60 Classic Tracks of The Seventies across Pop, Disco, Soul and Classic Rock on 3CDs. Packaged in cool, slim digipak featuring unforgettable tracks from DAVID ESSEX, TERRY JACKS, MEAT LOAF, MCFADDEN & WHITEHEAD, THE JACKSONS AND MANY MORE..

The original XXX film grossed 277 million at the box office and Vin Diesel’s global profile has never been higher as a result of the Fast and Furious chain. Brian Tyler was the primary composer for the Fast and Furious soundtracks, including last year’s Furious 7. Also in the past year, Brian has helmed the duties for The Avengers: Age of Ultron, Now You See Me 2, Truth, Criminal and The Disappointments Room.

Hugo Race and Michelangelo Russo are no strangers to either Hooker or the blues. Hailed as a supreme influence on the music of their band Hugo Race & The True Spirit, Race and Russo’s reimagining of Hooker is simultaneously blues, electronica, avant-garde and ambient, a homage to one of the greats of rock and roll prehistory. Recorded in a single, continuous day and night live session at the Berlin studio of Einsturzende Neubauten engineer Boris Wilsdorf, this is an epic album of sonic sorcery suspended in time and place, looking back through twenty-first century eyes at John Lee Hooker’s delta blues legacy in a swirling mix of analogue grit and deep trance pulses on the 100th anniversary of Hooker’s birth.

Eddie and the Cruisers is a 1983 American film directed by Martin Davidson based on the novel by P.F. Kluge. The story concerns the mysterious death of a fictional '60s rock star. Though the film received mixed reviews when it first opened in theaters it was rereleased nine months later on cable TV with great success. After screenings on HBO in 1984, the album suddenly climbed the charts, going quadruple platinum. The main song in the film, "On the Dark Side," was the number one song in the country on Billboard's Mainstream, Rock, and Heatseeker charts; and #7 on the Billboard Hot 100 chart. Another single from the film, "Tender Years," peaked at #31 on the Billboard Hot 100. John Cafferty was hired to write a few songs for the film based on Davidson’s description of his fictitious band and their music. Initially, he said that the Cruisers sounded like Dion and The Belmonts, but with elements of Jim Morrison and The Doors. The Cruisers were essentially a Jersey bar band, and he thought of Bruce Springsteen and the E Street Band. The film needed music that contained elements of these three bands. Cafferty did such a good job of capturing the feeling of the 1960s and 1980s that Davidson asked him to score the entire film. Only Michael "Tunes" Antunes, the tenor saxophone player for the Beaver Brown Band, and Helen Schneider were professional musicians in the cast.

Having used his talents as a virtuoso bass player to turn drum & bass & electronica on its head with a series of mind melting albums for Warp, Tom Jenkinson or as most people now him - Squarepusher calls on the help of his allies Strobe Nazard, Company Laser & Arg Nution to take a second turn on what amounts to possibly his most ambitious project yet, Shobaleader One.

Don't call it a comeback ? sixteen years and a few hundred thousand sold copies after his internationally successful debut album "Newcomer", Llorca plants exciting new seeds with his soulful sophomore effort "The Garden".

Mozarts Requiem may have been written under strange circumstances in the final months of the composers life, but the work itself it is timeless. Mariss Jansons and the Bavarian Radio Symphony Orchestra and Chorus give a powerful and poignant performance of Mozarts masterpiece with an impressive group of solo singers, in a concert recorded live in Munich in May 2017.

Captivating, ethereal and majestic, Mammal Hands unleash their third album, Shadow Work: drawing on spiritual jazz, north Indian, folk and classical music to create something inimitably their own. Recorded at 80 Hertz Studios in Manchester, it is the result of 18 months of intensive touring and mammoth writing sessions. The energy from their exhilarating live performances has fed into the writing process and yet there is a quiet reflective side to this album, giving it an expanded emotional range that draws the listener deep into Mammal Hand’s sound world.

Manifold Records present Summer Time Vol. 5. 22 excellent Chillout tracks and a continuous mix with mixing duties handled by DJ Maretimo.

Non erano mai stati ufficialmente ristampati su CD né Disposabilty né Sortie, due momenti a loro modo significativi nell'evoluzione del linguaggio del sassofonista Steve Lacy durante gli anni Sessanta. Li ripropone oggi la Emanem, in un doppio CD completato da alcuni interessanti inediti. Pubblicati originariamente in Italia (Lacy si era stabilito per un periodo a Roma durante l'irrequieto nomadismo europeo che seguiva le delusioni professionali newyorkesi), sono lavori che raccontano la rapida transizione dell'artista verso un segno espressivo peculiare e unico, una transizione che avviene attraverso i venti free che fanno sobbalzare la barca e con una bussola il cui ago tiene dritti i riferimenti a Thelonious Monk.

Like The Heliocentrics, BRZZVLL is a band mainly known for its repeated collaborations with strong frontmen. After two inspiring adventures with poets & ‘Nuff Said brothers Anthony Joseph (“Engines”) and Amir Sulaiman (“First Let’s Dance”), BRZZVLL resolutely strikes the instrumental chord on this new album. The septet performs in its most quintessential form: a cast-iron instrumental core.

HAKEN are extremely pleased to announce the release of their first ever live album, titled 'L-1VE' and scheduled for release on the 22nd June 2018. Following the release of the bands much-acclaimed fourth studio album 'Affinity', they embarked upon their 10th anniversary tour across Europe & North America. Recorded and filmed on the 13th April 2017, at the legendary Melkweg venue on the Amsterdam stop of that tour, this represents the band's first ever live document with tracks from across the band's discography.

Opilec Music is back with another treasure trove of music that outlines how important Turin and the Piedmont area was to the development of electronic and dance music in the 70s and 80s and beyond. This compilation has been expertly put together by Opilec Music boss, I-Robots, from his own experiences as a DJ and collector and from time spent digging in archives, old collections and anywhere else he could. It marks the start of a new series and is the latest in a long line of such projects he has worked on before now.

It’s an unexpected trip! As if we were in the time machine… From the first notes, we are in the heart of Chicago, back in the Untouchables’ time, in prohibition era. The Trio Nouveaux Siècles, bringing together Julien Chirol, Michel Feugère and Frédéric Couderc, takes us to the Aragon Ballroom. No excessive jazz orchestra, just three swinging brass instruments, from trombone to saxophone within trumpet, each instrument plays a melodic, harmonic or rhythmic role depending on the circumstances.

Formed at “Greg’s” (St Gregory’s college in Ikoyi, Lagos), Grotto came up at the same time as several other influential student bands based there, including Ofege. “As Grotto, we played a rock/funk fusion. We were probably aged 15, 16 or thereabouts and we were heavily into music; we listened to Jimi Hendrix, Carlos Santana and lots of rock bands,” explains lead guitarist Soga Benson. Their debut album is a heavyweight trip, drifting from psychedelic workouts to crunching breaks and funkier directions.