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    Lisa Gerrard & Pieter Bourke - Duality (1998)

    Posted By: Designol
    Lisa Gerrard & Pieter Bourke - Duality (1998)

    Lisa Gerrard & Pieter Bourke - Duality (1998)
    EAC | FLAC | Image (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 105 Mb | Scans ~ 50 Mb
    Label: 4AD/Rough Trade | # RTD 120.2142.2 | Time: 00:45:49
    Genre: World Fusion, Modern Classical, Ambient

    Duality is at once sacred and playful. It is both dark and light, organic and refined, masculine and feminine. Dead Can Dance's Lisa Gerrard partners with Pieter Bourke, formerly of Aussie band Eden, to create this compositional dance of partnership that is classical, ancient, and thoroughly modern. Gerrard's voice is multitracked at times, conjuring a cathedral choir and the droning chants of monks. Drums and synth snake from desert to brilliant stormy sky to shaking earth and the bodies that inhabit those spaces. There are lush multiple layers of strings, bagpipe drone, and, quite literally, the laughter of children. The vocals sans "real" words and multicultural instrumentation will be familiar to Dead Can Dance listeners. Yet there is something more exclusive, more womblike about the music of Bourke and Gerrard; rather than two distinct bodies making music, like mother and in utero child sharing blood and breath, they are mutually dependent.

    Dead Can Dance - Dead Can Dance (1984)

    Posted By: Designol
    Dead Can Dance - Dead Can Dance (1984)

    Dead Can Dance - ΔΞΛΔ CΛΝ ΔΛΝCΞ (1984)
    EAC | FLAC | Image (Cue&Log) ~ 306 Mb | Mp3 (CBR320) ~ 130 Mb | Scans included
    4AD, Rough Trade | # RTD 120.0051.2 | Time: 00:51:07
    Dark Wave, Post-Punk, Gothic, World Fusion

    Dead Can Dance is the debut studio album by Australian musical act Dead Can Dance. It was released on 27 February 1984 by record label 4AD. This album differs greatly from later Dead Can Dance releases in its incorporation of post-punk and gothic rock musical styles. AllMusic commented on the album's sound: "Bearing much more resemblance to the similarly gripping, dark early work of bands like the Cocteau Twins and The Cure than to the later fusions of music that would come to characterize the duo's sound, Dead Can Dance is as goth as it gets in many places."

    Dead Can Dance - Toward The Within (1994)

    Posted By: Designol
    Dead Can Dance - Toward The Within (1994)

    Dead Can Dance - Toward The Within (1994)
    EAC | FLAC | Image (Cue&Log) ~ 457 Mb | Mp3 (CBR320) ~ 155 Mb | Scans ~ 46 Mb
    Label: 4AD, Warner Bros. Records – 9 45769-2 | # 9 45769-2 | Time: 01:07:55
    World Fusion, Ethnic, Dark Wave, Neo-Classical, Dream Pop, Alternative

    Toward the Within (1994) is the first official live album of Brendan Perry and Lisa Gerrard's group Dead Can Dance. It contains 15 songs, of which only four appeared on their previous albums, and two of which were later re-recorded and included on Lisa Gerrard's first solo album, The Mirror Pool. The others previously existed only in live performances and unofficial bootlegs, but were not officially released until Toward the Within. Along with Perry and Gerrard were a number of musicians who had performed with them on other occasions.

    Dead Can Dance - Spiritchaser (1996) [Non-Remastered]

    Posted By: Designol
    Dead Can Dance - Spiritchaser (1996) [Non-Remastered]

    Dead Can Dance - Spiritchaser (1996) [Non-Remastered]
    EAC | FLAC | Image (Cue&Log) ~ 296 Mb | Mp3 (CBR320) ~ 119 Mb | Scans ~ 38 Mb
    Label: 4AD / Rough Trade | # RTD 120.2050.2 | Time: 00:51:57
    World Fusion, Ethnic, Dark Wave, Neo-Classical, Dream Pop, Alternative

    Spiritchaser is the seventh studio album by Dead Can Dance, and the last before Brendan Perry and Lisa Gerrard went their separate ways. It expands on its exploration of world music, and like Into the Labyrinth, was recorded at Quivvy Church, Perry's personal studio in Ireland. The album was dedicated to Lisa Gerrard's deceased brother, Mark Gerrard. The track "Indus" contains a melody that is very similar to that of "Within You Without You", a Beatles song that George Harrison wrote and recorded with Indian musicians in 1967. Although not deliberate, Perry and Gerrard were asked to contact Harrison for his permission to use it; he granted it, but the record company insisted that they give him partial songwriting credit on "Indus".

