Legendary former King Crimson members ADRIAN BELEW and TONY LEVIN banded together with guitar virtuoso STEVE VAI and explosive Tool drummer DANNY CAREY to create BEAT, a creative reinterpretation of the three iconic 80s KING CRIMSON albums - Discipline, Beat, and Three Of A Perfect Pair. In 2024, the ensemble staged 65 shows in North America, before following it with an expansive run in Mexico and South America in 2025. On the 26th September 2025, in partnership with InsideOutMusic/SonyMusic, the ‘Live’ album will be released, with a sold-out show in Los Angeles as its focal point.

This 1979 recording is pure class — clear, emotional, and full of life. The “Elvira Madigan” concerto? Yeah, it’s here and sounds amazing. Perfect for chill moments or when you need focus. Weissenberg’s touch? Crisp. Giulini’s direction? Smooth. No overblown drama, just honest music done right.

Quadrophenia has been reissued before, including a notably remixed version in 1996, but it has never been expanded. The 2011 "Director’s Cut" makes up for lost time by offering two different expanded editions of the album (presented in its 1996 remix): a double-disc edition rounded out with 11 demos - all performed solo by Pete Townshend, two of which are songs that didn’t make the final cut - and a Super Deluxe Edition that adds an early version of the album comprised entirely of Townshend demos, a DVD containing 5.1 mixes from selected songs from the album, and a host of extras highlighted by a 100-page hardcover book featuring many photos, memorabilia from Townshend’s archive, lyrics, and a new, lengthy essay from Pete. While the double-disc edition is quite a handsome thing in its own right - the two discs may be split at an odd point, between “Drowned” and “Bell Boy,” the latter the last song on side three on the original album; the demos more than make up for this quirk - the Super Deluxe Edition is something special…

Classically-based readers will know the Pearl label for its historical remasterings, but it has a short list of black American music, to which it has now added some extraordinary West African tapes from the 1940s. A two-person American team made these TRIBAL, FOLK AND CAFÉ recordings, visiting city and country and powering their tape machine from the jeep engine for out-of-the-way villages. The result is a unique record of times when everybody still knew the songs and traditional instruments were easy to find. The brilliance lies in the selection of short extracts to make at least one CD packed with real musical communication. The notes pick out sources of familiar Cuban ingredients, and there are pieces with kora and guitars from Guinea that point towards Baaba Maal. Much of the second CD is taken up with songs and choruses like Americanised music hall, some featuring a clapped-out piano. But the rest is riveting and needs at the least to be in every educational collection.

Customers find this CD to be a nice double album with a great mix of tracks, particularly enjoying it while driving. The music receives positive feedback for its relaxing qualities, with one customer noting its wide range from poignant to uplifting moods. Customers appreciate its easy listening nature and good value for money, with one review highlighting its magic sounds suitable for all ages. Generated from the text of customer reviews.

NEW STEREO AND ATMOS MIXES BY STEVEN WILSON, PLUS NEWLY REMIXED VERSIONS OF ALL THREE JAPAN CONCERTS . On August 15, 1972, Deep Purple took the stage in Japan for the first of three shows that would give rise to one of rock’s most celebrated live albums, MADE IN JAPAN. MADE IN JAPAN (SUPER DELUXE EDITION) features new stereo and Dolby ATMOS mixes of the original by acclaimed producer Steven Wilson, all three concerts newly remixed by Richard Digby Smith, and several rare single edits. Singer Ian Gillan, guitarist Ritchie Blackmore, keyboardist Jon Lord, bassist Roger Glover, and drummer Ian Paice—Deep Purple’s famed Mk II lineup—turned studio staples like “Smoke On The Water,” “Highway Star,” and “Space Truckin’” into explosive live statements. “We came halfway around the world and found the audience singing every word. It was magical,” Glover recalls in the collection’s liner notes. The band enlisted engineer Martin Birch — who had worked on several of their best-known studio albums — to record the shows to eight-track tape at Festival Hall in Osaka and the Budokan in Tokyo. The performances on MADE IN JAPAN (SUPER DELUXE EDITION) capture Deep Purple at full throttle, powering through songs from their then-new album Machine Head, along with fan favorites like “Child In Time,” “Strange Kind Of Woman,” and “Speed King.” The collection also includes rare single edits, like the German version of “Black Night” and the Mexican edit of “Space Truckin’.” The live album garnered widespread critical acclaim, with Rolling Stone declaring it “Purple’s definitive metal monster, a spark-filled execution of the typical Purple style.”

A longtime Bob Margolin fan, Italian Blues musician Mike Sponza was tearing it up with his own band when he reached out to Bob to join them for a tour of Central Europe. They did ten shows in six European countries,and the combination was so magical, the music so strong that by the end of the tour it was clear they needed to go into the studio to make a record together. Blues Around the World captures that magic with original songs by Bob and by Mike as well as a couple audience favorites, and as a bonus track, Bob's acoustic take on the classic "Love In Vain."

