Laws Of Gravity represents a return to form for The Infamous Stringdusters, one of the most successful bands to emerge from bluegrass in recent years and one that is known for it's incomparably tight yet improvisation-infused live shows. Over their decade together, they have won three International Bluegrass Music Association awards, earned a "Best Country Instrumental" Grammy nomination in 2011 and garnered widespread critical acclaim. Laws Of Gravity was recorded in Nashville with Billy Hume (Ludacris, Ying Yang Twins) in the co-producer's chair. Band members Andy Hall (dobro), Andy Falco (guitar), Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Travis Book (upright bass) are showcased as writers, singers, and players on an all original set of honest songs with a fresh yet familiar bluegrass/Americana/progressive feel.

Live 1983–1989 is a collection of live performances by British pop/rock duo Eurythmics, recorded throughout the 1980s, encompassing the years of their greatest commercial success. The songs are presented chronologically across two discs, with most of the performances recorded close to the time of the original studio recording. For example, the performances of "Love Is a Stranger" and "Who's That Girl?", both from 1983 albums, are drawn from 1983 concerts and sound very similar to the studio versions. Recorded live between March 1983 and September 1989 in Manchester, Los Angeles, Berlin, New York, Chicago, Austin, Stockholm, Nuremberg, Rome, Houston, London, Brighton, Christchurch, Sydney, Melbourne, Paris, Dublin, Edinburgh. Limited Edition bonus acoustic CD, all songs recorded live in Rome at Palazzo dello Sport, 27 October 1989.

Other than their greatest-hits compilations, this by far is the Dells' finest LP release. Bobby Miller excelled in assembling this strong package. The six-minute-plus "Stay in My Corner" remains a live show staple and R&B classic. Written by Wade Flemons, Bobby Miller, and Barrett "Money" Strong, the epic ballad shattered the belief that pop songs had to be three minutes or less to get airplay; it was a remake of a shorter version by the Dells released on Vee Jay in 1965…

Viktor Lazlo is a French-Belgian singer of Grenadian and Martiniquan descent. She studied in Belgium, where she is primarily known. Her biggest hit was "Breathless" in 1987. That year she also hosted the Eurovision Song Contest 1987 held in Brussels.

There are already so many "best-of" collections of Gerry & the Pacemakers – including previous releases from EMI, Capitol, and Collectables – that this double-CD set from EMI's U.K. division probably won't seem very impressive or important. Actually, very little of the band's history is left out, at least in terms of the various facets of their music – the hits are all present, along with a brace of engaging B-sides and LP and EP tracks that greatly broaden the range of music at hand. The quartet's best-known songs are well-crafted pop/rock in a Merseybeat mode, but they had a harder side as well, and even traded in some R&B and country sounds, and those aspects are represented here in between the hits. Some listeners who like their more rocking sides, such as "Jambalaya," "Maybellene" or "Pretend," may not appreciate the presence of such string-laden pop as "Walk Hand in Hand" or "Girl on a Swing," but this is a valid representation of their sound. And the sound is optimal, to put it mildly, with lots of presence on all of the instruments.

The sensational Libera release their long awaited brand new studio album Hope, featuring fourteen newly recorded songs. The singers of Libera, aged seven to sixteen, are the only choir who have performed to 3 Popes [and 2m Pilgrims!], at both 'Downton Abbey' and Ely Cathedral and are about to tour Japan! Libera headed into the recording studio having 'warmed up' with a memorable performance at World Youth Day in Krakow, Poland 2016, to an audience of 1.6 million. The Hope album, features a mixture of secular and sacred repertoire for music lovers seeking peace and respite in the midst of today's chaotic world. The vocal group have attracted an enthusiastic fan base in many countries, including the US and Canada, Russia, UK, Japan, Philippines, Taiwan, Singapore and Korea and have 27 million (!!) YouTube hits.

Speechless, Bruce Cockburn's first foray into completely instrumental territory, is proof in the pudding that you can teach an old dog new tricks. There are 15 tracks here, the vast majority of which are redos of tracks from Cockburn's catalog. But given their treatment – many of them done as solo guitar pieces – the dearth of new material doesn't even matter. In fact, one could venture to say that these feel like altogether new pieces. Cockburn is a master guitarist; he often interweaves jazz, blues, country, and folk styles into his cross-genre songs. Here he shines, pure and simple. "Train in the Rain" (anyone notice how many of his songs are about trains and travel?) touches on Leo Kottke and Peter Lang; "Water into Wine" utilizes flamenco stylings while crossing into Gypsy jazz chords à la Charlie Byrd. A new work, "Elegy," kisses the modalities of "Greensleeves" while creating itself as a piece that evokes both absence and memory. "Rouler Sa Bosse" from Salt, Sun and Time juxtaposes Cockburn's six-string against Jack Zaza's clarinet, and becomes a straight-up gently swinging jazz tune.

