Cut From The Original Analog Master Tapes By Kevin Gray. All Analog Process (AAA). High Quality Vinyl Release. Original Gatefold Design. The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor.

Live at the Orange Bowl, Miami, Florida, USA 1st November 1987.Stereo Soundboard Recording

Long out of print and finally reissued 1965 release “Soul Dressing" Cut from the Original Analog Master tapes by Kevin Gray. All Analog Process (AAA). Pressed At Memphis Record Pressing (MRP). High Quality Vinyl Release.

Connie Francis is one of the best selling female artists of all time and these 60 tracks emphasise why. Since the 1950's Connie's hit­s, such as "Lipstick On Your Collar" and "Stupid Cupid" have been listened to by millions and millions of fans. Her enduring popularity after more than 50 years in the business only confirms the strength of the songs included on this remastered collection.

Ultimate Collection album by Marvin Gaye was released on the Universal Distribution label. This collection brings together nearly 50 songs from the extensive career of Motown legend and American icon Marvin Gaye, whose smooth, powerful voice came to symbolize an entire era in the turbulent 1960s and 70s. Ultimate Collection songs This three-disc budget box actually does a pretty decent job of hitting the high points in Marvin Gaye's career, featuring all of his hit singles and a stand-alone third disc with a dozen or so of his duets with the likes of Mary Wells, Kim Weston and Tammi Terrell. Ultimate Collection album ~ Steve Leggett Import exclusive 32-bit remastered compilation featuring 48 tracks including a bonus CD featuring 15 duets with the likes of Diana Ross, Tammi Terrell, & Mary Wells. Ultimate Collection CD music Digipak. Motown.2003. .

Ohrwurm-Melodien, Mitsing-Refrains und Texte, die uns zum Lachen bringen oder ein Herz auf unsere Seele malen: „Weil du Liebe gibst“, „Nur für dich bin ich geboren“, „Verlorenes Gold“. Darum werden sie seit 55 Jahren geliebt. Die Amigos sind ein Mythos, zum Greifen nah. Der Rock rollt und der Beat brennt noch in ihren heißen Schlagerherzen - Pettycoat und Rock'n Roll -. „Die Beat-Clubs von damals gibt es nicht mehr“, doch die Könige des Discofox folgen dem Pulsschlag der Musik „solange unsere Herzen schlagen. Wir machen’s wie die Rolling Stones – wir hören niemals auf!“ Karl-Heinz und Bernd Ulrich können sich auf ihre Intuition verlassen. Sie haben Stimmung und emotionalen Ausdruck eines Liedes bereits im Ohr, bevor die Songs im Studio zum Leben erwachen.

Colin Hay became a household name as the front-man for 80s pop sensation Men at Work, and his musical legacy has extended for over 40 years. Man At Work Volume 2 is the sequel to his 2002 best seller Man At Work and offers fans an impeccable set of favorites from across Hay's rich catalog, including Men at Work classics, solo album highlights, and new material.

AC/DC With a limitless supply of dirty riffs, snarling vocals, and timelessly catchy, anthemic choruses, AC/DC is one of the most important and most lasting forces in hard rock. Founded in the early '70s by Scottish-born brothers Malcolm and Angus Young, the Aussie band exploded onto the international stage in 1979 with the release of their multi-platinum-selling sixth album, Highway to Hell. The death of charismatic frontman Bon Scott in 1980 threatened to derail the group, but AC/DC powered through. They recruited Geordie vocalist Brian Johnson and unleashed their most successful effort to date, Back in Black, which has become the second best-selling album in history. The band continued to help define the sound of hard rock and metal throughout the '80s, '90s, and beyond, spawning countless imitators and enjoying steady, consistent commercial success. They also became one of the best examples of arena rock, playing to enormous crowds as the years went on, and rocking as hard as ever on studio albums like 1990's pop-glinted The Razor's Edge and 2020's Power Up, both of which reached the upper tiers of multiple charts.

