remixes. It does an admirable job, making a point to highlight glorified extended versions and radical reworkings alike.

In the twenty-first century, Anathema have often been mentioned in the same breath as Opeth and Porcupine Tree due to their increased movement towards thoughtful progressive rock structures. It hasn’t always been that way, of course. Like Opeth, the band began life as a totally different musical beast, playing in a melodic death metal style. Shifting line-ups naturally resulted in shifting sounds, and by the time the band signed with the legendary Music For Nations label for their fifth album "Judgement" in 1999, they’d settled on a rather tough but accessible blend of gothy and alternative rock.
Comprising three discs of remastered audio material, "Fine Days 1999-2004" presents a detailed look this important period in the Anathema history…

The very title of Goin' 50 suggests ZZ Top are considering their 50th anniversary as an event to be celebrated with a sense of humor. That's appropriate. Good spirits and lascivious jokes always have been integral to the trio's appeal, and they can be heard in abundance on this triple-CD/five-LP set that tells their story from beginning to end (there is also a single-disc edition that rounds up the highlights)…

All albums in this CD box are the original Dutch Shocking Blue album releases from the sixties and seventies, housed in their original covers and with original artwork, representing the band at the time. For a long time Shocking Blue was believed only to be a hit singles band but their albums have well proven to stand the test of time, not only in the Netherlands but also internationally…

This impressive, impeccably packaged four-CD box set focuses solely on B.B. King's 1950s and 1960s recordings for the Modern family of labels. That was a period that basically encompassed the vast majority of his work prior to 1962, though he did a few non-Modern sides before signing with ABC Paramount in early 1962 and did a few other sides for Modern in the mid-'60s. So this is basically a box-set overview of King's early career, one that saw him score many R&B hits and build a career as a blues legend, even as the blues were falling out of fashion in favor of rock and soul. As many tracks as there are here - 106 in all, four of them previously unreleased - this isn't a catchall roundup of everything the prolific King did for the label…

Prepared for the 2021 Music is our Friend USA 2021 tour. 2CD history of King Crimson featuring many extracts & tracks (22 of 29) appearing on CD for the first time, including live material by the current line-up. Packaged in DVD sized fold out digi-pack style book case with 28 page booklet. Eighth release in the Tour Box series. Introductory notes by Robert Fripp. Sleeve-notes by Sid Smith. Last year’s Tour-box 2020 wound up charting a postponed tour. But fans still wanted it and now that it looks like a 2021 tour (at least in the USA) is happening, here we are with what has, in recent years, become something of an annual tradition for King Crimson fans since the 2014 (present) line-up(s) commenced touring again.

Focus 50 is a collection to launch the commemoration of Focus celebrating half a century of ground-breaking contributions to the Prog Rock genre. It features 3 CDs and a Blu-Ray of the Live in Rio show recorded at Nitteroi in 2017.

Housed in suitably evocative artwork and a stylish clamshell box design, Separate Paths Together provides a wide-ranging, four-hour overview of the pop stars, the club folkies, the rock band refugees, the stoned poets, the political agitators, the wry humorists and the bedsit bards that came together to make up a vibrant, multifaceted scene.

The Musea label and the Finnish magazine Colossus endlessly continue their quest for the greatest universal themes, in order to complete their collection of concept-albums dedicated to Progressive rock. The hero of the day is Dante Alighieri, the famous medieval author from Firenze who wrote "The Divine Comedy". That's precisely this epic piece of work, without a doubt one of the greatest books of all times, that serves as the basis for this project. And of course, it has been divided in three parts: Inferno, Purgatorio and Paradiso.
The second part, Purgatorio, deals with the poet’s journey through Purgatory, the abode of penitent souls waiting to ascend to heaven after having being purged of their earthly sins. The set comprises 36 tracks spread over 4 CDs, for a total of 35 bands and artists from a wide range of countries…

Among the collection's 81 remastered tracks, 19 are making their CD and digital debuts, including alternate versions of classic hits, demos, rarities, and live tracks, like her stunning performance of '(You Make Me Feel) Like A Natural Woman' at The 38th Annual Kennedy Center Honors in 2015. To put Franklin's life and career into perspective, the collection is accompanied by liner notes written by Rochelle Riley, author and director of arts and culture for the City of Detroit, and David Nathan, a music journalist and soul historian who interviewed Franklin more times than any other living writer.

Aside from Roger Dean's iconic cover illustrations, Greenslade weren't like most prog brands of the 1970s. Keyboardist Dave Greenslade and bassist Tony Reeves formed the quartet in 1972 after leaving jazz-rock outfit Colosseum. Eschewing guitars, they hired Samurai's Dave Lawson as a second keyboardist, and former Manfred Mann drummer Andrew McCulloch (he also played on King Crimson's Lizard) . The band's approach utilized typical knotty, stop-and-start cadences, and key and tempo changes, but those are only a few elements in their complex soundscape. The rest of Greenslade's sound reflected a penchant for catchy melodies derived from pop, jazz, classical, and folk. Keyboardist Lawson spent years backing singers including Bing Crosby and Peggy Lee. Greenslade, Reeves, and McCulloch came up in the British blues and jump R&B bands of the early 1960s. The remastered albums in this box mark their four studio outings: 1973's Greenslade and Bedside Manners Are Extra, 1974's Spyglass Guest, and 1975's Time & Tide.