100 tracks. Status Quo, Uriah Heep, Slade, The Allman Brothers Band, Thin Lizzy, The Guess Who, Lynyrd Skynyrd, Atomic Rooster, The Moody Blues, Steppenwolf, Blue Oyster Cult, Santana, Rainbow, Lou Reed, Kiss, Toto, Ted Nugent, Electric Light Orchestra, Iggy Pop, Rush, Motorhead, Cheap Trick, Judas Priest, REO Speedwagon, Yngwie Malmsteen, Soundgarden, Accept, Alice Cooper, Dio and more, and more…

Never Too Late is best remembered today as drummer John Coghlan's final album with the band he'd served since the early '60s. The bulk of the set, however, was actually cut during the same sessions that produced the previous year's Just Supposin', although it's a struggle to say which of the two came out with the better songs. Neither is what one would describe as a classic Quo disc, but nor are they as disposable as some of the band's later releases. Indeed, any record that includes the bright bonhomie of "Something 'Bout You Baby I Like," the new album's biggest hit, is sure to have a few things to recommend it.

After the turn toward a more accessible sound that Rockin' All Over the World supposed, the British band returned to its hard rock approach on its next work. If You Can't Stand the Heat isn't so hard and heavy as Quo or Blue for You, but it incorporates subjects – the electric guitars filling everywhere again, the groovy boogie spirit – that recover the rocking essence they seem to have lost only one year before.

When the original line-up of Status Quo reunited for a 9-dates UK tour in March of 2013 the outpouring of approval and raw emotion from the fans was incredible. Rossi, Parfitt, Lancaster and Coghlan received a rapturous response; the band clicked straight back into their groove, the chemistry obvious, the music stunning and the volume almost overpowering. Now the band are delighted to announce the release of "The Frantic Four Reunion 2013" a range of live material recorded on the tour.

In aid of the Nordoff-Robbins Music Therapy Center and the BRIT School for Performing Arts, 120,000 fans gather for a historic event featuring a legendary combination of British rock artists: Tears for Fears, Eric Clapton, Phil Collins, Genesis, Dire Straits, Status Quo, Cliff Richard & the Shadows, Paul McCartney, Pink Floyd, Robert Plant, Jimmy Page, Elton John.

Like the dog that titled Status Quo's fourth album, The Singles Collection 1966-1973 is very much a beast of two heads, the first (representing the band's output between 1966 and 1969) shifting its gaze between Kinks-ish beat and British psych and the second (wrapping up the band's releases and re-releases at the end of that span) sinking its teeth into the unapologetic boogie blues that have remained the band's stock in trade ever since. It's a misleading mélange, at least in terms of chronology. The Quo cut four albums for the Pye label, before departing in 1972 for Vertigo and fame – the last in that sequence, Dog of Two Heads, was released in December 1971. However, the moment "Paper Plane" gave the transplanted band a major hit in early 1973, Pye began digging into the vaults and the last six tracks on The Singles Collection represent the fruits of those labors. In terms of the band's own discography and development, they are meaningless. Nevertheless, the first complete roundup of all ten original Pye 45s (and B-sides) remains an essential compilation, both for Quo fans in general and for students of British psychedelia as it squirmed, post-1967, in search of new directions. The Quo eventually found theirs in the aforementioned boogie but, before that, the Bee Gees-esque ballad "Are You Growing Tired of My Life" and a rocking "Price of Love" both offered possible new avenues, and one cannot help but wonder where the band might have gone next, had "Down the Dustpipe" and "In My Chair" not struck gold during 1970-1971. While disc one is the A-Z of Quo's early work, disc two offers a more patchwork approach to the same period, first unearthing the four 45s the band cut under earlier identities the Spectres and Traffic Jam, then delving into 15 outtakes and alternate versions from across the board. Interestingly, the Bee Gees raise their head once again, via a Spectres-era cover of their own "Spicks and Specks," although previously unreleased renditions of other material is of little more than space-filling value. Nevertheless, The Singles Collection brings together a wealth of material that has long demanded such methodical treatment and, allied with the bonus track-stacked reissues of the four regular albums, rounds up Status Quo's Pye era output with becoming efficiency.

