3-track French compilation in the Complete Bob Marley & The Wailers 1967-1972 series, features original & alternate versions previously unreleased outside of Jamaica & previously unreleased soul mixes & demos. Includes full color 16-page booklet with pho.

The title and sound of 100 Miles from Memphis can’t help but recall Dusty in Memphis, Dusty Springfield’s 1969 blue-eyed soul classic, but Sheryl Crow’s 2010 album isn’t quite a strict homage to Dusty. Crow draws from many of the same ‘60s sources as Springfield, but she also dabbles in reggae (thanks to the chunky guitar of Keith Richards on “Eye to Eye”) and digs into the cool, seductive ‘70s groove of Hi, channeling Al Green on a sleek reworking of Terence Trent D’Arby’s “Sign Your Name,” complete with support from Justin Timberlake. Add to this the extended funk coda of “Roses and Moonlight,” the hippie singalong of “Long Road Home” and one of Crow’s signature good-time social-conscious raising anthems in “Say What You Want” and 100 Miles from Memphis boasts a considerably more expansive palette than Dusty in Memphis, yet it’s all bonded by its smooth, soulful groove due in part to the co-production from Doyle Bramhall II and Justin Stanley.

Elizabeth Mitchell is a Jamaican-born British vocalist, best known as the former lead singer of the 1970s disco/reggae band Boney M. In 1996, Mitchell and her husband Thomas Pemberton built the Dove House Studios and formed Dove House Records. In November 1999, Mitchell released her album Share the World, which had taken three years to complete. She is still touring, billed as Boney M. featuring Liz Mitchell.

Going for Broke is a 1984 album by Eddy Grant. Following the major success of the previous Killer on the Rampage, this album takes a similar approach but was not as successful. It featured the U.S. hit "Romancing the Stone", as well as the singles "Till I Can't Take Love No More" and "Boys in the Street". "Romancing the Stone" was intended for the 1984 feature film of the same name, in fact was announced by Casey Kasem on the 30 June 1984 edition of American Top 40 as the title song to the movie, but ultimately was not used, though clips from the film appeared in the song's music video, and the song is mentioned in the film's closing credits.

Eddy Grant has often been categorized as a reggae singer, but reggae is only a part of what he's done. In fact, Grant's best known hit, "Electric Avenue," awasn't reggae at all. On this inspired and unpredictable CD, the British singer successfully embraces everything from reggae-pop ("Talk About You," "Welcome To La Tiger") to guitar-powered rock ("Wildcat," "I'm Not Alone Tonight") to country-rock ("Sweet On The Road"). With its haunting acoustic guitar, the title song has a Neil Young-ish appeal. But the album's best song of all is "Gimme Hope Jo'Anna," a indictment of South Africa's cruel apartheid system. Quite enjoyable, Barefoot Soldier was a welcome addition to Grant's catalog.

A supergroup of rock, pop, and world music heavyweights, SuperHeavy feature Rolling Stones icon Mick Jagger and neo-soulster Joss Stone along with guitarist/producer Dave Stewart, reggae artist Damian Marley, and Indian musician/composer A.R. Rahman. Formed around 2009 as a result of Stewart and Jagger's mutual love for Indian orchestral music as well as the music Stewart heard in his adopted home of St. Ann's Bay, Jamaica, SuperHeavy began experimenting on tracks backed by Marley's touring rhythm section. In 2011, SuperHeavy released their debut self-titled album, featuring the reggae single "Miracle Worker" and the Rahman-composed cut "Satyameva Jayathe."

UB40 was the first indication that the band was abandoning the political inclinations of their earlier work and concentrating solely on pop-reggae. Of course, pop informed all of their albums since Labour of Love, but on UB40, the group concentrates solely on the grooves, from the instrumental "Dance with the Devil" to a sultry cover of "Breakfast in Bed," featuring Chrissie Hynde on vocals. Even though the album and all of its mellow grooves are thoroughly enjoyable, it's hard not to long for something a little deeper, whether it's the tributes of Labour of Love or the edgy Rat in the Kitchen.