A posthumous collection produced by Rita Marley, based on work left behind by Bob upon his death. Some of his best post-Wailers work is here, with songs like "Buffalo Soldier," "Chant Down Babylon," and "Blackman Redemption." Given that he wasn't alive to do the production that he usually helped in, this album seems remarkably true to the general vision of Bob Marley's albums. Other somewhat lesser-known tracks also help to fill in all of the cracks with some remarkable material. Case in point: "Jump Nyabinghi," a nice danceable groove with perhaps less of the usual politics mixed in, but with just as much musicality. Overall, any Bob Marley fan ought to own this album. For the uninitiated, Legend is always the starting point, but, after that, this may not be such a bad choice for additions to the collection.

Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London, from the original master tape. Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD. Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket.

The classic album now returns with new analogue mastering and stunning smoky blue vinyl pressing.

Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London from the original master tape.

Some of the best known and most celebrated reggae icons and pioneers gather together to pay tribute to the Legend, Bob Marley! Includes stellar performances by the likes of Eek-A-Mouse, Horace Andy, Junior Kelly, Jah Mason, Errol Dunkley and more! From ""Redemption Song"" to ""No Woman No Cry"" to ""One Love"" these classics have been transformed with modern production values but retaining the heart and soul of Jamaican music.

Long after Bob Marley's death from cancer in 1981 and Peter Tosh's murder in 1988, members of Marley's band continued to record under the name the Wailers Band. On 1991's Majestic Warriors, some of the key players include lead singer/guitarist Junior Marvin and bassist Aston "Family Man" Barrett. Marley fans couldn't help but wonder if Majestic Warriors would sound anything like his classic albums of the '60s and '70s but, in fact, enjoyable selections like "Sweet Cry Freedom," "Bad Mind People," and "Trip" are notably slicker and more produced than anything you'll find on Natty Dread, Catch a Fire, or Exodus. Though one of its highlights is a likable cover of Marley's 1980 hit "Could You Be Loved," the CD on the whole isn't as Marley-sounding as one might expect. This decent but rather uneven album does have its moments…