Vocalist Asha Puthli was well-known in her native India before she moved to New York and made a splash in the jazz world. For her Western recording debut, Puthli lent her vocals to "What Reason Could I Give" and "All My Life," a pair of ballads on Ornette Coleman's 1971 Science Fiction LP. She recorded two LPs for Columbia, 1974's Asha Puthli and 1978's The Devil Is Loose, but success in America eluded her, even as she matured into a European chart mainstay. Puthli's popularity grew not in the U.S. but in Europe where she signed a record deal with CBS.

ABBA are a Swedish pop supergroup formed in Stockholm in 1972 by Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. The group's name is an acronym of the first letters of their first names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition. Estimates of ABBA's total record sales are over 380 million, making them one of the best-selling music artists of all time.

The Beginning of Survival is a whopping 16-track collection from Joni Mitchell's Geffen period, recorded between 1985-1998, and carefully chosen by the artist as "commentaries on the world in which we live."
The sequencing here is so meticulous and effective that The Beginning of Survival feels like a topical song cycle rather than a compilation. Tracks trace meaning and impression onto other tracks; they inform and elucidate themes of resistance in the face of the dark deluge that began the culture war in earnest during the 1980s, and which has come to signify the nature of American society in the 21st century with no signs of anything but further fragmentation. The opening words of "The Reoccurring Dream" that begin this cycle state: "This is a reoccurring dream/Born in the dreary gap between/What we have now/And what we wish we could have…." A line that signifies a double meaning, one that is caught between the simulacrum of what we are offered as life, and the drive for life itself. And so it goes from this screed against consumerism to a track like "The Windfall (Everything for Nothing)," moving on to the weariness with culture in "Dog Eat Dog," "The Beat of Black Wings," "Fiction," and "Sex Kills," to the meditation on other cultural, social, and ecological injustices in "The Three Great Stimulants," "Lakota," "Ethiopia," "No Apologies," and "The Magdalene Laundries," to the place of the spirit and the allegories of the great spiritual lessons in "Slouching Towards Bethlehem" and "Passion Play," to the faint glimmer of hope in "Cool Water" and "Impossible Dreamer." Back and forth, around, down, and in, these songs swirl with her trademark weave of jazz, rock, and pop into a long meditation on what has happened, and where we find ourselves, in this new world, truly "at the beginning of survival," deprived of the strategy of history because it has been canceled out. This is a provocative, wonderfully articulated, and gorgeously illustrated compilation (there is a series of nine of Mitchell's thematic paintings and one self-portrait of Mitchell adorning the booklet) that sheds new light not only on the tunes, but on Mitchell's enduring contribution.

Classic Elton John is a compilation of Elton John tracks released by PolyGram Special Markets in 1994. It was available as a CD or cassette only from McDonalds as a promotion to raise money for the Ronald McDonald House Charities.

Shake Down is the debut studio album by the British blues rock band Savoy Brown. It was released in 1967 (on Decca SKL 4883) under the name of Savoy Brown Blues Band and is mainly an album of covers, featuring three songs penned by blues singer Willie Dixon. In addition to Dixon, the band covers John Lee Hooker and B.B. King. Savoy Brown (Originally, Savoy Brown Blues Band) are an English blues rock band formed by guitarist Kim Simmonds and harmonica player John O'Leary, in Battersea, south west London in 1965. Part of the late 1960s blues rock movement, Savoy Brown primarily achieved success in the United States, where they promoted their albums with non-stop touring. After leaving Savoy Brown, musicians became members of groups such as Yes, Fleetwood Mac, UFO and Foghat.

1982 was an interesting year for mainstream rock. Listeners were still a few years away from the chart-topping pop-metal bands, and a few years removed from the oft-indulgent '70s rock era. As a result, people were left with an era that was mostly populated by bands that wore headbands and largely modeled their sound after Foreigner. In other words – bands that attempted to appeal to both the pop and rock audiences, by combining arena-worthy choruses and tough guitar riffs, topped off with a healthy scoop of melody. A perfect example would be Survivor, and their third release overall, Eye of the Tiger.