John Lennon's Jukebox is a curated compilation inspired by the personal record collection of John Lennon, reflecting the wide range of music that influenced his artistic development. The selection spans rhythm and blues, soul, rock and roll, rockabilly, and early rock influences, highlighting the foundational sounds that shaped both The Beatles’ evolution and Lennon’s solo work. The tracklist features legendary artists such as Otis Redding, Chuck Berry, Little Richard, Buddy Holly, and The Miracles, alongside key soul and R&B figures whose music defined the 1950s and 1960s. The compilation captures the raw energy, emotional depth, and cultural significance of early popular music, presenting a listening journey through the roots of modern rock. Across its two discs, the collection balances upbeat rock and roll anthems with deeply expressive soul ballads, illustrating the diversity of Lennon's musical inspirations and his connection to American musical heritage.

“Reggae Thing” by Inner Circle is an early showcase of the band’s evolving sound, blending roots reggae foundations with touches of rock and disco influences. Originally recorded in the mid-1970s and later reissued, the album captures a raw yet dynamic period in the group’s development. The music is deeply rooted in Rastafarian themes, social consciousness, and rhythmic grooves that define classic reggae, while also experimenting with crossover elements that broaden its appeal. The instrumentation is rich with steady basslines, rhythmic guitar patterns, and soulful vocal harmonies that create a warm, organic atmosphere. Tracks range from politically aware compositions to laid-back grooves and melodic pieces, reflecting both cultural identity and musical versatility. “Reggae Thing” stands as an important release that highlights Inner Circle’s early creativity and their ability to merge traditional reggae with broader musical styles.

“Sonny Terry & Brownie McGhee 1938-1948” is an extensive and historically significant collection that documents a crucial decade in the development of acoustic blues. Spanning five discs, the compilation captures early recordings from both Sonny Terry and Brownie McGhee, individually and as a duo, showcasing their evolution as influential figures in American roots music. Terry’s dynamic harmonica style and McGhee’s expressive guitar work and vocals form the foundation of a raw and authentic sound deeply rooted in rural blues traditions. The recordings highlight a wide range of material, from solo performances and duets to collaborations with other artists, reflecting the diversity and vitality of the blues during this era. Despite the archival nature of the recordings, the performances remain vibrant and emotionally resonant. This collection serves as both an essential historical document and a comprehensive overview of two legendary artists whose work helped shape modern blues.

“The Duo” by Sonny Terry & Brownie McGhee is a timeless blues collection that captures the essence of one of the most celebrated partnerships in acoustic blues history. Featuring Terry’s expressive harmonica playing and McGhee’s warm guitar work and vocals, the album presents a raw and authentic sound rooted in traditional blues storytelling. The performances are intimate and direct, emphasizing rhythm, melody, and emotional delivery over elaborate arrangements. Each track reflects the duo’s natural chemistry, with a balance of upbeat, foot-tapping numbers and more reflective, melancholic pieces. Their ability to convey narrative and feeling through simple yet powerful musical structures highlights the enduring appeal of classic blues. “The Duo” stands as both an accessible introduction and a rewarding listen for longtime fans, showcasing the depth, character, and cultural significance of Sonny Terry and Brownie McGhee’s music.

From the opening bars of Soul on Fire you could be forgiven for thinking you were listening to a new Ry Cooder album at last but you would be wrong by a windmill or two. Influenced by the likes of Leadbelly and Big Bill Broonzy, Dutch guitarist Hans Theessink (pronounced "tay-sink") successfully moves across musical borders with ease on his 15th album. Lifeline is just the right mixture of deftly played acoustic blues, gospel and soul channelled into a union that highlights the diversity and durability of roots music at it's best with guests like Charles Brown and The Holmes Brothers. There are 11 excellent original tracks to soak up, as well as covers of Rev Gary Davis, Blind Willie Johnson, and the Neville Brothers. A rare treat!

The Limited Deluxe Edition features 23 songs (an additional 7 songs) including all the original songs performed in the film by Jeff Bridges and Colin Farrell, "The Weary Kind" performed by Ryan Bingham (the theme song heard in the film's trailer and closing credits) and music featured in the film by Waylon Jennings, Lucinda Williams, Buck Owens, Sam Phillips and many more. It is packaged with a 12 page booklet featuring liner notes, lyrics and photographs. The soundtrack was co-produced by 10-time Grammy Award winner T Bone Burnett. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton. Synopsis Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times.

Featuring some of Western New York's best musicians including Mary Ramsey of Ten Thousand Maniacs. Harmonica virtuoso Mark Hummel also visits the Haunt. Don't be afraid, come on in. Willie May has performed in basements, barns, garages, street corners, speak-easies, house trailers, preschool, high school, colleges, radio, television, bars, county fairs, carnivals, grocery stores, a pigeon coop, concert halls, outdoor festival arenas, and inside Attica prison. Willie has taken his original blend of music to the blues clubs from The LaFayette Tap Room in Buffalo to Antones in Austin, TX, The Black Swan in Toronto, The Penny Arcade in Rochester, The Dinosaur BBQ in Syracuse, Hard Rock Cafe Niagara Falls, The Slippery Noodle in Indianapolis, Fat Fish Blue in Cleveland, Bflo Blues in Pittsburgh, and to countless other venues on thousands, yes thousands, of occasions.

Today's music industry is flooded with artists trying to make it big. With all these choices it's difficult to find that one performer who makes you stop and notice. But listen long enough and you can find a special release that stands alone. Such is the case with The Blue Album, the long awaited release by blues vocalist Janine Wilson. Her name may not be familiar to you yet, but Janine Wilson has been delighting blues audiences in the Washington, DC, and surrounding areas for almost a decade. The Blue Album is Janine Wilson's debut release and treats listeners to an assortment of styles such as Texas shuffles, acoustic blues, roots and southern soul, including her powerful rendition of "Breaking Up Somebody's Home" and her heartfelt version of "And I Cried," a song penned by Saffire's Gaye Adegbalola. This disc is not short on surprises.