This quiet, lovely record, in which the Gambian kora virtuoso Foday Musa Suso is given equal billing, was generally ignored when it came out, probably because it fit no one's preconceived idioms — be they jazz, funk, MTV, or even world music. The only performers are Hancock on a detunable Yamaha DX-1 synthesizer and drum machine and Suso spinning his webs of delicate sound on the zither-like kora, vocalizing a bit and playing a talking drum — all in real time in a Tokyo studio. The results are absolutely mesmerizing, with Herbie aligning himself perfectly within Suso's unusual, complex rhythmic conceptions and folk-like harmonies. On the 20-minute "Kanatente," Hancock does introduce some of his own advanced harmonic ideas, and he contrasts and interweaves them with Suso's deceptively simple lines in a splendid jam session that eventually ends in a dance that can only be described as Gambian funk.

Norwegian melodic rock queen ISSA is back with her sixth studio album, “Queen of Broken Hearts”. As with her past releases, the new release is a melodic rock fans dream come true with huge vocals and soaring melodies. Once again, Issa partnered with Alessandro Del Vecchio to work on her new album and - as with the successful “Run With the Pack” - an all-star team of musicians appears on this new album. Featuring Simone Mularoni (DGM) on guitar, Andrea ToWer Torricini (Vision Divine) on bass, Marco Di Salvia (Hardline) on drums, and Del Vecchio on Keys, “Queen of Broken Hearts” is ISSA’s most fully realized musical offering yet.

This single CD gives one a definitive look at Miles Davis' live show from his last three years. Using funky but unpredictable rhythm sections and leaving space for plenty of solos, Davis created a unique brand of fusion that has yet to be satisfactorily duplicated. Among his more notable sidemen during this era are altoist Kenny Garrett, Foley on lead bass (which he used as a lower-toned guitar), one or two keyboardists chosen from Joey DeFrancesco, Adam Holzman, Robert Irving III, Kei Akagi, and John Beasley, various bassists, drummers, and percussionists, and on "Amandla," the tenor of Rick Margitza. Davis is in consistently strong form throughout the numbers, which include "In a Silent Way," "New Blues," "Human Nature," "Tutu," and "Time After Time." Quite often the live versions of these songs are more creative and exciting than the ones previously issued.

SUNSTORM, a project originally designed to showcase a musical style similar to singer Joe Lynn Turner’s Melodic Rock/AOR roots, now has a new face fronting the band in the form of Lords of Black and Rainbow singer Ronnie Romero. Romero’s debut album with Sunstorm, “Afterlife” will be released on March 12, 2021. In discussions with producer and songwriter Alessandro Del Vecchio, it was decided that moving the musical style of the next Sunstorm album to the more melodic AOR sound of the first records was what everyone wanted. But with Turner out of the picture, who to replace the formidable vocalist? Ronnie’s name came about when the label decided that continuing the successful project was a must and that the music being crafted would put it back at the forefront of the scene….assuming the right vocalist was involved.

Every so often, a piece of music comes along that defines a moment in popular culture history: Johann Strauss' operetta Die Fledermaus did this in Vienna in the 1870s; Jerome Kern's Show Boat did it for Broadway musicals of the 1920s; and the Beatles' Sgt. Pepper's Lonely Hearts Club Band album served this purpose for the era of psychedelic music in the 1960s. Saturday Night Fever, although hardly as prodigious an artistic achievement as those precursors, was precisely that kind of musical phenomenon for the second half of the '70s – ironically, at the time before its release, the disco boom had seemingly run its course, primarily in Europe, and was confined mostly to black culture and the gay underground in America…

Waterside is the seventh studio album by Gary Hughes. This is the first solo album for Hughes in 14 years. The album was released on the 12th of March 2021, through Frontiers Records. Over the course of his over three decades in music, Gary Hughes has established himself as one of England's premiere Melodic Rock/Hard Rock singers and songwriters. With fourteen TEN studio albums, one rock opera (in two parts), and more, the body of work that he has amassed during his career is truly impressive. While with his band TEN Gary offers a hard rock sound which is rooted in the tradition of bands such as UFO, WHITESNAKE, and RAINBOW, with his solo material he offers a more melodic sound which has strong roots in the late 80’s AOR and Melodic Rock scene. The new solo album,“Waterside,” marks his long awaited return to Melodic Rock. This is also his first new solo since his last solo record “Veritas," released well over a decade ago.