Mulligan Meets Monk documents the 1957 meeting of two sharp musical minds. Though the pairing may seem unlikely, baritone saxophonist Gerry Mulligan - whose cool, West Coast style blends dexterity with laid-back grace - and Thelonious Monk - whose radical, angular piano playing and thoroughly modern compositions are blueprints for the possibilities of bop - sound remarkable together. In fact, it is the contrast between the players' styles that lends this set its balance and appeal. The program, which includes four compositions by Monk and one by Mulligan, is unassailable. Mulligan acquits himself admirably on the Monk classics "'Round Midnight," "Rhythm-a-ning," and "Straight, No Chaser," unfurling his smooth tone over their zigzagging melodies and ambitious scalar architecture. Mulligan's "Decidedly," a bright bop workout, fits easily alongside Monk's tunes, especially with the help of Monk's off-kilter, accented comping…

Celebrating this timeless artist, a priceless collection delving into Randy Crawford's peerless recordings. So much more than a chronological checklist of the international award-winning singer/ songwriter's most popular hits, this 57-song set includes the cream of her Warner Bros.

Legends really don't come much more legendary than Willie Nelson; and with Ray Charles, B.B. King and Frank Sinatra all gone, Willie is now the last of a dying breed. Not just a singer, but probably the most relaxed-sounding vocalist ever. Willie Nelson is also a damn fine guitarist and he has used the same instrument since 1969 - a Martin N-20 guitar he calls 'Trigger'. And, lest we forget, Willie is also a songwriter of real substance. Over the years, his songs have been recorded by Bob Dylan, Patsy Cline, Roy Orbison, Johnny Cash and Elvis Presley - and nearly all the songs on this compilation come from the pen of Willie Nelson.

Michel Legrand has spent most of his life as a composer in the studios and for films, but this release is a jazz classic. Legrand took 11 famous jazz compositions and arranged them for three different groups. Tenor great Ben Webster, flutist Herbie Mann, four trombonists, and a rhythm section perform pieces by Duke Ellington, Earl Hines, Django Reinhardt ("Nuages"), and the Count Basie-associated "Blue and Sentimental." A big band with trumpeters Art Farmer and Donald Byrd and altoist Phil Woods plays "Stompin' at the Savoy," "A Night in Tunisia," and Bix Beiderbecke's "In a Mist." The most famous session has Miles Davis, John Coltrane, Phil Woods, Herbie Mann, pianist Bill Evans, harp, vibes, baritone, and a rhythm section performing music by Thelonious Monk, John Lewis, Jelly Roll Morton ("Wild Man Blues"), and Fats Waller's "Jitterbug Waltz."

Berlin’s own Delfonic kicks off a very special series of Roy Ayers reworks with this four-track EP on BBE Music. Originally sparked by a spontaneous edit of “What’s the T?”, which Delfonic shared with BBE’s Pete Adarkwah, the project quickly gained momentum. With listeners asking for a vinyl version, this initial idea soon grew into an official release – and the beginning of a larger tribute.

Emmylou Harris Blessed with a crystalline voice, a remarkable gift for phrasing, and a restless creative spirit, few artists had as profound an impact on contemporary music as Emmylou Harris. She traveled a singular artistic path, proudly carrying the torch of "cosmic American music" passed down by her mentor, Gram Parsons, which made a profound mark on both country and rock. Beginning as a folk singer in New York City, Harris released her first album in 1970, only to see it disappear with the bankruptcy of her record label. But a year later, she was playing a folk club in Washington D.C. when Chris Hillman saw her perform, and he recommended her to his former bandmate Gram Parsons. Harris would contribute superb vocals to Parsons' solo albums, 1972's G.P. and 1974's Grievous Angel, and he would be her guide in country music until his death in September 1973.

After "Ys" (1972), here's the long awaited new studio album "Lemures" with Gianni Leone, Riccardo Spilli And Ivano Salvatori. You will be amazed by the energy and creativity of the music and lyrics that will take you back in time but with a sound and an atmosphere that look towards the year 3000.
Il Balletto di Bronzo formed in Naples in the late sixties with a line-up consisting of Lino Ajello (guitar), Giancarlo Stinga (drums), Marco Cecioni (guitar/vocals) and Michele Cupaiuolo (bass) using initially the name Battitori Selvaggi. Despite avoiding the fate of many other Italian progressive bands of releasing one album and splitting up (they managed two) they still suffered from a lack of interest, the reason cited by some that they were too advanced for the time, which ultimately led to a split in 1973.

Celebrating Four Decades of American Music 75 original hits performed by a collection of unforgettable artists including Billie Holiday, Doris Day, Ella Fitzgerald, Frank Sinatra, Dean Martin, Judy Garland, Fred Astaire and many more… The Great American Songbook celebrates four decades of American popular song, from the early hits of Tin Pan Alley with such luminaries as Irving Berlin, Jerome Kern and the Gershwins, through to the great Broadway musicals of Rodgers, Hart and Hammerstein, and not forgetting the golden age of the movie song writers such as Johnny Mercer, Harold Arlen and Sammy Cahn. The Great American Songbook revisits those glorious, glamorous years with songs that shaped a nation.