This collection celebrates the twelve months running up to the release of the album Hunky Dory in December 1971 via home demos, BBC radio sessions and live and studio recordings. Contains 48 previously unreleased tracks/demos from the period, and new alternative mixes of 'Hunky Dory' tracks by original co-producer Ken Scott.Two books accompany 'Divine Symmetry', a 100-page hardback book featuring exclusive memorabilia and photos alongside a 60-page replica composite of Bowie’s notebooks from the era featuring handwritten lyrics, costume drawings, recording notes and set lists.

In the summer of 1717, after performing his Water Music during a royal cruise on the Thames, Handel began composing for James Brydges (1674-1744), who became the first Duke of Chandos and created the Cannons Concert at his estate in Cannons (near Edgware), with ten instrumentalists and three singers. Handel composed eleven anthems and a Te Deum for him from August 1717 onwards, as well as transposing and revising As pants the hart (HWV 251b). O sing unto the Lord a new song (HWV 249b) is an adaptation of an anthem written three years earlier for the Chapel Royal. The anthem Have mercy upon me, O God (HWV 248) was composed in 1717 and is a paraphrase of the Miserere. The Alleluia of Let God arise (HWV 256a) prefigures the famous Hallelujah chorus from Messiah (1741). Arcangelo and Jonathan Cohen now revive these four Chandos anthems composed for Cannons with eight singers and eleven excellent instrumentalists.

This five-CD box set collects all five of the Dave Brubeck Quartet's Time series recordings: Time Out, Time Further Out, Countdown: Time in Outer Space, Time Changes, and Time In, with bonus material attached to three of the discs. Of this quintet of recordings, the latter three have never been available on CD in the United States. Recorded between 1959 and 1965, each of these titles has a distinct relationship to "time travel" in the context of jazz. Brubeck, Paul Desmond, and company were consciously trying to extend the time-space continuum in jazz, and erase the boundaries of imposed four/four signatures in the idiom. Time Out was the first jazz album on which every tune was in a different tempo, and it charted all over the world…

From Renaissance Spain to 21st century Denmark, On a Ground is a musical journey across time and traditions,centered around one of music’s most universal elements: the ground bass. Celebrated recorder virtuosa Michala Petri and renowned Japanese baroque harpist Marie Nishiyama unite to explore the expressive power of this timeless form.
Recorded, after a concerttour i Japan, including Suntory Hall, and just before the global lockdown at Chichibu Muse Park in Japan, the album presents intimate and evocative interpretations of works by Diego Ortiz, Alessandro Marcello, J.S. Bach, Erik Satie, and contemporary Danish composer Lars Hannibal, among others. The duo’s collaboration reveals the meditative beauty and subtle intricacies of their ancient instruments.

When you possess a great pop voice, it's inevitable that you'll someday make a pop album, and Alison Krauss has finally made hers. Instead of bidding for radio airplay with the extravagant, extroverted pop of Shania Twain, Trisha Yearwood, or Celine Dion, Krauss has crafted an intimate, understated chamber-pop album reminiscent of Joni Mitchell's Blue or Rosanne Cash's Interiors.

King Leontes of Sicilia is crippled with an all-consuming jealousy when his friend, King Polixenes of Bohemia, stays with him and his wife Hermione. What follows is a tale where a marriage is destroyed, a child is abandoned and all hope is seemingly lost for two lovers.Celebrating its tenth anniversary, The Winter’s Tale is an award-winning modern ballet classic, packed with emotional turmoil heightened by Joby Talbot’s compelling score.

In 2006, to celebrate the 250th anniversary of Wolfgang Amadeus Mozart's birth plus the 30th anniversary of Anne-Sophie Mutter's public debut, Deutsche Grammophon released new recordings of the German violinist in all the Austrian composer's major works featuring her instrument. To celebrate Mutter's undeniable beauty, each body of works was released with a different photograph of Mutter on the cover: the set of concertos had Mutter poured into a stunning bottle green mermaid gown, the set of sonatas had Mutter wrapped in a shimmering golden yellow strapless gown, and this set of the piano trios has Mutter's wonderfully made-up face and marvelously coifed hair in close-up.

