Spanish Jose Padilla was seduced by the idea of becoming a DJ while working as a waiter in Barcelona, moving to Ibiza, known as the White Island, in 1975, Padilla soon got involved in the local night club circuit. In 1991 Cafe del Mar gave him the opportunity he was waiting for, producing an acclaimed collection of club/dance records during the 1990s. Souvenir is a first solo album by Jose Padilla released in 1998 on Mercury Records label. The CD featured collaborations with several chill-out musicians, including Lenny Ibizarre and Paco Fernández.

Winner of the Best Classical Award at Australia’s ARIA Awards, Slava Grigoryan’s acclaimed Bach journey continues with the second volume of the Cello Suites. Volume I was released at the end of 2016 has entered recording history through its phenomenal success, receiving global critical acclaim and multiple awards (including the 2017 ARIA Award for Best Classical Album), and smashing the record for the longest spell at the top of the Classical Chart in his native Australia.

Auberge is the eleventh studio album by Chris Rea, released in 1991. Auberge was a #1 album in the UK in 1991. The title track also gave Rea one of his biggest chart hits, reaching #16 in the UK charts. Other songs released as singles were "Heaven", "Looking For The Summer" and "Winter Song". Another song, "And You My Love", although not released as a single, has become a firm favourite among his fans and is regularly performed at live concerts.

Glenn Miller's reign as the most popular bandleader in the U.S. came relatively late in his career and was relatively brief, lasting only about three and a half years, from the spring of 1939 to the fall of 1942. But during that period he utterly dominated popular music, and over time he has proven the most enduring figure of the swing era, with reissues of his recordings achieving gold record status 40 years after his death. Miller developed a distinctive sound in which a high-pitched clarinet carried the melody, doubled by a saxophone section playing an octave lower, and he used that sound to produce a series of hits that remain definitive examples of swing music.

Longtime fans of venerated progressive rock ensemble Uriah Heep will be rattling cages for this two-disc, 43-track collection of singles from Sanctuary. Hard rocking Heep standards like "Look at Yourself," "Gypsy," "Stealin'," and "The Wizard" (most of which are presented in their 45 rpm versions) are paired with copious amounts of B-sides, resulting in the next step in collector evolution from 1998's Mercury released Classic Heep: An Anthology.

Formed by Tony Red, the bands' leader, bass guitarist, song writer and singer as a tribute band of PINK FLOYD. Releasing own songs as well now with great similarities to the real thing. If you are into PINK FLOYD and haven't tried this band yet you are missing a real treat. THINK FLOYD are much more than your typical tribute band…

Pierre Fournier was born in Paris on 24 June in 1906 the son of a French army general. He was known for his lyrical playing and his impeccable artistic sensitivity and this, during his lifetime, earned him the title 'the aristocrat of cellists'.
Fournier was first taught piano by his mother but at the age of nine he suffered a mild case of polio and lost some of the agility in his legs and feet. He was no longer able to master the use of the piano pedals and so turned to the cello.

Dimitri Mitropoulos (1896-1960) was a Greek conductor who came to America in the 1930s and made many recordings with the Minneapolis Symphony Orchestra and the New York Philharmonic Orchestra. Like Wilhelm Furtwangler of Arturo Toscanini, Mitropoulos' height of popularity came just before the advent of modern sound technology, so that many of Mitropoulos' finest recordings are marred by distortion and background noises that may make those recordings practically un-listenable to some classical music enthusiasts (although the new Sony Mitropoulos set has advertised that most of those very rough recordings have been "remastered").

Dimitri Mitropoulos (1896-1960) was a Greek conductor who came to America in the 1930s and made many recordings with the Minneapolis Symphony Orchestra and the New York Philharmonic Orchestra. Like Wilhelm Furtwangler of Arturo Toscanini, Mitropoulos' height of popularity came just before the advent of modern sound technology, so that many of Mitropoulos' finest recordings are marred by distortion and background noises that may make those recordings practically un-listenable to some classical music enthusiasts (although the new Sony Mitropoulos set has advertised that most of those very rough recordings have been "remastered").

Dimitri Mitropoulos (1896-1960) was a Greek conductor who came to America in the 1930s and made many recordings with the Minneapolis Symphony Orchestra and the New York Philharmonic Orchestra. Like Wilhelm Furtwangler of Arturo Toscanini, Mitropoulos' height of popularity came just before the advent of modern sound technology, so that many of Mitropoulos' finest recordings are marred by distortion and background noises that may make those recordings practically un-listenable to some classical music enthusiasts (although the new Sony Mitropoulos set has advertised that most of those very rough recordings have been "remastered").

Dimitri Mitropoulos (1896-1960) was a Greek conductor who came to America in the 1930s and made many recordings with the Minneapolis Symphony Orchestra and the New York Philharmonic Orchestra. Like Wilhelm Furtwangler of Arturo Toscanini, Mitropoulos' height of popularity came just before the advent of modern sound technology, so that many of Mitropoulos' finest recordings are marred by distortion and background noises that may make those recordings practically un-listenable to some classical music enthusiasts (although the new Sony Mitropoulos set has advertised that most of those very rough recordings have been "remastered").

Amid the ever-growing tide of Deep Purple box sets (this was at least their eighth in nine years), Listen Learn Read On stands alone, not only as the ultimate round-up of the band's greatest moments, but also as the answer to more collectors' dreams than most collectors were even aware they'd had. You want Deep Purple's long-legendary, but forever unavailable BBC sessions? They're here. You want the killer live encores that other albums omitted? They're here. You want a solid introduction to the band members' pre-Purple passages? They're here. And, of course, you want the hits. So they're here as well…