Night of Hunters is the twelfth solo studio album by American singer-songwriter Tori Amos, released on September 20, 2011, in the United States through Deutsche Grammophon. It is a concept album that Amos has described as "a 21st century song cycle inspired by classical music themes spanning over 400 years." She pays tribute to classical composers such as Alkan, Bach, Chopin, Debussy, Granados, Satie and Schubert, taking inspiration from their original compositions to create new, independent songs. Regarding the album's concept, she has described it as the exploration of "the hunter and the hunted and how both exist within us" through the story of "a woman who finds herself in the dying embers of a relationship." Night of Hunters is Amos's first studio album recorded using only acoustic instruments, relying solely on her vocals and classically trained piano skills, along with a variety of accompanying string and woodwind instruments, to create its classical sound.

This set of Edgar Winter's jazzy remakes of older tunes and some new ones is all over the place. With a cast that includes guitarists Robben Ford and Hiram Bullock, Steve Lukather, and Michael Hakes, and bassists like Will Lee, Mark Meadows, and Tom Lilly, as well as trumpeter Lee Thornburg, one gets exactly what one expects: a slick, groove-infested ride through Winter's past and present.

Solomon's Seal was an album recorded in 1972 by folk-rock band Pentangle. It was the last album recorded by the original line-up, before the band split in 1973. Jacqui McShee has stated that it is her favourite Pentangle album. The album title refers to the Seal of Solomon - a mythical signet ring with magical powers, sometimes associated with the pentagram symbol adopted by Pentangle.

This is twofer with two wonderful but different albums, one with a orchestra and with a normal jazzgroup extanded with a string quartet playing Ellington music, and on both the albums Cannonball just play so nice, yeah this with strings is his first album for EmArcy recorded 1955, I can agree with the reviewer that feel that these album feels the same, nah I definitely feel the different in them, but now its your turn to feel the differents or the simularity if yoou like, but I can promise you that you gonna love these albums. This is the 1995 Verve press and it sounds good, and I bet you recognice the 1958 rhythm section.

Arnold Schoenberg exercised very considerable influence over the course of music in the 20th century. This was particularly through his development and promulgation of compositional theories in which unity in a work is provided by the use of a determined series, usually consisting of the 12 possible different semitones, their order also inverted or taken in retrograde form and in transposed versions.

This exemplary four-disc box takes the high road, attempting nothing less than an honest reconstruction of the Who's stormy, adventurous, uneven pilgrimage. While offering an evenhanded cross-section of single hits and classic album tracks, 30 Years garnishes the expected high points with B-sides, alternate and live versions of familiar tracks, and the quartet's earliest singles as the High Numbers…

"As a composer, I was feeling helpless at home during the early stages of the COVID-19 pandemic. Then, I realized I could at least provide my musical friends with new compositions while they were spending time in self-isolation. So in the Spring of 2020, I composed 31 new short pieces of music for an unaccompanied solo instrument or voice, or for a duo of musicians self-isolating together. With the cancellation of all performances, COVID-19 has adversely impacted the world’s music community. This project is my attempt to raise the spirits of fellow musicians, and the community at large, as we continue to traverse through uncertain times. We might be self-isolating but we are never alone…we have music."

Robert Schumann wrote some of the greatest works ever written for piano, four hands. Martha Fischer and Bill Lutes turn in beautiful performances of this great music.

Time Waits for No One: Anthology 1971–1977 is a compilation album by The Rolling Stones released in 1979 (released worldwide except for the U.S.). It covers the period from Sticky Fingers in 1971 until Love You Live in 1977. Only two of ten single A-sides from the period are included—"Angie" and "Fool to Cry". It was released for the first time on CD in May 2019 in Japan, making use of the standard version of the title track and the censored version of "Star Star".