1969 was the year that Alice Cooper released their first album, Pretties For You. It was a strange album for the time, and is still quite strange by today's standards. Amidst gems that really showed what was to come from the group, such as "sing low, sweet cheerio", "fields of regret", and "changing arranging", were strange tidbit ideas of songs clocking in at 2 minutes or less, featuring odd vocal stylings, unexpected and frequent tempo changes and start-stop rhythms. This live album, recorded at the record's release party is a great window into the band's workings at the time. The quality far surpasses that of the much easier to find toronto rock'n'roll revival set from the same time period, and features a much more diverse setlist.

With Billion Dollar Babies, Alice Cooper refined the raw grit of their earlier work in favor of a slightly more polished sound (courtesy of super-producer Bob Ezrin), resulting in a mega-hit album that reached the top of the U.S. album charts. Song for song, Billion Dollar Babies is probably the original Alice Cooper group's finest and strongest. Such tracks as "Hello Hooray," the lethal stomp of the title track, the defiant "Elected" (a rewrite of an earlier song, "Reflected"), and the poison-laced pop candy of "No More Mr. Nice Guy" remain among Cooper's greatest achievements. Also included are a pair of perennial concert standards - the disturbing necrophilia ditty "I Love the Dead" and the chilling macabre of "Sick Things" - as well as such strong, lesser-known selections as "Raped and Freezin'," "Unfinished Sweet," and perhaps Cooper's most overlooked gem, "Generation Landslide"…

Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums (Pretties for You and Easy Action) were both largely psychedelic/acid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stage show and image. One of the band's most instantly identifiable anthems, "I'm Eighteen," was what made the album a hit, as well as another classic, "Is It My Body"…

Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado." The long and winding "Halo of Flies" correctly hinted that the band would be tackling more complex song structures on future albums, while "You Drive Me Nervous" and "Yeah, Yeah, Yeah" showed that Alice Cooper hadn't completely abandoned their early garage rock direction…

Formed in 1968, the original Alice Cooper band forged a theatrical brand of hard rock that was destined to shock and had never been seen before. Within five years they would release no fewer than seven studio albums, amongst them their international breakthrough School's Out (including the Top 10 hit of the same name) and the US #1 Billion Dollar Babies (1973). By 1974, the band had risen to the upper echelon of rock stardom… and then, it dissolved.

With the future of the original Alice Cooper band in doubt by mid-1974 (they would soon break up for good with Alice going solo), Warner Bros. decided to issue a best-of compilation entitled Greatest Hits. If you're a newcomer to Alice, this 12-track compilation is a must-hear – all the selections are exceptional. While many have chosen to focus primarily on Cooper's theatrics over the years, the original bandmembers were indeed supreme rock songwriters; such anthems as "I'm Eighteen," "Under My Wheels," "School's Out," and "No More Mr. Nice Guy" are unquestionably among the finest hard rock tracks of all time. And the other selections prove to be just as strong – "Is It My Body," "Desperado," "Be My Lover," "Elected," "Billion Dollar Babies," and "Muscle of Love" are all outstanding as well. The only criticism of the original release is that the collection overlooked the band's key album tracks never issued as singles.

This album purports to be an attempt at recursion by the creator of The X-Files, Chris Carter – songs inspired by the show that he hopes will provide further inspiration for the show (just as Nick Cave's "Red Right Hand" did for the "Ascension" episode.) Contributions here include Mark Snow, with the title music, the Foo Fighters with a grand rendition of Gary Numan's "Down in the Park" (Numan's songs would fit this show perfectly), Sheryl Crow, Frank Black, Filter (who abandon their roaring faux-NIN sound for moody acoustic guitars), Meat Puppets, Elvis Costello with Brian Eno and even Screamin' Jay Hawkins. While not perfect, the album makes a nice alternative compilation, one that has that blue-light glow of twisted mystery X-ficianados have come to enjoy.

3 albums on 2 CD's! The three albums featured in this set are Trash (1989), Hey Stoopid (1991) and The Last Temptation (1994). Alice Cooper (born Vincent Damon Furnier) is an American singer, songwriter, and actor whose career spans over 50 years. "Alice Cooper" was originally a band whose 1969 debut album met with limited chart success but following the release of a second album in 1970, the band had an international hit with the song "I'm Eighteen". They reached their commercial peak in 1973 with their sixth studio album, Billion Dollar Babies after which they broke up and Furnier adopted the band's name as both his legal and stage name. Cooper released his first solo album Welcome to My Nightmare in 1975 followed by a steady stream of albums during the 70s and 80s. With a raspy voice and a stage show that features numerous props, including pyrotechnics, guillotines, fake blood, reptiles, baby dolls, and duelling swords, Cooper is considered to be "The Godfather of Shock Rock". He has experimented with a number of musical styles, and helped shape the sound and look of heavy metal.

Alice Cooper made headlines recently when he unearthed a priceless Andy Warhol print in a storage unit, forgotten since the heady days of socialising with the pop-art icon. Whether or not it was a PR stunt for his 27th studio release, it reminded the world that the gravel-tongued shock-rocker can be relied on to bring some rock’n’roll weirdness to proceedings. That’s what the bonus disc of Paranormal shows, too, featuring exuberant live recordings of his greatest hits including School’s Out and No More Mr Nice Guy…

Alice Cooper (born Vincent Damon Furnier; February 4, 1948) is an American singer, songwriter, and actor whose career spans over fifty years. With his distinctive raspy voice and a stage show that features guillotines, electric chairs, fake blood, deadly snakes, baby dolls, and dueling swords, Cooper is considered by music journalists and peers alike to be "The Godfather of Shock Rock". He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock people…

Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado."

Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums (Pretties for You and Easy Action) were both largely psychedelic/acid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stage show and image. One of the band's most instantly identifiable anthems, "I'm Eighteen," was what made the album a hit, as well as another classic, "Is It My Body." But like Alice Cooper's other albums from the early '70s, it was an incredibly consistent listen from beginning to end.