Incerto is the birth of an exciting new modern jazz ensemble featuring the remarkable trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) joined by the brilliant guitarist Julian Lage. A quartet capable of anything, this is the perfect group to realize Zorn’s quirky compositional twists and turns. The music is wildly varied—maddeningly complex, powerfully driving, heartbreakingly beautiful—and embraces complex meter changes, atonal melodies, unusual harmonies, and bizarre structural complexity. Inspired by Freud, Sartre, and the Uncertainty Principle, the music explores possibilities, probabilities, inevitabilities, and impossibilities.

FOGHAT continues to captivate fans of all ages because their music is timeless. They're still touring relentlessly and performing with an energy that keeps a youthful spirit alive, no matter how old they may be. On "SONIC MOJO," founding member and drummer Roger Earl is joined by guitarist, engineer, and co-producer Bryan Bassett (known for Wild Cherry and Molly Hatchet), bassist Rodney O’Quinn (from Pat Travers Band), and on lead vocals and guitar, Scott Holt (associated with Buddy Guy).

Blonde Redhead return with Sit Down for Dinner, their first album in seven years and debut for section1. Its title a nod to the often-sacred communal ritual of sharing a meal with those you love, this immersive, meticulously crafted album appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence.

Avid Jazz continues with its Five Classic Album series with a re-mastered 2CD release from Dakota Staton complete with original artwork, liner notes and personnel details. “Late Late Show”; “Dynamic!”; “More Than The Most” “ Crazy He Calls Me” and “Time To Swing”.
Born in Pittsburgh, Pennsylvania, Dakota Staton attended the famed George Westinghouse High School, (alumni include pianist Ahmed Jamal, possibly at the same time!) and went on to study music before entering the music scene through that tried and tested, and very tough route, of the night club circuit. From a young age she was travelling around the country appearing in night clubs from Detroit to Indianapolis to Cleveland and to St. Louis and to Harlem in New York, where she was discovered by Capitol Records producer Dave Cavanaugh…

In between albums, Billie Eilish won two Oscars, a pair of Golden Globes, and a handful of Grammy Awards. What would typically be huge feats for regular folks has become the norm for the dynamic duo of Eilish and her brother, Finneas, but could they extend that success for another album cycle? For that third effort, Hit Me Hard and Soft, she didn't offer an advance single or major promotion, a move that might have been construed as getting ahead of any negative critical evaluation. And yet, it simply signaled a quiet confidence in the project, which is another home run. This pair can really do anything. A brisk ten songs, this is a "no skips" gem that is ideal for leaving on repeat and getting lost in the hazy, yearning snapshots of lust, longing, and heartbreak.

"Let it first be said that the title track of The Hypnogogue, the first new album from The Church in six years, is one of the most breath-taking singles they’ve released in years, a darkly psychedelic six minutes that slowly spirals into a menacing descent. That alone is reason to keep this one on your radar; the Australian neo-psych band have been going for over 40 years, with around a half dozen classic albums and zero bad ones, yet their ability to keep evolving and uncovering new aspects to their sound and approach only serves as a reminder of how vital they remain after four decades."

Structured like a religious mass, these seven lovely nocturnes take you to an otherworldly space of beauty and tenderness, unlike any other Zorn compositions you have ever heard. Gorgeous and restful music from a compositional seeker who continues to defy categorization, “Perchance to Dream…” is one of the most unusual and haunting collections in his catalog.

This is the fifth CD of new music written expressly for the all-star guitar trio of Bill Frisell, Julian Lage and Gyan Riley. Here Zorn draws inspiration from the enigmatic tales of Argentine philosopher/ writer Jorge Luis Borges. Like a collection of short stories, each composition is a miniature world in itself and touches on philosophy and mysticism as well as music. Blending folk, classical, jazz, bluegrass, world music and more, this is truly music of the 21st century—unclassifiable and unique. Filled with telepathic interplay and surprising compositional twists and turns, the music is achingly beautiful and intensely evocative. Another gorgeous creation from Downtown alchemist John Zorn and this incredible trio of musical masters!

In 2020 Brian Marsella joined the heavy metal organ trio “Simulacrum” to spawn the astonishing fusion quartet “Chaos Magick”. This fourth CD in their ever-expanding legacy is a magical collection of instrumental music at its finest. Tighter and wilder than ever, Medeski, Hollenberg, Grohowski, and Marsella perform with a remarkable rapport in this provocative new direction from Downtown alchemist John Zorn, who has been exploring new musical worlds and confounding expectations since the 1970s! "444 is among the best things I’ve ever done." —John Zorn

Medusa is the second solo album by the Scottish singer Annie Lennox, released in March 1995, and consists entirely of cover songs. It entered the UK Albums Chart at number 1 and peaked in the United States at number 11, spending 60 weeks on the Billboard 200 chart. It has since achieved double platinum status in both the United Kingdom and the United States and sold more than 6 million copies worldwide. Although no tour was held to promote this album, Lennox played a one-off concert in Central Park, New York City on 9 September 1995. This was subsequently released on videotape as Annie Lennox in the Park and on DVD as Annie Lennox Live in Central Park. In 1998, BMG International released Medusa/Live in Central Park, which contained two complete albums – Medusa (1995, originally released on Arista) and Live in Central Park (1996, also originally released on Arista) – by Annie Lennox on one compact disc.

Akikaze, Japanese for autumn wind, is the electronic exploration of Pepijn Courant.
In High Places (1993). The title refers to Hoogoord, the name of the building in south-east Amsterdam were Pepijn Courant then lived. This CD, as all music by Akikaze, was recorded at home and was mainly inspired by mankind’s great achievements such as the conquest of the moon and the climb of the Mount Everest. The guitar parts were performed by guitarist Dirk Zeeman, a blues musician, who appeared on a CD for the first time.
Fantasmagora (1996). The prestigious project “Fantasmagora”, using many of his oldest compositions. The music had a classical, symphonic rather than cosmic touch. Musical inspirers were, among others, Pink Floyd and Mike Oldfield and the music was based on acoustic instrument samples with a leading part for Pepijn’s first instrument, the piano…

Katie Melua released her first album when she was only 19, and quickly became the highest selling female musician in the UK with over 1.8 Million sales in the first five months. Over the past 15 years, Katie has released 7 top 10 studio albums – Call Off The Search, Piece By Piece, Pictures, The House, Secret Symphony, Ketevan and In Winter. The Ultimate Collection has been compiled by Katie and features 30 tracks from her 7 studio albums as well as her cover of ‘Fields of Gold’ and two brand new recordings of Simon & Garfunkel’s ‘Bridge Over Troubled Water’ and Shirley Bassey’s ‘Diamonds Are Forever’. Singles on the album include her worldwide hit ‘Nine Million Bicycles’, ‘The Closest Thing to Crazy’, ‘If You Were A Sailboat’ amongst many other hits. The album will also include liner notes written by Katie.

Many albums have scaled to the top of the American charts, many of them not so good, but few have been as widely forgotten and spurned as REO Speedwagon's Hi Infidelity. In a way, the group deserved this kind of success. They had been slogging it out in the arenas of the U.S., building up a sizeable audience because they could deliver live. And then, in 1980, they delivered a record that not just summarized their strengths, but captured everything that was good about arena rock. This is the sound of the stadiums in that netherworld between giants like Zeppelin and MTV's slick, video-ready anthems.