More diverse than Vanessa Williams' two previous albums, Sweetest Days finds the singer exploring jazz-influenced songs without giving up the type of boring, radio-minded fluff that had enabled her to sell millions of albums. The CD's standout track is "Ellamental," an irresistible R&B/jazz/hip-hop tribute to Ella Fitzgerald. (Much to her credit, Williams was insightful enough to praise the jazz legend while she was still alive instead of waiting until after her death.) She's almost as appealing on "Sister Moon" (a torchy Sting gem) and the Babyface contributions "You Can't Run" (which has a Sade-ish quality) and the haunting "Betcha Never."

Dangerous is the eighth studio album by American recording artist Michael Jackson, released on November 26, 1991 by Epic Records. It was his fourth studio album released under the Epic label. Jackson wrote twelve of the fourteen songs on the album. Lyrical themes expressed on the album included racism, poverty, romance, the welfare of children and the world and self-improvement, topics Jackson had covered before. Dangerous peaked at number one in nine countries, while charting at the top ten in four other territories. Dangerous received several Grammy nominations, winning only one for Best Engineered Album (Non Classical) by Bruce Swedien and Riley. The album also received three nominations at the American Music Awards of 1993 ultimately winning two awards, mainly: Favorite Soul/R&B Single for the single "Remember the Time" and Favorite Pop/Rock Album for the album itself.

Bad is the seventh studio album by American singer Michael Jackson. It was released on August 31, 1987 by Epic Records, nearly five years after Jackson's previous album, Thriller. Bad was written and recorded in nearly a year, and was the final collaboration between Jackson and producer Quincy Jones. Jackson co-produced it and composed all but two tracks. The album features appearances from Siedah Garrett and Stevie Wonder. Incorporating pop, rock, funk, R&B, dance, soul and hard rock, Jackson experimented with modern technology, including digital synthesizers and drum machines, resulting in a sleeker and more aggressive sound on Bad. The lyrical themes include media bias, paranoia, racial profiling, romance, self-improvement, and world peace.

After shocking the R&B world with 1986's Control – a gutsy, risk-taking triumph that was a radical departure from her first two albums – Michael and Jermaine Jackson's younger sister reached an even higher artistic plateau with the conceptual Rhythm Nation 1814. Once again, she enlists the help of Time graduates Jimmy Jam and Terry Lewis (one of the more soulful production/songwriting teams of 1980s and '90s R&B) with wildly successful results. In 1989, protest songs were common in rap but rare in R&B – Janet Jackson, following rap's lead, dares to address social and political topics on "The Knowledge," the disturbing "State of the World," and the poignant ballad "Living in a World" (which decries the reality of children being exposed to violence). Jackson's voice is wafer-thin, and she doesn't have much of a range – but she definitely has lots of soul and spirit and uses it to maximum advantage on those gems as well as nonpolitical pieces ranging from the Prince-influenced funk/pop of "Miss You Much" and "Alright" to the caressing, silky ballads "Someday Is Tonight," "Alone," and "Come Back to Me" to the pop/rock smoker "Black Cat." For those purchasing their first Janet Jackson release, Rhythm Nation would be an even wiser investment than Control – and that's saying a lot.