200-gram gatefold double LP cut at 45 RPM. Mastered by Bernie Grundman from the original analog tapes. Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan, released on 15 July 1997. It was produced by McLachlan's frequent collaborator, Pierre Marchand, and its release coincided with the start of McLachlan's Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.

It always seemed that women have led the way when it came to Swing. For every Crosby and Sinatra, there was not only an Ella or a Billie, but also a Sarah and a Peggy. For each Mel Tormé or Tony Bennett, there was a Lena, an Aretha, a Nina or a Dinah. When women became band singers during the Swing era, they frequently outlasted their employers in terms of celebrity and record sales. There are many remarkable examples of female vocal art on this compilation, some by those who have achieved superstar status. So many stories, so many brilliant performances. What a way to swing!

In the words of the Guinness Who s Who of Jazz, Sun Ra was one of the great modern visionaries…He showed that with imagination, commitment and a love of beauty, you can create your own future and make the impossible real. No longer with us, you can still pay tribute to and enjoy a Jazz genius with two of his finest works collected here.

Anyone who's ever looked through Michael Cuscuna and Michel Ruppli's Blue Note discography inevitably wonders what many of the sessions labeled "unissued" or "rejected" sound like. This anthology is full of fascinating tracks worthy of release, starting with Charlie Rouse's "One for Five," on which the tenor saxophonist leads a fine quintet that includes McCoy Tyner and Freddie Hubbard. Collectors have long awaited the release of the four tracks from an abandoned date by Tadd Dameron, since there's a paucity of material available featuring him as leader and pianist. The octet's performances of Sam Rivers' lively, gospel-flavored "The Elder Speaks" and Dameron's ominous "Lament for the Living" aren't flawless but are well worth hearing. Pianist Duke Pearson's quartet is featured on three tracks, with tenor saxophonist Ike Quebec contributing a soulful solo on "For All We Know." The individual tracks led by Quebec, Sonny Stitt, Fred Jackson, and Herbie Hancock aren't quite as successful but are still enjoyable. Since this is a limited-edition release, don't pass up the brief opportunity to acquire this long-overlooked and very rare music.~Ken Dryden

Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.

Everything Is Wrong is the third studio album by American electronica musician Moby, released on March 14, 1995 by record labels Mute in the United Kingdom and Elektra in the United States. It was released with a limited-edition bonus disc of ambient music titled Underwater. Everything Is Wrong was released to positive reviews from music critics. Spin's Barry Walters praised its diverse range of musical styles compared to most other "one-dimensional" electronic albums and dubbed it "a hugely passionate album held together by its intensity". In The Village Voice, Robert Christgau remarked: "Where in concert he subsumes rockist guitar and classical pretensions in grand, joyous rhythmic release, on album his distant dreams remain tangents." Everything Is Wrong was voted the third best album of 1995 in The Village Voice's year-end Pazz & Jop critics' poll.

Boris Yoffee was born in Russia in 1968. There, he studied violin and composition and before the breakup of the Soviet Union he immigrated to Israel, where he studied at Tel Aviv University. In 1997, he moved to Germany to study composition with Wolfgang Rihm. By 2009, he had amassed an enormous number of short works. Thus, the performers who had been asked to record his Song of Songs looked through approximately 800 of them in order to select the pieces they wanted to perform. The Rosamunde Quartet is a German string quartet that was formed in 1992; since the group disbanded in 2010, this is its last recording. The Hilliard Ensemble is a British male vocal quartet that is well known for its performance of Renaissance, medieval, and contemporary music. It has often performed the works of Arvo Pärt, whose music is somewhat similar to that of Yoffe.

Premiata Forneria Marconi (PFM) is an Italian progressive rock band founded in 1970 which continues to the present day. They were the first Italian group to have success internationally. The group recorded five albums with English lyrics between 1973 and 1977. During this period they entered both the British and American charts. They also had several successful European and American tours, playing at the popular Reading Festival in England and on a very popular national television program in the United States. PFM introduced new sounds, such as the synthesizer, to the Italian musical world. They were also among the first to combine symphonic classical and traditional Italian musical influences in a rock music context. Such innovations and their longevity have earned PFM a place among the most important bands in the Progressive rock genre.

