Love Gun was Kiss' fifth studio album in three years (and seventh release overall, peaking at number four on Billboard), and proved to be the last release that the original lineup played on.

On October 17, 2025, the artist Vanille will release her third album, titled "Un chant d’amour." The album, which marks a new creative phase, is inspired by the sunshine pop music genre of the 1960s and 1970s. The record's main theme is love in its various manifestations, explored through memorable melodies and evocative lyrics. The project was created in collaboration with producer Christophe Charest-Latif and features other artists such as Arielle Soucy, Velours Velours, and Allô Fantôme.

It is all played with customary flare and elegance by the London Mozart players. They display an obvious relish for these works, and clearly enjoy the opportunities Marsh presents to strut their stuff individually… The pulse of his conducting is fluid but disciplined, and he pays close attention to matters of texture that can achieve rare importance at time in these almost chamber-like symphonies This definately rates a strong recommendation.

Cramer’s piano concertos were written to showcase his formidable proficiency in the new pianistic techniques—and evolving piano technologies—of the day. Howard Shelley here revisits the composer, delivering persuasive accounts of three further concertos.

Orfeus Barock Stockholm is the debut album of a Swedish group that goes by the same name. The fantastic new release contains pieces by Johann Sebastian Bach and his second son, Carl Philipp Emanuel Bach. Orfeus Barock Stockholm was founded in 2015 by some baroque loving members of the Royal Stockholm Philharmonic Orchestra and has grown to be an important part of the music life of Stockholm and a meeting point for some of the leading baroque musicians of Sweden.

Featuring extended mixes of classic disco tracks. Sony Music. 2010.

NOW Music is proud to present 80 of the greatest contemporary love songs together on one stunning collection - NOW That’s What I Call A Love Song. George Michael’s beautiful ‘I Can’t Make You Love Me’ opens the first disc and is followed by two massive #1s from Ed Sheeran and Lewis Capaldi. Heartbreak anthems from Olivia Rodrigo, Amy Winehouse, and Christine Perri are up next alongside classic airplay smashes from Fugees with ‘Killing Me Softly’, Natalie Imbruglia with ‘Torn’ and ‘Stay With Me’ from Sam Smith alongside Sade, and Paloma Faith. The first disc finishes in epic cinematic style with Céline Dion’s ‘My Heart Will Go On’ and ‘I Will Always Love You’ from Whitney Houston.

Limited to 500 copies - 50 with Jason pick-up. Enhanced and recovered bass sound. The full version of an essential masterpiece.

NOW Music is proud to present NOW That’s What I Call USA: The 80s – 4CDs packed with 79 massive U.S. hits – Whilst some were big hits on both sides of the Atlantic, we shine a spotlight on huge hits from America at the time, that have gone on to be as legendary in the UK as they were in the US.

A flautist with contagious enthusiasm, tirelessly exploring the repertoire of his instrument, Emmanuel Pahud offers here a formidable anthology of the flute concerto – a musical genre celebrating three centuries of existence. The story is not over, Prahud's exceptional talent is continually inspiring composers around the world.

Great compilation of very rare Clapton tracks throughout the years: with Dire Straits at Wembley Stadium, 1988, with Robert Cray at the Mean Fiddler, London, UK, 1986,with B.B. King at the Apollo Theatre, New York City, 1993, Buddy Holly Tribute in Los Angeles, 2000, live at the Bottom Line, NYC, with Carl Perkins in 1989, - both shows at the White House, Washington DC, with Jon Bon Jovi, Michelle Obama and others, and too many more performances to list.

Céline Marie Claudette Dion (Charlemagne, Quebec, March 30, 1968 -) is a multiple Grammy-award winning Canadian singer. The singer's music was shaped by many genres, from rock to R'n'B, gospel and European classical music styles. While his albums are often met with mixed reviews, his skilled and powerful vocals are always praised. Dion is the highest-grossing Canadian artist of all time, the second-highest-grossing female artist in the United States, according to sales figures from Nielsen SoundScan, and the only female artist to have two singles that sold more than one million copies in the United Kingdom. In addition, his 1995 album D'eux is the best-selling French-language album of all time.

Colombian pop singer Adriana Lucía began singing in her native Cordoba, participating in different festivals around the country soon after. At the age of 14, she signed with local Sonolux, recording her debut album Enamorate Como Yo in 1997. Destellos de Amor followed in 1998. A year later, performing along with accordionist Harold Rivera, they represented Colombia at Berlin's Summer Festival. Composer/arranger Omar Geles produced her album Te Amaria, released in 2000. After teaming up with accordion player John Lozano, Lucía recorded De Corazón A Corazón in 2001.

The Chordettes were one of the longest-lived vocal groups with roots in the mainstream pop and vocal harmonies of the 1940s and early '50s. covers of rock and R&B songs. The 1958 number two hit "Lollipop" was the biggest of these. Although the group's sound (at least in retrospect) fell among the Whitest and squarest of rock artists, they introduced enough rock into their repertoire and production to sound more contemporary than they had on songs such as "Mr. Sandman." Jinny Osborn was exposed to harmony singing via her father, who was president of "The Society for the Preservation and Encouragement of Barbershop Quartet Singing in America Inc." She formed the quartet with three college friends, and they became regulars on Arthur Godfrey's television show for four years in 1949, singing a cappella in the barbershop style, and recording for Columbia. Godfrey's musical director, Archie Bleyer, married the Chordettes' bass singer, Janet Ertel, around the same time he began his record label, Cadence. On Cadence, the group began to record with musical backing, though the barbershop elements are still well to the fore on "Mr. Sandman." Originally a B-side for Vaughn Monroe, the bouncy, somewhat novelty-oriented tune (complete with a deep-voiced "Yes?" from a voice representing "Mr. Sandman" at one point) made number one for seven weeks.

Beat group from Manchester, very popular in the Netherlands from 1964 till 1967.Some "Wayne Fontana and the Mindbenders" connections.