STUNNING 1981 BROADCAST RECORDING • Formed in 1974 in Catford, South London by David Sylvian (vocals, guitar, keyboards), Steve Jansen (drums) and Mick Karn (bass guitar), Japan were joined by Richard Barbieri (keyboards) and Rob Dean (lead guitar) the following year. Initially an alternative glam rock-inspired collective, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences. The band achieved success in the late 1970s and early 1980s, releasing nine UK Top 40 hits. They split in December 1982, just as they were beginning to experience commercial success in the UK and abroad. • Initially signing with Hansa-Ariola, upon their departure Japan joined Virgin Records, who released their studio albums, Gentlemen Take Polaroids in 1980 and Tin Drum in 1981. Between these respective releases, Japan toured consistently, and among their finest concerts was that undertaken at London’s Hammersmith Odeon on February 7th 1981, where they played a quite exceptional show which was recorded for live radio broadcast. • Previously unreleased this stunning broadcast recording is now finally available on this new CD, allowing fans to finally hear one of Japan’s most revered live performances

Various live tracks & a few studio or similar recordings.

Los Platters pusieron el tono melódico a los efervescentes primeros años del rock and roll. Fue el gran quinteto doo wop de los cincuenta, con canciones que aún sorprenden por su calidad y la perfección de sus armonías, resaltadas en esta edición por un excelente trabajo de remasterización. En este doble CD se reúnen todas y cada una de las canciones que triunfaron en España entre 1955 y 1963. "Only you", "My prayer", "The great pretender", "El humo ciega tus ojos", "La hora del crepúsculo" y "Sixteen tons", entre otros títulos legendarios, además de dos canciones en español, en las voces originales del grupo, entre las que destaca el gran Tony Wiliams.

There’s one thing Forth Wanderers want to make clear as they prepare to release their third album The Longer This Goes On: “We’re not back,” guitarist Ben Guterl says emphatically. It’s perhaps an unexpected sentiment to pair with the band’s first album since they parted ways seven years ago, but the band insists it’s just an honest answer—they came together to record the ten intricately constructed gems that make up this new record, and they’re still figuring out what being in Forth Wanderers means to them, over ten years after the project’s conception. Listening to these songs, each a glittering celebration of vocalist Ava Trilling’s urgent and intuitive lyrics and the band’s natural musical chemistry, though, it’s hard to feel like there’s much of anything left unsaid. Filled with spit-shined melodies, chiming vocal harmonies, and slinky, slanted rhythms, the album is more expansive than just a return to form. Here, the band aren’t afraid to take the scenic route to a hook, layering instrumental flourishes to fill in the empty spaces, creating room for Trilling’s haunting range, or repeating a riff or a lyric until it becomes a Zen koan. On The Longer This Goes On, Forth Wanderers sound more self-aware and self-assured than ever before. Just don’t call it a comeback.

This new release which is the third of a 5 volume series covering the complete Piano Works of Karol Szymanowski includes Four Studies for Piano Op. 4 & Piano Sonata No. 2 in A major Op. 21, and eight pieces from the Twenty Mazurkas for Piano Op. 50.

There are multiple points of interest to this recording of Bach's sonatas BWV 1027-1029. There is the presence of the growing renown of Masato Suzuki, for instance, who, like his father Masaaki, is a formidable keyboard player as well as a choral conductor. There is the fact that these sonatas, plus a transcription of a melody from a church cantata, are top-notch Bach not terribly often played. The real news, however, is that they are played by France's Antoine Tamestit on a viola, not on the original viola da gamba.

By the time he issued his first collection of harpsichord suites in 1720, Handel had already focused his attention entirely on opera. As soon as it was published, the set delighted music lovers and became a bestseller all over Europe. It was such a success that it was reprinted many times. Alternating between the French and Italian styles, Handel does not respect the customary sequence of dance suites of the period. But he does touch the heart. On this recording, harpsichordist Pierre Hantai brings out all the direct charm and imaginative power of these these remarkable works.