Mark William Lanegan (November 25, 1964 – February 22, 2022) was an American singer-songwriter, author, and musician. First becoming prominent as the lead singer for early grunge band Screaming Trees, he was also known as a member of Queens of the Stone Age and The Gutter Twins. He released twelve solo studio albums, as well as three collaboration albums with Isobel Campbell and two with Duke Garwood. Lanegan was known for his baritone voice, which was described as being "as scratchy as a three-day beard yet as supple and pliable as moccasin leather."

Royal Winter Music by Hans Werner Henze (1926–2012) and Nocturnal after John Dowland by Benjamin Britten (1913–1976) were both inspired by the culture of Elizabethan England in the late 16th and early 17th centuries; more precisely, by the plays of William Shakespeare (1564–1616) and the music of lutenist-composer John Dowland (1563–1626). Henze and Britten both drew on tradition, and they shared a special liking for vocal music. They both composed a lot for the voice, and the guitar works on this release are likewise very lyrical in places.

The idea for this CD developed during a recording of the Fantasy No. 7, and quickly established its own momentum. What began as a spontaneous thought experiment soon demanded fulfilment, and morphed swiftly into the desire to take part in the reawakening of this music. What followed was months of intensive dialogue with, and examination of, the 12 Fantasies by Telemann. Having first studied modern cello Renate Mundi discovered her passion for baroque music, and for the viola da gamba in particular. Her enthusiasm for the special characteristics of the instrument, as well as her interest in source studies, including the search for undiscovered scores, was fostered by Prof.

Das erstklassige Solistenensemble, der RIAS-Kammerchor und die Akademie für Alte Musik Berlin und nicht zuletzt Jacobs selbst sind Garanten für lebendige historische Aufführungspraxis, so dass diese Interpretation der h-Moll Messe von der Fachpresse entsprechend enthusiastisch aufgenommen und den wenigen Referenzeinspielungen an die Seite gestellt wurde.

2nd concept album of Norwegian progressive rock band AVKRVST. Two years on from their spellbinding debut 'The Approbation', AVKRVST are presenting their second and most formidable album to date: 'Waving at the Sky' takes the band's compelling sounds and pushes them further towards progressive perfection. A dark and devastating concept record about real life events, it is a spiritual successor to its predecessor, and a huge leap forward on every conceivable level. The album's hazy, unsettling narrative is based on the harrowing events that took place in rural Norway when Simon Bergseth and Martin Utby were children: The seven tracks are inspired by a gruesome family tragedy about abuse that is as dark as it gets.

Widespread Panic One of the many neo-hippie jam bands inheriting the road-warrior mantle left behind by the Grateful Dead, Widespread Panic established a devout grassroots following on the strength of constant touring and a loose, rootsy brand of Southern rock informed by jazz and blues textures. The group's origins date to 1982, when vocalist John Bell and guitarist Mike Houser first began playing together while attending college in Athens, Georgia. When bassist Dave Schools left academia to join the duo the next year, Widespread Panic were officially born.

Odyssey is the fourth studio album by guitarist Yngwie Malmsteen, released on 8 April 1988 through Polydor Records. The album reached No. 40 on the US Billboard 200 and remained on that chart for eighteen weeks, as well as reaching the top 50 in five other countries. As of 2017 it remains Malmsteen's highest-charting release on the Billboard 200. Steve Huey at AllMusic gave Odyssey two stars out of five, calling it "a more subdued, polished collection seemingly designed for mainstream radio airplay", but that it "shows little difference in approach from Malmsteen's previous output". He praised Joe Lynn Turner's vocals and Malmsteen's guitar work, but remarked that the latter sounds "constrained and passionless" due in part to his recovery from a near-fatal car accident in 1987.

Billy Strings has been hailed as the future of bluegrass, transcending tradition and genre with his high velocity, flat-picking guitar technique and intense, confessional songwriting. HOME, Strings’ remarkable second studio album, is undoubtedly the Michigan-born, Nashville-based artist’s bravest excursion thus far, completely rewiring bluegrass with elements of punk, country, folk rock, and genuine psychedelic exploration to fashion something altogether his own.

All tracks recorded live in concert May 1 2010 in Youngstown, OH, USA.Issued in a digipack with front sticker showing date, and inside sticker showing track list.

Recorded live At Town Hall, Birmingham, UK. 11th February 1970.Sigma's release of "Violence In Birmingham", as indicated by cd labels.

Roberto Fabbriciani is an essential reference point for flutists and composers over the past decades. The list of renowned masters he has collaborated with is nothing short of impressive: Berio, Boulez, Bussotti, Cage, Carter, Castiglioni, Clementi, Dallapiccola, De Pablo, Donatoni, Ferneyhough, Gaslini, Huber, Krenek, Kurtag, Maderna, Messiaen, Morricone, Petrassi, Pousseur, Rihm, Rota, Sciarrino, Stockhausen, Takemitsu, Yun, and many others, to name only the historical figures!

There is no question that Kennedy believes Bach is the greatest of composers. He has said so when giving his inimitable introductions to encore items at concerts, and his commitment to Bach's cause is the foundation upon which these recorded performances is based.

With the performers on this disc, you would expect first-rate performances of Dvorák's Violin Concerto and his Piano Quintet. Unfortunately, no matter what you think of the performances, the sound quality of the recording will leave you disappointed. In both the concerto and the quintet, the sound from everyone is rather thin and flat. The depth of the vibratos, the reverberation of the strings, and the orchestra in general are all very shallow.

Four CD set. An anthology of George Martin's sound productions before the advent of the Beatles; before the collaboration that would change popular music forever. He re-defined the role of producer; pioneering the recording itself as an art form. This edition is testament to a elegant, fearless musical innovator. The surrealistic, sometimes free-form recordings he created with comic geniuses Sellers, Milligan, Cribbins and Ustinov involved sound effects and collage. These madcap sonic adventures, allied to his understanding of the workings of an orchestra, his contacts within the classical fraternity, his love of the romantic and impressionist composers, and his fascination with studio experimentation made George Martin uniquely able to provide a particular objectivity and realise what the ever-curious Beatles, or any artist, would ask of him. As head of Parlophone, determined to explode the label onto the scene, he sought artists of character; taking mobile recording units out to capture Flanders And Swann's two-man show and the irreverent satirical revue, Beyond The Fringe. The Top Five was breached in 1960 both by Matt Monro and by Peter Sellers And Sophia Loren. George Martin's first UK Number One single, and an exemplar, was 'You're Driving Me Crazy' by The Temperance Seven who combined a revival of popular music from the 20s with styles from the Edwardian era.

With six Grammy Awards and 40 chart-topping singles over a career that s spanned more than four decades, Ronnie Milsap has established himself as one of country music s undisputed legends. To celebrate his induction into the Country Music Hall of Fame in 2014, RCA Records/Legacy Recordings will release The RCA Albums Collection, a comprehensive box set featuring all of Milsap s original albums for RCA Records, many appearing on CD for the first time. In spite of Milsap s incredible success, virtually none of these albums have seen a CD release, and the ability to appreciate his catalog at large has been overlooked as a result. The RCA Albums Collection fixes this, bringing all of Milsap s albums for the label together in one attractive box set, featuring CD-sized recreations of the original album artwork and a booklet featuring photos from Milsap s career, detailed discographical information and new remarks from Milsap himself on each album.