Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available. The best pre-1965 Beach Boys album featured their brilliant number one single "I Get Around," as well as other standout cuts in the beautifully sad "Wendy," "Little Honda" (one of their best hot rod tunes, covered by the Hondells for a hit), and their remake of the late-'50s doo wop classic "Hushabye." The nostalgic "All Summer Long," another great production, seemed (whether intentionally or not) like a sort of farewell to the frivolous California beach culture that had supplied the lyrical grist for most of their music up to this point, with a longing, regretful chorus that was totally at odds with the bouncy arrangement.

Made in U.S.A. is a 1986 double vinyl album (or one-CD) compilation of some of The Beach Boys' biggest successes. Released by their original record label, Capitol Records, it marked a brief return to the label, with whom The Beach Boys released one further album, 1989's Still Cruisin'. Featuring a number of their 1960s' classics, in addition to a sampling of their later hits, Made in U.S.A. also contains two new recordings, both produced by Terry Melcher. "Rock 'n' Roll to the Rescue" is a Mike Love/Melcher collaboration, and "California Dreamin'" is a cover of The Mamas & the Papas' late 1965 debut single. Both were released as singles and made the U.S. pop singles chart. A slow seller, Made in U.S.A. reached No. 96 in the U.S. and ultimately went double platinum there, though with other compilations now available, Made in U.S.A. has since gone out of print.

20-tracks, Japan only Greatest Hits, released in 1991 by Toshiba-EMI Ltd.. Includes 26-page b/w booklet with pics and lyrics in English and Japanese.

This was the album by which millions of sons of late baby boomers (and sons and daughters of the early ones) first really discovered the Beach Boys, beyond hearing the occasional oldie on the radio. It was the summer of 1974, and the Beach Boys were still trying to get themselves back on track commercially after a seven-year commercial dry spell, when this double LP of their 1963-1966 material (all but one cut pre-dating Pet Sounds) came along and did the job…

Released in March 1980, "Keepin' the Summer Alive" is the twenty-fourth studio album by The Beach Boys, their first released in the 1980s, and their second release under their contract with CBS Records. The band took a small break to re-think the project, with Bruce Johnston taking complete control of the album's production, and placing the songs in a more contemporary-sounding context. The album ended up as a mixture of brand new songs and older songs from the archives that hadn't been released. The older songs date back to 1970 ("When Girls Get Together"), 1972 ("Endless Harmony", the only track on the album where Dennis is heard) and 1978 ("Santa Ana Winds"). "Keepin' the Summer Alive" reached #75 in the U.S. and #54 in the UK. This would become the last Beach Boys album to feature Dennis Wilson since he died in 1983.

Another installment in Collectables' The Ultimate Christmas Album series, volume four gathers a mix of well-known and offbeat holiday tunes, including Elvis Presley's "Blue Christmas," the Platters' "Winter Wonderland," and Perry Como's "It's Beginning to Look a Lot Like Christmas." Brook Benton's "You're All I Want for Christmas," Percy Faith's "Christmas Is," and Otis Redding's "Merry Christmas Baby" are some of the collection's soulful highlights, while Santo & Johnny's "Twistin' Bells" and Stan Freberg's "Christmas Dragnet" add some novelty to the festivities. Though it's a somewhat uneven collection, The Ultimate Christmas Album, Vol. 4: WCBS 101.1 has enough interesting and classic moments to make it worthwhile for anyone looking to go beyond the season's basic music.