The original riders on the psychedelic storm get their own minds blown by the leaders of the new psych rock movement on this stellar tribute to The Doors! Features performances by The Black Angels, The Raveonettes, Clinic, Psychic Ills, Sons Of Hippies, Elephant Stone, Dead Skeletons and more! Incredibly innovative and unique versions of The Doors’ classic tracks including “L.A. Woman,” “Riders On The Storm,” “Light My Fire,” “Love Me Two Times” and others – all packaged in a gorgeous digipak!

Escape the noise with Calm Classics - Soundscape of Serenity from Warner Classics. This meticulously curated collection gathers the most tranquil and restorative pieces from the classical canon, offering a sanctuary for the mind. Let the gentle melodies of Debussy, the serene harmonies of Satie, and the timeless beauty of Mozart wash over you, transforming any space into a haven of peace and contemplative calm. It is the ultimate auditory retreat for relaxation, meditation, and mindful focus.

This is the monumental first album by Tsuyoshi Yamamoto, who later became one of the two major artists on the TBM label along with Isao Suzuki. A groovy and heartwarming popular record by the Japanese piano trio.

Belgian band Waterloo's only album, First Battle, was originally released in February of 1970, a crucial time of transition for European rock; this was the tipping point where the expansive sounds of psychedelia lost some of their trippiness and began moving toward a technically complex progressive rock style. Though King Crimson and Yes had released their first albums by this time, prog was still very much in its infancy, and First Battle falls squarely under the proto-prog umbrella, retaining trace elements of psychedelia but definitively leaning into a more sophisticated, classical-influenced realm. One of Waterloo's key inspirations was the Nice - a proto-prog outfit if ever there was one - and the influence of both the Nice's Keith Emerson and the contemporaneous sounds of Deep Purple's Jon Lord can be heard in the fleet-fingered Bach-goes-beard-rock licks of organist Mark Malyster…

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own.

Fantistic package of a classic Status Quo live album "Quo Live" (2CD) from a set recorded 27th - 29th October 1976 in Apollo Theatre, Glasgow. Plus a never before released "Tokyo Quo" (17th November 1976 Sunplaza Hall, Tokyo, Japan) and "Ausrtalia '74" (29th November 1974 Hordern Pavilion Sydney), booklet and various xtras make.

Blank & Jones present Chilltronica series.
Blank & Jones, Bliss, Michael Rother, Depeche Mode, Antonymes, Moby, Harold Budd, Brian Eno, The Cure and many more.

The long awaited remastered version of Van Morrison's best-selling album comes in a variety of formats. This deluxe version is encased in a hardbound sleeve containing five discs: the album in standard and Blu-Ray/5.1 versions, three discs of alternates and outtakes, mono mixes and an unreleased song. The package also includes essays by engineer Elliot Scheiner, writer Alan Light, and the original notes by Janet Planet. The three session discs are arranged chronologically from September through December of 1969. Disc one contains eight takes of "Caravan." Though all are inferior to the one eventually picked, most are solid, particularly the first and seventh takes. There are three early versions of "I've Been Working." Two are long, funky jams over 10 minutes; still raw; they didn’t fit the album's flavor. A fine finished version appeared on His Band and the Street Choir…

This CD reissues a variety of recordings cut by the veteran blues pianist/vocalist Sunnyland Slim during 1981-83 for his private label Airway Records. In his mid-70s at the time, Slim's energetic vocals and powerful piano playing belie his age. As is typical of the pioneer Chicago bluesman, he allocated plenty of solo space to his sidemen (which include Hubert Sumlin, Eddie Taylor, Lurrie Bell or Magic Slim on guitar) although there was never any doubt about who was in control. The intelligent lyrics, high musicianship, mood variation (including two excellent instrumentals) and spirited playing make this a highly enjoyable and recommeded date.

Julian "Cannonball" Adderley (nicknamed for his estimable appetite, related to high school friends who called him a cannibal) made his debut in the jazz world with this album, with enormous help from Quincy Jones, who assembled the band, lent arrangements, and composed many of the selections. It's clear from the outset that Adderley's main influences were Benny Carter and Charlie Parker, and he was able to synthesize both icons into a sound that was so seamless, and tasteful like butter. This little big band of all-stars included brother Nat Adderley on cornet, and a band with slight personnel changes over three separate recording sessions in the late summer of 1955. Adderley could hardly go wrong working with heavyweights like J.J. Johnson, Cecil Payne, Jerome Richardson, Jimmy Cleveland, Paul Chambers, pianist John Williams, and either Max Roach or Kenny Clarke playing the drum kit…