In its fascination with Italy, nurtured by all that was best in Florence, Rome and Venice, 17th-century France saw the blossoming of a new national art. Though Lully in his pomp might seem to have subdued the musical world of his time, the ensemble La Palatine has helped us to restore it in a quite different constellation – one that is far more diverse, overflowing with imaginative riches.

Here, a year after her sensational Metropolitan debut as Prokofiev’s Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks.

22-year-old Tine Thing Helseth performs as soloist in front of the best orchestras of Europe on a full time basis. Her highly successful debut recording last year with the classic trumpet concertos is followed now by a beautiful album where Tine performs a selection Christmas music in classic arrangements.

This album, originally released in 1976, marked the return to the band of Robert Calvert who would be a major influence on the creative direction of the band lyrically and as vocalist. Including such classic tracks as "Steppenwolf" and "Reefer Madness," this reissue has been re-mastered from the original master tapes (a first for any CD issue of this album) and features previously unreleased mixes of "Back on the Streets" and "The Dream of Isis" along with the 1976 single "Kerb Crawler" and "Honky Dorky" as bonus tracks.

In June 1999, Tangerine Dream performed a one-off concert during the Klangart Festival in Osnabrück in Northern Germany, presenting the then brand-new album Mars Polaris. The complete album was performed, though the track order differs from that on the album. The music performed is essentially identical to the studio versions, with some additional guitar and percussion work.

The best-selling Paris live performances by the great Karajan with the BPO and VPO are now available on SACD! The bestseller is back again with a new remastering and a surprise reissue of the bestseller, featuring the most coveted performances of Beethoven, Locatelli, R. Strauss and more. This is a remarkable disc with a new charm different from the CD version, carefully remastered using the original INA sound source (24bit/192kHz). The 180 minutes of content is recorded on a single disc, taking advantage of the recording time available only on SACD. The 1960 recording with the Berlin Philharmonic is from the final day of the Beethoven Ticles in Paris, which began on April 21 of the same year.The 1962 recording with the Vienna Philharmonic is also available in stereo. The very rare concerto concerto by Locatelli is sublime and gorgeous, and Boskovsky's solo is a gem. From the main work, Schubert's "Unfinished," to Karajan's eponymous "Zarathustra," to the encore, you will be struck by the seamless and magnificent sound. King International

Double vinyl LP pressing. For the latest of the This Is series' label spotlights - following our acclaimed looks at Flying Dutchman and Fame - we focus on Goldwax as it celebrates it's 60th birthday, and feature the cream of the recordings made during it's short existence. This is Goldwax throws the spotlight not only on James Carr, but vital label mate Spencer Wiggins and also the beautiful harmonies of the Ovations. These three acts were the mainstays of Goldwax, and alongside the song writing talents of George Jackson and Dan Greer, show why the label's influence is still important today. There are gems strewn throughout the catalogue, from the earliest recordings of 'Why Can't We Live Together' hitmaker Timmy Thomas, through rarely-recorded artists such as Philip & the Faithfuls. This two LP set also demonstrates how strong the Memphis club and studio scene was at the time with recordings of Willie Walker, Percy Milem, Barbara Perry, Gene 'Bowlegs' Miller and others who recorded sparsely but were popular live performers."This is Goldwax" comes in a wide spine sleeve, with fully illustrated and annotated inner sleeves. A perfect introduction to the label as it enters it's seventh decade.

Goffredo Petrassi was 28 when his Partita (recorded on Naxos 8.572411) propelled him to European fame. He fused neo-Classicism with more contemporary traits reinforced by his mastery of polyphony, qualities that can be found in his eight Concertos for Orchestra (Nos. 1–3 are available on 8.573702). Concertos Nos. 4–6 were written in the mid-1950s and are striking examples of emotional turbulence and structural compression, fastidiously scored and imaginative in their formal conception. The soloistic writing of Invenzione concertata (Concerto No. 6) adds another layer of sonic complexity to these gripping concertos.