This three disc set is a remaster of the highly successful 2008 release "The Garden". Also a brand new song "Tears from the Garden" and live recordings of songs from "The Garden".
Vocalist, Mark Trueack and Keys man Sean Timms developed the ideas for the band after being introduced by a mutual friend in 1996. This impressive album release by the Australian septet from Adelaide takes them beyond the potential of which they gave notice in More than a Dream, their debut album of 2005. The style, at least on disk one, is firmly in the symphonic and neo-progressive camp with similarities to other modern proponents such as the Flower Kings, modern-day Kaipa, Jadis, Cryptic Vision and Magic Pie…

Antonio Forcione is referred to as the Jimi Hendrix of acoustic guitar and his live energy has established him as one of the most cherished figures across the world. Touch Wood is a continuation of previous works, building an eclectic mix of Italian folk music with Brazilian, Spanish and Cuban sounds. Forcione enriches the experience by enlisting friends and musicians from across the globe. The album includes the outstanding title track, “Touch Wood,” an emotionally charged guitar workout, executed with Forcione’s effortless technique.

Happy coincidences can often lead to extraordinary results. No-one could have foreseen that Lars Danielsson and the Armenian pianist Tigran would pair up to form the new dream duo of the European jazz scene, when in fact the two musicians played their first concert together only one week before the scheduled recordings of Liberetto. It was clear from the first note that two musical soulmates had found each other, and despite it happening by coincidence the result of their meeting was all the more intense. Lars Danielsson says: “Tigran sees my music exactly the way I do and he composes music exactly the way I would do myself. For example, his ‘Svensk Låt’ sounds more Swedish than my songs. It was simply fantastic to record this album with him.”

Blue Jeans a'Swinging is the first UK studio album by British Merseybeat band the Swinging Blue Jeans, released in November 1964 on HMV…

Non è un’operazione nostalgica e nemmeno un revival la ricognizione che da qualche anno Ernst Reijseger al violoncello, Angelo Conto al pianoforte e Simone Bosco alla batteria e percussioni, conducono nel proprio percorso musicale; piuttosto sembra una trovata per dire e proporre musica di un certo spessore. Certo non si può proprio pensare ad architetture sonore nuove di pacca, ma l’operazione odora di ricerca, tenta di restituire agli ascoltatori un aspetto culturale slegato dai meri contenuti di mercato di cui la musica è da diversi anni traboccante. Nascono così musiche ben diverse e nuove dimensioni, derivate dal felice incontro dell’interplay jazzistico e quello della musica d’avanguardia, imperniata sul gioco della variazione e microvariazione di cellule tematiche.

Serious marks the beginning of Luther Allison's late-'80s/early-'90s hot streak. The more streamlined, rock-oriented approach actually is a benefit, since it gives Allison a shot of energy that makes his guitar simply burn all the way through the record.

Jerzy Antczak has made a name for himself as long-time Polish neo-prog band Albion's lead guitarist. This is Jerzy's first solo outing. Still very much in the neo mode, there is also some electronic intentions that push his first solo effort into the crossover genre. The music on "Ego, Georgius" is a blend of exotic Eastern sounds, cosmic themes and lots of guitar hooks, riffs, solos and melodies. Aided by some Albion friends as well as Krzystof Wywra on bass from Millenium, the album really shines on multiple levels, very eclectic and cinematographic.