In a career spanning four decades Steveland Judkins Morris has been many things: child star, funk hero, political chronicler, the saviour of Motown Records and depressingly, the instigator of the painfully schmaltzy R&B ballad. Thankfully, this exhaustive "Best Of…", timed to commemorate the 40th anniversary of his first appearance as Little Stevie Wonder, focuses mainly on the 1966-1980 glory years and his transition from incendiary soul man to voice of the 70s.

To celebrate the 21st anniversary of their debut release, Blur s fourth album The Great Escape has now been remastered from the original tapes by Frank Arkwright, with the remastering overseen by legendary original producer, Stephen Street. Whilst Parklife took Blur stratospheric, The Great Escape maintained the band s success with their second successive No 1 entry into the album charts, with the September 1995 release going on to sell three times platinum. Accompanying the remastered album, the bonus disc of The Great Escape Special Edition crams in 18 tracks, including all the b-sides from all formats of the Country House, The Universal, Stereotypes and Charmless Man singles. Among these b-sides are nestled a duet version of To The End between Damon and Francoise Hardy, the Live It! remix of Entertain Me and four tracks taken from the now legendary 1995 Blur gig at Mile End Stadium. Completing the bonus disc are two live tracks from Blur s show at the Budokan arena in Tokyo (both of which were only previously released on the Japanese-only single release of It Could Be You), plus the instrumental Eine Kleine Lift Musik, which originally formed part of the Help War Child compilation released in 1995.

For the summer an excellent project Bravo Hits Lato 2017 gathered a lot of excellent data from the performers, the most different musical orientation! Bravo Hits Summer 2017 a compilation that everyone should like fun. On the two albums are the hottest hits of the last week, songs most often played in radio stations. The album contains works by top Polish and foreign performers, including the big stars of the musical scene, which do not need to be presented to anyone. Among them, among others. Luis Fonsi, Margaret, Imagine Dragons, Kayah, Lady Gaga, The Weeknd, Natalia Nykiel and many more! Bravo Hits is the # 1 compilation in Poland. This music can not miss your party!

Dutch girl Group formed around Patricia Paay. Originally formed as a gimmick for a Dutch TV-show ( with Yvonne Keeley and their mother Mrs. Paay) to perform a Andrews Sisters medley. Becoming a huge success, they replaced mother for Sylvana van Veen and became an act. After a few years the succees declined and they split up around 1987. In 2007 they tried to make a comeback with their former successingle "Stars on 45".

If You Leave Me Now is a compilation album by the rock band Chicago. In an attempt to capitalize on the band's second #1 single ("Hard to Say I'm Sorry") as well as its Top 40 follow-up ("Love Me Tomorrow"), Columbia Records built a collection around the Grammy-winning single, which had previously been their only other chart-topper…

Ex-Nighthawks guitarist Jimmy Thackery has been playing his own brand of blues-tinged rock as a solo artist for some twenty years now (he left the Nighthawks in 1987) and there's no denying that he's a first-class guitarist with a sharp ear for tone and a knack for perfectly placed fills and evocative leads. His quavering, shaky voice is a problem, though, and while he conjures up the feel of an old veteran country singer on some of his slower numbers, his singing often lacks the punch, power and sass of his guitar playing on the more upbeat material. You don't buy a Jimmy Thackery album for the vocals, though, and fans of his crisp guitar work won't be disappointed at all with Solid Ice, which comes packed with wonderful riffs and multi-tracked leads…

Fjordne is the solo project of Tokyo’s Shinichiro Fujimoto, who is also a member of Starke. While still quite young, he has taken his music to some rather avant-garde places with The Setting Sun. He remains little known outside of Europe and Asia, but his previous three releases contained some rather impressive and well-regarded forays into dreamy electronic ambiance. This Fjordne's album is inspired by the evocative descriptions of simple things in Dazai Osamu’s novel of the same name (Shayo), a story of an aristocratic family in decline and the moral lapses of its members. Sidestepping the novel’s content, Fjordne recreates the introspection and pastoral lyricism of Dazai's language into poignant chapters of musicial eloquence…

Texas-based Americana singer-songwriter Slaid Cleaves delivers a collection of world-weary yet defiant songs to help us all through these ''interesting times.'' Joseph Hudak of Rolling Stone writes: ''Slaid Cleaves may be the Americana genre's most under-appreciated songwriter. With a knack for giving breath to perpetually down-on-their-luck characters on albums like 2000's excellent Broke Down, the Austin by way of Maine artist evokes writers from Guy Clark to Tom Petty, crafting detailed portraits of barflies, drifters and day laborers.