Cieli di Toscana (Tuscan Skies) is Andrea Bocelli's eighth studio album, released in 2001. Cieli di Toscana sold millions of copies in a few weeks after its release, and quickly become the biggest selling album in the world in 2001, No. 1 on the CNN Worldbeat Global Album Chart. In the United States, the album peaked at No. 11 on the Billboard 200 chart, with 85,000 units sold in its first week, and blew through 177,000 copies over Christmas week of 2001, Bocelli's best sales week in America, at the time. That record stood for the following 8 years, until My Christmas, Bocelli's first Holiday album, was released in late 2009 and achieved better sales weeks. The album topped the charts in Sweden and the Netherlands, and reached the top 3 in at least 8 other countries, including the UK, where it spent two weeks at No. 3 on the albums chart, Bocelli's highest chart position in the country to date, and the highest chart position ever for a foreign-language pop album.

Amore is the eleventh studio album by Italian tenor Andrea Bocelli, released on 31 January 2006, for the Valentine's Day season. This album features a remake of Elvis Presley's "Can't Help Falling in Love"; "Because We Believe", the closing song of the 2006 Winter Olympics in Turin, Italy, which Bocelli wrote and performed; "Somos Novios (It's Impossible), a duet with American pop singer Christina Aguilera; and his first recording of Bésame Mucho, which eventually became one of his signature songs. Amore debuted at No. 3 on the Billboard 200 chart, which at the time was Bocelli's highest chart position in America yet. It went on to sell 1.66 million copies in the United States and was certified Platinum. Bocelli was the seventh best-selling artist of 2006, in the United States, and was also certified Gold and Platinum in several other counties.

This is a beautiful anthology of sacred liturgical music. Chung coordinates his forces in larger choral pieces with power and vertical balance. Contributions by Cecilia Bartoli find the mezzo in top form, and Bryn Terfel brings charismatic presence to “Pie Jesu” from the Fauré Requiem. Also included are the interminable "Song for Athene" by John Taverner and a great performance by Andrea Bocelli in Eric Levi's hymn for the world, "I Believe".

Joseph Calleja, one of the world’s leading tenors, announces ‘Ave Maria’ – his first ever sacred album. Here, Calleja is joined for the first time on record by the Malta Philharmonic Orchestra, with no less than four Ave Marias – by Mascagni, Massenet, Schubert and Andrea Bocelli. The album also features guest appearances by Daniel Hope on violin in (title) and French baritone Étienne Dupuis in the famous duet from The Pearl Fishers.

The collection of Lang Lang’s Complete Recordings brings together the treasure-trove of recordings that present all the many facets of the pianist’s first decade as a recording artist from 2000–2009. The set also includes his solo and concerto debut albums on the Telarc label.

Andrea Bocelli has been called "the fourth tenor"; the blind, Tuscan-born vocalist has emerged as one of the most popular voices in the arena of light classical and crossover vocals and has made inroads into the world of opera as well. His participation in Pavarotti's 1992 hit Miserere album and Zucchero Fornaciari's 1993 world tour brought him international attention. Bocelli has been most successful as a pop ballad singer, having recorded duets with Celine Dion, Sarah Brightman, and Eros Ramazzotti. Al Jarreau, who sang with Bocelli during "The Night of Proms" in November 1995, praised Bocelli with these words: "I have had the honor to sing with the most beautiful voice in the world."

Sogno consists entirely of new compositions, much of which are deliberately skewed toward the pop audience whom Andrea Bocelli was well on his way to earning in the spring of 1999. In other words, it's an album that seems to be a progression, at least on the surface, but it's also a consolidation of the crossover audience that he wooed over the course of the late '90s. Sogno pulls off that trick, balancing Bocelli's opera background with modern pop and Italian music. That stance alone – finding a middle ground between classical and modern pop music – will alienate the purists (who, truth be told, haven't been all that thrilled with Bocelli in the first place), but this doesn't discredit the music.