Find Me is an ongoing collaboration between Swedish musician, songwriter, and producer Daniel Flores (The Murder Of My Sweet) and singer Robbie LaBlanc (Blanc Faces, ex-Fury) that was put together by Frontiers President, Serafino Perugino with a vision to unleash another AOR behemoth. Their partnership has yielded three absolute melodic rock gems in a row and "Lightning In A Bottle" will certainly be no exception. A delightful and massive melodic rock album, "Lightning In A Bottle" is chock full of mighty anthemic AOR songs featuring Robbie’s soaring vocals backed by amazing performances from Flores and his band. Sonically, this album touches on both the classic Melodic Rock/AOR style, while also showing influences from the new guard of the genre. Find Me's "Lightning In A Bottle" will no doubt be another unmissable album from Frontiers for the Melodic Rock/AOR crowd! Japanese pressing features bonus material.

The Ferrymen have become an established name for European metal fans and "One More River To Cross" should do nothing to slow that momentum. The trio are comprised of Swedish guitarist/songwriter/producer Magnus Karlsson (Primal Fear, Magnus Karlsson's Free Fall), Chilean vocalist Ronnie Romero (Lords of Black, Sunstorm, Rainbow), and American drummer Mike Terrana (Rage, Axel Rudi Pell, etc.).

“Midnight Ball (Éjféli Bál)” was the second official CD of the band, released in 2011. On the 10th anniversary of the CD release, the band decided to re-arrange and re-record the album, this time with English lyrics. This CD edition contains the new versions of the original nine songs, and two new ones for which there is no previous Hungarian version, also released on the LP version. Another Midnight Ball is based on the novel Master and Margarita by Mikhail Bulgakov. Legacy of a Pharaoh was inspired by Boleslaw Prus’ novel, Pharaoh. I’ll Be One of the Gods was inspired by the Book of the Dead. Matthew 26:47 is an excerpt from the Gospel of Matthew.

Android releases another older production, after the East Of Eden Revisited series. The recordings of Svejkfigurák (Figurines of Svejk) were made in 2020 in the UNIDEB studio, taking advantage of the modern instrumentation and technical possibilities of today’s. Recording and mixing by János Dudás. Mastering by Tamás Barabás.

Known as the ‘First Lady of the organ’, Marie-Claire Alain was a strikingly mature, creative and intuitive artist. Spanning four centuries of music, from Baroque masterpieces by the likes of Couperin and Grigny, through cornerstones of the French organ repertoire by Widor, Vierne and Messiaen, to two discs of works by her brother Jehan, this collection is testament to her vast and impressively wide-ranging recording legacy.

Miles Davis was in the process of forming his first classic quintet when he recorded this date, a Prestige set reissued by the audiophile label DCC Compact Classics…

Stylove (real name Juan Martinez) is a Spanish DJ, music producer, composer and singer from Alicante, owner of Maxi Music, independent music label. Founded in 2010 by producer Juan Martinez, Spanish label Maxi Music Records is one of the world’s most successful independent Italo Disco record labels.

The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the songwriting was not as impressive as it had been on the first two records…

Graduate was the ska youth group of Roland Orzabal and Curt Smith, who from 1982 would star in an important musical stage at the helm of Tears For Fears. Graduate were formed in bath in 1979 and took their name from the fact that they used to open their gigs with a cover version of Simon and Garfunkel’s ‘Mrs Robinson’ as featured in the sublime film ‘The Graduate’. The group consisted of John Baker, guitar and vocals; Steve Buck, keyboards and flautist; Andy Marsden, drums; Roland Orzabal, guitar and keyboards; Curt Smith, bass and synthesizers. It would appear that Curt was not an original member of the band. Roland, John and Andy were gigging around before the name Graduate was taken on.

The gala evening at the Paris Opera on December 19, 1958 was announced in the press as ""the greatest show in the world". Maria Callas, at the height of her glory, performed for the first time in front of a Parisian audience. The diva delivered all the facets of her art through the Italian classics that she loved, with the theatrical genius that is proper to her. Paris gave her a triumphant evening!
The original recording of this evening, broadcast in Eurovision throughout Europe, has been newly restored with the greatest care.

Gearing up for their third album for FatCat, Tal National look back on a fertile period spent further honing their sound and touring the US several times - leaving audiences sweaty and stunned time after time. They've laid down incredible sets at WOMAD and Roskilde, bringing the same intensity and jubilance to the festival set as they would a crammed club, converting the staunchest wallflower into a dancer for the night. At their core, that’s Tal National's intent, to make the people dance. Performances at their Niamey nightclub (yes they operate their own nightclub) are regularly raucous 5-hour non-stop dance parties for 300 people a night. With Tantabara the band continues their ongoing quest to translate that energy to tape, bottling the party for personal use. The grooves are the backbone of the album, and the intent is to create a trance-state that overwhelms conscious thought and lets the listener be surrounded by the energy and emotion of Tal National. Brimming with the band’s complex, intense spirit, the album is a continuation of the balance of tradition and innovation that have driven their previous albums. It’s a joyous celebration and euphoric epiphany all in one complex package. We'd expect nothing less at this point from Tal National.

Christian McBride solidifies his role as the champion of the past, present and future of jazz with his GRAMMY® Award-winning Big Band’s new album in tribute to Jimmy Smith, Wes Montgomery and Oliver Nelson. Featuring special guests Joey DeFrancesco and Mark Whitfield, "For Jimmy, Wes and Oliver" honors the historical legacy of the jazz legends who shaped the soul of music for generations to come.

Sitting atop the charts in 1975, Elton John and Bernie Taupin recalled their rise to power in Captain Fantastic and the Brown Dirt Cowboy, their first explicitly conceptual effort since Tumbleweed Connection. It's no coincidence that it's their best album since then, showcasing each at the peak of his power, as John crafts supple, elastic, versatile pop and Taupin's inscrutable wordplay is evocative, even moving…