Thirty Three & ​1⁄3 (stylised as Thirty Three & 1/ॐ on the album cover) is the seventh studio album by English musician George Harrison, released in November 1976. It was Harrison's first album release on his Dark Horse record label, the worldwide distribution for which changed from A&M Records to Warner Bros. as a result of his late delivery of the album's master tapes. Among other misfortunes affecting its creation, Harrison suffered hepatitis midway through recording, and the copyright infringement suit regarding his 1970–71 hit song "My Sweet Lord" was decided in favour of the plaintiff, Bright Tunes Music. The album contains the US top 30 singles "This Song" – Harrison's satire on that lawsuit and the notion of plagiarism in pop music – and "Crackerbox Palace".

Since Varese's 18-track 1995 collection The Best of Donna Fargo has gone out of print, MCA's 20th Century Masters from 2002 stands as the best collection of her classic Dot material currently on the market. At 11 tracks, it's considerably shorter than that collection, but it does hit all of her big hits on ABC/Dot, including all of her Top Ten hits: "The Happiest Girl in the Whole U.S.A.," "Funny Face," "Superman," "You Were Always There," "Little Girl Gone," "I'll Try a Little Bit Harder," "You Can't Be a Beacon (If Your Light Don't Shine)," "U.S. of A.," "It Do Feel Good," and "Don't Be Angry."

Scott Ross was an American harpsichordist who was both popular and renowned for his brilliant technique and insightful interpretations. He recorded the complete works of Scarlatti, Rameau, and Couperin, three composers, along with J.S. Bach, whose music he became identified with over his brief career. Ross was also a highly respected harpsichord teacher in Canada and France.

Bonnie Tyler’s multi-platinum mid-Eighties link with Meat Loaf songwriter Jim Steinman that saw the Welsh songstress etch her name into rock history. Those distinctive husky tones graced classic after classic, from the bombastic transatlantic chart-topper ‘Total Eclipse Of The Heart’ to ‘Holding Out For A Hero’, a US Number 2 from the soundtrack of hit movie Footloose. Add duets with Todd Rundgren and Shakin’ Stevens, the feelgood ‘A Rockin’ Good Way’, plus top album tracks and you’ve a package sure to please fans both in the Principality and the wider rock’n’roll world. This 2CD collection contains 28 hits from the albums Goodbye to the Island, Faster Than the Speed of Night, Secret Dreams and Forbidden Fire, and Hide Your Heart. Also contains multiple b-sides and rarities.

The Korean pianist Yeol Eum Son has attracted admirers in venues of multiple types: in the buttoned-down world of the classical music competition, and in the broad popular arena of YouTube, where a video of Son performing the Mozart Piano Concerto No. 21 in C major, K. 467, has attracted some ten million views. Son chooses that concerto for her Mozart debut, and here she has the added advantage of backing by Sir Neville Marriner and the Academy of St Martin-in-the-Fields.

Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held that spot for two weeks in October of 1979. "Babe" is a smooth, keyboard-pampered love song that finally credited Dennis De Young's textured vocals. While this single helped the album climb all the way to the number two spot on the charts, the rest of the tracks from Cornerstone weren't nearly half as strong. "Why Me" made it to number 26, and both "Lights" and "Boat on the River" implement silky harmonies and welcoming choruses, yet failed to get off the ground.

While lacking the monumental impact of Kick Out the Jams, the MC5's second album is in many regards their best and most influential, its lean, edgy sound anticipating the emergence of both the punk and power pop movements to follow later in the decade. Bookended by a pair of telling covers - Little Richard's "Tutti Frutti" and Chuck Berry's "Back in the U.S.A." - the disc is as much a look back at rock & roll's origins as it is a push forward into the music's future; given the Five's vaunted revolutionary leanings, for instance, it's both surprising and refreshing to discover the record's emotional centerpiece is a doo wop-inspired ballad, "Let Me Try," that's the most lovely and gentle song in their catalog. The recurring theme which drives Back in the USA is adolescence, its reminiscences alternately fond and embittered - while cuts like "Tonight," "Teenage Lust," "High School," and "Shakin' Street" celebrate youth in all its rebellious glory…