    Dead Can Dance - The Serpent's Egg (1988)

    Posted By: Designol
    Dead Can Dance - The Serpent's Egg (1988)

    Dead Can Dance - The Serpent's Egg (1988)
    EAC | FLAC | Image (Cue&Log) ~ 197 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 80 Mb
    Label: 4AD, Rough Trade | # RTD CD 92 | Time: 00:36:15
    Dark Wave, World Fusion, Ambient, Neo-Classical

    Perry and Gerrard continued to experiment and improve with The Serpent's Egg, as much a leap forward as Spleen and Ideal was some years previously. As with that album, The Serpent's Egg was heralded by an astounding first track, "The Host of Seraphim." Its use in films some years later was no surprise in the slightest – one can imagine the potential range of epic images the song could call up – but on its own it's so jaw-droppingly good that almost the only reaction is sheer awe. Beginning with a soft organ drone and buried, echoed percussion, Gerrard then takes flight with a seemingly wordless invocation of power and worship – her vocal control and multi-octave range, especially towards the end, has to be heard to be believed. Nothing else achieves such heights, but everything gets pretty darn close, a deserved testament to the band's conceptual reach and abilities.

    Dead Can Dance - Spleen and Ideal (1985)

    Posted By: Designol
    Dead Can Dance - Spleen and Ideal (1985)

    Dead Can Dance - Spleen and Ideal (1985)
    EAC | FLAC | Image (Cue&Log) ~ 206 Mb | Mp3 (CBR320) ~ 87 Mb | Scans ~ 97 Mb
    4AD, Rough Trade | # RTD 120.0032.2 | Time: 00:38:08
    Dark Wave, World Fusion, Ambient, Dream Pop

    With this amazing album, Dead Can Dance fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination. Calling it "haunting" and "atmospheric" barely scratches even the initial surface of the album's power. The common identification of the duo with a consciously medieval European sound starts here – quite understandable, when one considers the mystic titles of songs, references to Latin, choirs, and other touches that make the album sound like it was recorded in an immense cathedral.

    Dead Can Dance - Aion (1990)

    Posted By: Designol
    Dead Can Dance - Aion (1990)

    Dead Can Dance - Aion (1990)
    EAC | FLAC | Image (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 83 Mb | Scans ~ 32 Mb
    4AD, Rough Trade | RTD CD 158 | Time: 00:36:11
    Neo-Classical, World Fusion, Ambient, Dark Wave

    Their reputation growing by leaps and bounds, including a huge underground following in the U.S. – they were able to tour there even without one domestic release available, while at one point Dead Can Dance was the biggest selling band in 4AD's history – Perry and Gerrard once again did the business with Aion. Its cover taken from Bosch, Aion's medievalism was worn more openly than ever before, with songs adapted from centuries-old material. The beautiful, entrancing "Saltarello," with lead performance by what sounds like an old wind instrument, comes from an Italian dance of the 14th century, while the mysterious moods of "The Song of the Sibyl" derive from 16th-century Catalonia. The group's command of not merely recording possibilities – witness the exquisite layering of vocals on the opening "The Arrival and the Reunion" – but of musical traditions, instruments, and more from around the world was arguably never stronger. Gerrard's vocals in particular have an even stronger, richer feeling than before, not merely able to command with its power but softly calm and seduce.

    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]

    Posted By: Designol
    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]

    Lisa Gerrard - The Silver Tree (2006) [14 Tracks Edition, 2007]
    EAC | FLAC | Image (Cue&Log) ~ 304 Mb | Mp3 (CBR320) ~ 148 Mb | Scans ~ 58 Mb
    Label: Rubber Records | # RUB224 | Time: 01:04:38
    Experimental Ambient, Modern Classical, Mystical Minimalism

    One listen to Lisa Gerrard's The Silver Tree (originally available only digitally, then as an Australia-only import, and finally, as a U.S. release) is enough to convince anybody – who isn't already convinced – that there's a very specific reason she has been courted by directors to compose soundtracks. There are 13 tracks here full of wispy ambient soundscapes, on top of which the former Dead Can Dance vocalist places her almost otherworldly gift of a voice. Sung nearly as prayers or meditative mantras, Gerrard employs monosyllabic glimpses of other languages – and occasionally English – to create her own tapestry of dreams. Some may be tempted to call this "new age" music, but it's so much more melancholy than much of what passes for that trash, and it's nearly sacred in its approach to articulation, creating the feeling in places ("Come Tenderness," "The Sea Whisperer," and "Abwoon," to name a few) that she is actually singing inside a cathedral. In other places, such as "Wandering Star" and "Serenity," her voice offers a drone approach that is as subtle – yet powerful – as her instrumentation.