All hail the bargain-basement Hallmark label, purveyors of some of the greatest compilations in the early-'70s British rock realm, and pursuing that briefly towards the end of the decade with a great selection of old Status Quo hits. There are absolutely no surprises here. Ruthlessly mining the band's 1968-71 catalog, the Pye label had already released more Quo collections than the band itself had released LPs, and this one just adds its weight to the pile. But, just as Hallmark's late-'60s Kinks collections have since been revealed as an entire generation's first taste of that band's most glorious catalog, so Pictures of Matchstick Men (titled, of course, for the group's first hit) filled the same need among a later brood – and the fact that it came along just as Quo themselves began lapsing into parody gave its release further flavor. At last, a "new" Status Quo record that doesn't sound like the last seventeen!

2010 TOP 100 Five CD set. The recording of "Roll Over Lay Down" was the studio version from the "Hello!" album and the version of "Tommy's In Love" was from the "Rock 'Til You Drop" album. The album versions of "Caroline", "Down Down", "Mystery Song", "Accident Prone", "Going Down Town Tonight", "In The Army Now", "Dreamin'", "Burning Bridges" and "Sherri Don't Fail Me Now!" were used. The compilation also included the Manchester United Football Squad "Come On You Reds" single and the collaboration single with Scooter. Released on the 25th. June 2010. The album peaked number 23 on the Dutch Albums Top 100.

Talk about rockers rollin'! This fantastic four-CD set from the veteran British rockers includes all 75 of their A-sides (many of them being radio edits not available on the original albums) plus Jump That Rock (Whatever You Want), their 2008 collaboration with the German techno act Scooter. Love 'em or hate 'em, Status Quo have been rockin' the charts for four decades. While they remain living legends and rock icons in the U.K., Europe, South America, and elsewhere, they can't even get arrested in the States! The "hip" U.K. press love to take as many potshots at them as possible, which is all the more reason to loveQuo. But we all know that, deep down (deeper and down), those critics probably have a soft spot for quite a few of Quo's hits but will never admit to it in public. At any rate, the band has always managed to maintain a certain quality level that may not always touch the stars, but, at the least, will always rock the house!

Perfect Remedy is the nineteenth studio album by English rock band Status Quo. Bearing in mind that almost anything Status Quo chose to do could only be a vast improvement on their last album, Ain't Complaining, Perfect Remedy was very well titled – and that despite being far from perfect itself. Indeed, "Tommy's in Love" is arguably the worst song the band had ever recorded, while "Not at All" only sprang to attention when it became the band's worst performing 45 since the very early '70s. It's also worth remembering that, while the album does abandon its predecessor's attempt to locate a new band sound, that's only because it thinks it has found one, in the form of producer Pip Williams' slick, country-rock approach.

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Status Quo are an English rock band who play a brand of boogie rock. The group originated in The Spectres, founded by schoolboys Francis Rossi and Alan Lancaster in 1962.[1] After a number of lineup changes, which included the introduction of Rick Parfitt in 1967, the band became The Status Quo in 1967 and Status Quo in 1969…

The Deluxe Edition of the release includes the full concert and interview footage from Montreux but also boasts the extended version of the new Biography Channel documentary on 40 years of Status Quo, a single CD of highlights from the Montreux performance and a substantial booklet.

Status Quo are an English rock band who play a brand of boogie rock. The group originated in The Spectres, founded by schoolboys Francis Rossi and Alan Lancaster in 1962. After a number of lineup changes, which included the introduction of Rick Parfitt in 1967, the band became The Status Quo in 1967 and Status Quo in 1969…

"Quo Live" (2CD) - 27th - 29th October 1976 Apollo Theatre, Glasgow + "Tokyo Quo" - 17th November 1976 Sunplaza Hall, Tokyo, Japan + "Ausrtalia `74" - 29th November 1974 Hordern Pavilion Sydney.

Released on 20th November 2015 through Universal Music, the Status Quo career retrospective releases ‘Accept No Substitute: The Definitive Hits’ 3CD are a true celebration of the entire body of work of one of the world’s greatest ever rock acts. For the first time ever, all of the eras across six decades that make up the incredible career of this truly seminal British act are presented together. The 3 CDs collection features 54 Quo classics. Drawing a line through from the earliest days, right up until the present time, this is an in depth journey through time. ‘Accept No Substitute’ is a treasure trove of hits, certainly, but also finds space for tracks that provide a narrative of the band’s story.