Hiss Golden Messenger’s Quietly Blowing It was written and arranged by M.C. Taylor in his home studio—his 8’ × 10’ sanctuary packed floor to ceiling with books, records, and old guitars—as he watched the chaotic world spin outside his window. Between March and June 2020, Taylor wrote and recorded upwards of two dozen songs—in most cases playing all of the instruments himself—before winnowing the collection down and bringing them to the Hiss band. In July, the group of musicians, with Taylor in the production seat, went into Overdub Lane in Durham, NC, for a week, where they recorded Quietly Blowing It as an organic unit honed to a fine edge from their years together on the road.

Art is often informed by the life experiences of the artist, and what happens to them can impact their work in any number of ways. In November 2018, the singer and songwriter Joe Henry was diagnosed with prostate cancer, and as he wrestled with the prospect of mortality and the physically and emotionally taxing process of treatment, he practiced his own form of self-care – he wrote songs, a bunch of them, and then set about recording them at the home studio of a friend and collaborator, recording engineer S. Husky Höskulds. The product of these sessions, 2019's The Gospel According to Water, in many respects sounds like an ordinary Joe Henry album, with his rich voice and smartly crafted lyrics front and center, but the feel is decidedly different.

Mary Chapin Carpenter - One Night Lonely (2021) {2CD Set, Lambent Light Records LLR004 rec 2020}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 662 Mb | MP3 @320 -> 293 Mb | Cover | 5% repair rar
© 2021 Lambent Light Records | LLR004
Contemporary Singer-Songwriter / Country / Country-Folk / Contemporary Country

One Night Lonely: a rare solo performance from Mary Chapin Carpenter, recorded with no audience at the Filene Center at Wolf Trap, in Vienna, VA. Of the performance, Carpenter shared, “Strange yet magical, those are my words to describe this feeling of being alone on this hometown stage at Wolf Trap. I am struck by the stillness of the empty seats and the lonely echo of all this space. While I miss seeing the audience and feeling that connection, I am grateful for the opportunity to play a solo show, which I haven’t done for a very long time.