When it was originally released in June 1969, Beck-Ola, the Jeff Beck Group's second album, featured a famous sleeve note on its back cover: "Today, with all the hard competition in the music business, it's almost impossible to come up with anything totally original. So we haven't. However, this disc was made with the accent on heavy music. So sit back and listen and try and decide if you can find a small place in your heads for it."…

Carla Cook's Dem Bones follows her critically acclaimed and commercially successful Maxjazz debut, It's All About Love. The Grammy-nominated artist taps into her diverse musical influences and presents a musical autobiography reflected in 11 songs. The precision of her multi-hued voice is accompanied by such great musicians as Cyrus Chestnut on piano; Fred Wesley, Craig Harris, and Tyrone Jefferson on trombones; James Genus on bass; and Billy Kilson on drums. Packed with straight-ahead jazz, the crowning glory on this CD is the approach she uses on the title cut, "Dem Bones." Tastefully arranged for three trombones (her voice being the fourth "bone") Cook's presentation adds a modern dimension to the use of the trombone – both muted and open – as an expressive "voice" in a jazz composition.

Love You Live is a double live album by The Rolling Stones, released in 1977. It is drawn from Tour of the Americas shows in the US in the summer of 1975, Tour of Europe shows in 1976 and performances from the El Mocambo nightclub concert venue in Toronto in 1977. It is the band's third official full-length live release and is dedicated to the memory of audio engineer Keith Harwood, who died in a drug-induced car accident shortly before the album's release. In 1998, Love You Live was remastered and reissued by Virgin Records, and in 2009, was re-released with an updated remastering by Universal Records.

Alchemy: Dire Straits Live is a double album and the first live album by the British rock band Dire Straits, released on 16 March 1984 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Recorded at the Hammersmith Odeon in London on 22–23 July 1983, the album features the band's best-known and fan-favourite songs from their first four albums, along with the Mark Knopfler - Local Hero soundtrack. Many of the songs have reworked arrangements and extended improvisational segments. The album cover is taken from a painting by Brett Whiteley.

Trumpeter Nicholas Payton is teamed up with Wessell Anderson (who doubles on sopranino and alto), pianist Peter Martin, bassist Christopher Thomas and drummer Brian Blade for an unusual set of music that shifts between hard bop and New Orleans jazz. While "Rhonda Mile" (which uses the chord changes to "Indiana") is pure bop, other selections combine the two idioms and "Four or Five Times" (listed as an Anderson original but actually a standard from the 1920s) is strictly Dixieland. A highpoint is the 16-minute "He Was a Good Man, Oh Yes He Was" which musically depicts a New Orleans funeral. Throughout, Anderson (particularly on the sopranino which he plays like a clarinet) and Payton work together quite well in the exciting ensembles and show impressive knowlege of earlier forms of jazz while carving out their own individual voices.

Electric Light Orchestra's third album showed a marked advancement, with a fuller, more cohesive sound from the band as a whole and major improvements in Jeff Lynne's singing and songwriting. This is where the band took on its familiar sound, Lynne's voice suddenly showing an attractive expressiveness reminiscent of John Lennon in his early solo years, and also sporting a convincing white British soulful quality that was utterly lacking earlier. The group also plugged the holes that made its work seem so close to being ragged on those earlier records. "Showdown" and "Ma-Ma-Ma Belle" (the latter featuring Marc Bolan on double lead guitar with Lynne) became AM radio fixtures while "Daybreaker" became a concert opener for the group and, along with "In the Hall of the Mountain King," kept the group's FM/art rock credentials in order.

Importante debutto discografico di Barbara Casini per Via Veneto Jazz, che si misura in questa produzione con il repertorio della leggendaria cantante Elis Regina, in un disco che “vuole essere un gesto d’amore e gratitudine per chi ha così tanto nutrito la mia anima canterina”. L’album è realizzato con il contributo di numerosi e importanti musicisti di formazione jazz ma estremamente versati nelle sonorità sudamericane, e gli arrangiamenti di Paolo Silvestri vestono con stile ed eleganza i brani, dando il giusto equilibrio e risalto a una delle voci più cristalline che il nostro Paese possa attualmente vantare. Un excursus attraverso brani immortali della musica brasiliana, ricchi di energia, sensualità, allegria e con il giusto pizzico di saudade. Una prova importante, come tutti gli omaggi ai grandi interpreti del passato, che Barbara Casini riesce a superare brillantemente.