    Lisa Gerrard & Patrick Cassidy - Immortal Memory (2004)

    Posted By: Designol
    Lisa Gerrard & Patrick Cassidy - Immortal Memory (2004)

    Lisa Gerrard & Patrick Cassidy - Immortal Memory (2004)
    EAC | FLAC | Tracks (Cue&Log) ~ 281 Mb | Mp3 (CBR320) ~ 132 Mb | Scans included | 00:57:07
    Modern Classical, Vocal Music, World Fusion, Ambient | Label: 4AD | # CAD 2403 CD

    Immortal Memory is a collaboration between vocalist Lisa Gerrard and Irish composer Patrick Cassidy. Billed as a cycle of life and death and rebirth, Immortal Memory is better described as an orphaned film score. Cassidy's warm arrangements allow the former Dead Can Dance singer to step out of the dark medieval world that she's called home for nearly 20 years – though there is much of that world within these castle walls – and focus on the simplicity of love, faith, and loss with a grace that's bereft of the icy perfection of her previous work. Gerrard, whose voice has aged like the finest oak, displays an almost supernatural mastery of the material. Her effortless contralto wraps itself around the ten Gaelic, Latin, and Aramaic spirituals like an evening prayer, making each stunning entrance the equivalent of audio comfort food.

    Hans Zimmer, Lisa Gerrard - Gladiator (Remastered & Expanded Limited Edition) (2000/2025)

    Posted By: Rtax
    Hans Zimmer, Lisa Gerrard - Gladiator (Remastered & Expanded Limited Edition) (2000/2025)

    Hans Zimmer, Lisa Gerrard - Gladiator (Remastered & Expanded Limited Edition) (2000/2025)
    EAC Rip | FLAC (tracks, cue, log) - 981 MB | MP3 CBR 320 kbps - 463 MB
    3:19:52 | Soundtrack, Score | Label: La-La Land Records

    La-La Land Records, Paramount Pictures and Geffen Records proudly present GLADIATOR: 25th ANNIVERSARY LIMITED EDITION (3-CD SET), a deluxe remastered and expanded re-issue of renowned composer Hans Zimmer (THELMA & LOUISE, BLACK HAWK DOWN) and acclaimed vocalist/composer Lisa Gerrard’s original motion picture score to the 2000 Best Picture GLADIATOR, starring Russell Crowe, Joaquin Phoenix and Connie Nielsen, and directed by Ridley Scott. This definitive limited edition release marks the 25th Anniversary of the landmark film and its iconic, Oscar-Nominated score.

    Lisa Gerrard - The Best Of Lisa Gerrard (2007)

    Posted By: Designol
    Lisa Gerrard - The Best Of Lisa Gerrard (2007)

    Lisa Gerrard - The Best Of Lisa Gerrard (2007)
    EAC | FLAC | Image (Cue&Log) ~ 411 Mb | Mp3 (CBR320) ~ 177 Mb | Covers included | 01:15:36
    World Fusion, Vocal Music, Modern Classical, Ambient, Dark Wave | Label: 4AD | # CAD 2701CD

    Issued in 2007 on the 4AD label, THE BEST OF LISA GERRARD collects many of the finest tracks by the former Dead Can Dance vocalist/multi-instrumentalist. While the compilation includes a few tracks by that revered act, most notably the mystical "Yulunga (Spirit Dance)," a song that showcases Gerrard's striking voice, it primarily focuses on her solo work and film compositions, which both draw from music across the globe. On these pieces, Gerrard often collaborates with fellow Australian native Pieter Bourke, as on the passionate "Swans" and the expansive "Sacrifice," the latter from the INSIDER score. Although this anthology is a mere fraction of Gerrard's recorded output, it does serve as an excellent introduction to her impressive catalogue.

