Day of the Dead is an epic tribute to the music and artistry of the Grateful Dead, curated by Aaron and Bryce Dessner of The National. They have brought together some of their favourite musicians to reinterpret the songs and sounds of the Dead for a new generation. 59 tracks and over 5 hours of music makes the album a landmark to get lost in, to discover hidden treasures and to make your own playlists for whatever mood you’re in. Covers by The War On Drugs, Kurt Vile, Bill Callahan, Courtney Barnett, Anohni, Wilco, Mumford & Sons, Unknown Mortal Orchestra, The Flaming Lips, Stephen Malkmus, Cass McCombs, Tim Hecker, Lucinda Williams, Perfume Genius, Fucked Up, Bonnie "Prince" Billy, The Tallest Man On Earth and others.

Founded in 2018, the Dream House Quartet is bringing classical and contemporary music into completely new forms as a matter of course. The members can draw on decades of musical expertise: the two piano sisters Katia and Marielle Labèque - one of the most renowned piano duet who have never confined themselves to a single genre - are joined by Grammy-winning guitarist, composer and founding member of The National Bryce Dessner and composer, musician and producer David Chalmin, also on guitar. Together they perform radical commissions from visionary composers and key contemporary works from the past half century.

Versatile composer, sought-after musical collaborator and guitarist Bryce Dessner will make his Sony Classical début on August 23, 2024 with Solos, a collection featuring a series of unaccompanied instrumental works written by the composer over the past few years. Dessner, who is also a founding member of Grammy Award-winning rock band The National has selected works from both his classical and soundtrack worlds, which showcase not only his compositional flair but also the immense talent of his acclaimed collaborators, many of whom work regularly with him and are his friends. Featured soloists include cellist Anastasia Kobekina; violinist Pekka Kuusisto; pianist Katia Labèque; harpist Lavinia Meijer; violist Nadia Sirota; percussionist Colin Currie; and Bryce Dessner himself on guitar.

After the success of Sauver ou Périr (2018) and Goliath (2022), director Frédéric Tellier has created a poignant biopic on the founder of Emmaus: Abbé Pierre (Henri Grouès). The soundtrack is signed by the American composer and guitarist, member of the group The National, Bryce Dessner. After collaborations with Alejandro González Iñárritu on The Revenant and Bardo or the very popular The Two Popes by Fernando Meirelles, Bryce Dessner offers us for this river film a score full of subtlety and emotion.

American new-music sextet eighth blackbird, which won Grammy Awards for each of its last three Cedille Records albums, continues to connect with genre-spanning, cutting-edge composers on FILAMENT, a CD of world-premiere recordings of works by Bryce Dessner, Nico Muhly, and Son Lux, plus a Philip Glass classic. The ensemble’s album, FILAMENT, was produced by Dessner, a Brooklyn-based composer, guitarist, and member of the Grammy-nominated, Billboard-charting indie rock band The National. Premieres include Dessner’s Murder Ballades and Muhly’s Doublespeak, both written for eighth blackbird, and Son Lux’s To Love and This is my Line, a remix created from the album’s other tracks. Dessner, on guitar, and Muhly, on organ, join eighth blackbird for a live-in-concert recording of Glass’s mesmerizing Two Pages at the Museum of Contemporary Art Chicago. The album’s title, FILAMENT, is a metaphor for the fiber of friendship, collaboration, and mutual influence connecting the composers and performers on the album.

Following the success of 2014’s Birdman (Winner of four Academy Awards including Best Picture and Best Director), director Alejandro G. Iñárritu pushes the limits of film making with the survival epic The Revenant. Starring Leonardo DiCaprio (Titanic, Wolf of Wall Street), Tom Hardy (Mad Max: Fury Road, The Dark Knight Rises) and shot in the frozen Canadian wilderness with only natural lighting, The Revenant is a story of loss, revenge and resilience in the face of impossible odds against the furies of man and nature itself. The film is heavily favored to be a critical darling as awards season gets under way. Director Iñárritu has chosen to forgo almost all dialogue in favor of a gorgeous soundscape and a sweeping score. A film of this magnitude deserves a composer who understands creative artistry and unbridled passion. Japanese master and Oscar winner Ryuichi Sakamoto (Merry Christmas Mr. Lawrence, The Last Emperor) fits the bill perfectly. Along with fellow Yellow Magic Orchestra member and frequent collaborator Alva Noto, Sakamoto has created a gripping soundtrack that is sure to be a treat for the winter crowds. Bryce Dessner (writer for Kronos Quartet and the LA Phil) also supplies additional music.

Dessner originally composed Impermanence for the Sydney Dance Company and choreographer Rafael Bonachela, which the company performed as a new work with Australian String Quartet. The performances took place at Roslyn Packer Theatre in Sydney, Australia – running February 16 to 27, 2021 and then the production was presented in Adelaide on March 10 and 11.