It's September 1981 and it's matter of weeks away from the release of I'm A Rainbow, the second album Donna Summer had recorded for Geffen Records, which had been produced by Giorgio Moroder and Pete Bellotte. At the time that the album was being recorded, the musical landscape had changed and production techniques were developing further. Geffen also wanted a more R&B-influenced album, despite the album having a more R&B feel than The Wanderer had done. The songs and their lyrical content were very strong and Donna's voice had never sounded better, which was always a tough comparison against previous albums. A decision was taken by the label to withdraw I'm A Rainbow just prior to it's release.

The 3-disc release contains as many as 54 classic hits suitable for an office party (Office Party) performed by such stars as: Tom Jones, Kelis, Labelle, The Sugarhill Gang, Moloko, Madness, Soul II Soul, The Farm, Aretha Franklin , Erasure, Kool & The Gang, Barry White, Earth, Wind & Fire, Blondie, Cyndi Lauper and many more.

3CD disco compilation featuring classic 80s disco tracks featuring Village People, The Jacksons, Sheila B & Devotion, Daryl Hall & John Oates & Earth Wind & Fire & more

Released in 2014 with support from Bruce Sudano, Donna Summer's husband and collaborator, this box set of U.K. origin has a slightly misleading title. Donna: The CD Collection sounds like it should be all-encompassing, an anthology of every studio album Summer released from the mid-'70s through the late 2000s…

Dance Queens' disco and postdisco vocal showcases all hit the dance charts, but few people who aren't seriously into dance history will know more than a couple of them. Some of this stuff is very much of its era–it's hard to hear Linda Clifford's 10-minute disco version of "Bridge over Troubled Water" as anything other than over-the-top kitsch, and the extended versions of late-'80s numbers like Cheryl Lynn's "New Dress" carry on their consummately boomy synth-drum patterns too long for casual listening. But compiler David Nathan also turns up some legitimate lost classics, like Chic singer Norma Jean Wright's longing "Saturday" and Vicki Sue Robinson's deliciously polyrhythmic "Hold Tight," a seldom-heard follow-up to "Turn The Beat Around."

A Love Trilogy is the third studio album by American singer and songwriter Donna Summer. It was released on March 5, 1976, just eight months after her international breakthrough with the single and album of the same name - "Love To Love You Baby". The bold, sexual nature of that particular song had earned Summer the title "The first lady of love." A Love Trilogy uses the first side for one long disco track in three distinct movements ('Try Me', 'I Know', 'We Can Make It', and coalescing into the "love trilogy" of the title - "Try Me, I Know We Can Make It". Side Two contained three additional erotic disco songs, including a cover of Barry Manilow's "Could It Be Magic". The album's artwork showed Summer floating light-heartedly through the clouds, again adding to the image of her as a fantasy figure.

The Summer Collection is a compilation album by Donna Summer released in 1985 by Mercury Records. Summer had made her name during the era of disco music in the 1970s when she was signed to Casablanca Records. In 1980, she signed to Geffen Records but her success there was not what it had been on Casablanca. In the early 1980s, Casablanca was bought out entirely by Polygram Records, and Summer had returned to them for one studio album. Mercury, another division of Polygram and a sister company to Casablanca, released that album entitled She Works Hard for the Money in 1983. It also released this compilation album in 1985, containing seven of her original disco hits from Casablanca, plus three songs from the aforementioned Mercury Records album.

Donna Summer's title as the "Queen of Disco" wasn't mere hype. Like many of her contemporaries, she was a talented vocalist trained as a powerful gospel belter, but she set herself apart with her songwriting ability, magnetic stage presence, and shrewd choice of studio collaborators, all of which resulted in sustained success. During the '70s alone, she topped the Billboard club chart 11 times with high-quality, often-high concept material that included the rapturous "Love to Love You Baby," the innovative "I Feel Love," and a radically transformed "MacArthur Park." These crossover hits embodied the disco era with audacious musicality and uninhibited eroticism. After her subgenre was declared dead, Summer was very much part of the evolution of dance music. Through the feminist anthem "She Works Hard for the Money," she became an MTV star, and she continued to top the club chart with disco-rooted house singles through 2010, 35 years after her breakthrough. Indeed, she was the ultimate disco diva.