    Dead Can Dance - Within The Realm Of A Dying Sun (1987)

    Posted By: Designol
    Dead Can Dance - Within The Realm Of A Dying Sun (1987)

    Dead Can Dance - Within The Realm Of A Dying Sun (1987)
    EAC | FLAC | Image (Cue&Log) ~ 206 Mb | Mp3 (CBR320) ~ 88 Mb | Scans ~ 76 Mb
    Rough Trade | # RTD 120.0023.2 | Time: 00:38:44
    Dark Wave, World Fusion, Ambient, Neo-Classical

    With its two sides split between Perry and Gerrard's vocal efforts, Within the Realm of a Dying Sun serves as both a display for the ever more ambitious band and a chance for the two to individually demonstrate their awesome talents. Beginning with the portentous "Anywhere Out of the World," a piece that takes the deep atmospherics of "Enigma of the Absolute" to a higher level with mysterious, chiming bells, simple but effective keyboard bass and a sense of vast space, the album finds Dead Can Dance on a steady roll. Once again a range of assistant musicians provide even more elegance and power to the band's work, with a chamber string quartet plus various performers on horns, woodwind, and percussion. Impressive though the remainder of the first side is, Gerrard's showcase on the second half is even more enveloping and arguably more successful. The martial combination of drums and horns that start "Dawn of the Iconoclast" call to mind everything from Wagner to Laibach, but Gerrard's unearthly alto, at its most compelling here, elevates it even higher.

    Klaus Schulze & Lisa Gerrard - Big In Europe Vol. 2: Amsterdam (2014)

    Posted By: gribovar
    Klaus Schulze & Lisa Gerrard - Big In Europe Vol. 2: Amsterdam (2014)

    Klaus Schulze & Lisa Gerrard - Big In Europe Vol. 2: Amsterdam (2014)
    EAC Rip | FLAC (tracks+.cue+log) - 641 MB | Covers - 146 MB
    Genre: Electronic, Berlin School, Ethereal, Ambient | RAR 3% Rec. | Label: MIG Music (MIG 01060 2CD+2DVD)

    While other musicians mostly vary their repertoire with nuances, every Klaus Schulze performance is hard to predict. His former bandmate Edgar Froese (Tangerine Dream) once needed a nice image when describing his way of improvising on stage with electronic instruments, “This is like a parachute jump where one cannot be sure if the parachute will even open.” This was particularly true during the time of the unpredictable, analog synthesizers- but Klaus kept this same work method throughout the years without making any changes. And with this he is one of the few musicians who saved this art of improvising, all during the transition from the analog to the digital era…

    Lisa Gerrard with Klaus Schulze - Come Quietly (2009)

    Posted By: gribovar
    Lisa Gerrard with Klaus Schulze - Come Quietly (2009)

    Lisa Gerrard with Klaus Schulze - Come Quietly (2009)
    EAC Rip | FLAC (image+.cue+log) - 137 MB | MP3 CBR 320 kbps (LAME 3.93) - 68 MB | Covers - 61 MB
    Genre: Electronic, Ambient, Ethereal | RAR 3% Rec. | Label: Gerrard Records (GD02)

    In September 2009, Lisa Gerrard and Klaus Schulze performed another tour in six European cities - Warsaw, Berlin, Amsterdam, Essen, Paris, and Brussels. This tour coincided with the release of Come Quietly, a joint project between Gerrard and Schulze that was released during the tour.

    Klaus Schulze Feat. Lisa Gerrard - Rheingold: Live At The Loreley (2008)

    Posted By: gribovar
    Klaus Schulze Feat. Lisa Gerrard - Rheingold: Live At The Loreley (2008)

    Klaus Schulze Feat. Lisa Gerrard - Rheingold: Live At The Loreley (2008)
    EAC Rip | FLAC (tracks+.cue+log) - 726 MB | Covers - 10 MB
    Genre: Electronic, Berlin School, Ethereal, Ambient | RAR 3% Rec. | Label: SPV/Synthetic Symphony (SPV 306170 2DVD+DCD)

    Klaus Schulze and Australian singer Lisa Gerrard (formerly of Dead Can Dance) proved to be an appealing combination on their studio recording Farscape, and they also work well together on Rheingold: Live at the Loreley. This was recorded at the Night Of Prog Festival at Loreley in July of 2008. We get over 131 minutes of music.