A limited-edition five-CD box set comprising both albums that Janis Joplin made with Big Brother & the Holding Company (Cheap Thrills and Big Brother & the Holding Company), both of her solo albums (I Got Dem Ol' Kozmic Blues Again Mama! and Pearl), and a bonus EP with five previously unreleased recordings. Each of these four albums includes previously unreleased bonus tracks (including live material), and each is available separately with the same bonus cuts. The tracks on the bonus EP aren't available anywhere else, and if you're devoted enough to consider laying out for this deluxe box, you're probably most interested in what's on that fifth disc.

In November 2021, even before taking up his post as chief conductor of the Bavarian Radio Symphony Orchestra, Simon Rattle began a cycle of Mahler symphonies with a performance of the Ninth (BR-KLASSIK 900205). The Sixth followed in September 2023 (BR-KLASSIK 900217) and the conductor is now tackling the composer's Seventh Symphony. This cycle marks the beginning of a new chapter in Mahler interpretation, as Rattle is just as passionate a Mahler admirer at the helm of the orchestra as his predecessors Jansons, Maazel and Kubelik. BR-KLASSIK has already released the live recording of the current concert with Mahler's impressive Seventh Symphony from November 2024.

Esoteric Recordings’ Reactive label is pleased to announce the release of a newly re-mastered 4 CD clamshell boxed set which gathers together the first four legendary albums by Tangerine Dream, originally released on the Jive Electro label between 1985 and 1987, known by fans as “The Blue Years” albums.

Frampton Comes Alive! is a double live album by English rock musician Peter Frampton released in 1976. It is one of the best-selling live albums in the United States. "Show Me the Way", "Baby, I Love Your Way", and "Do You Feel Like We Do" were released as singles. All three singles reached the Top 15 on the Billboard Hot 100, and frequently receive airplay on classic rock radio stations. Following four solo albums with little commercial success, Frampton Comes Alive! was a breakthrough for the artist. Released on January 6, 1976, it debuted on the charts at 191. The album reached number one on the Billboard 200 the week ending April 10, 1976, and was in the top spot for a total of 10 weeks. It was the best-selling album of 1976, selling over 8 million copies in the US and becoming one of the best-selling live albums to date, with estimated sales of 11 million worldwide. Frampton Comes Alive! was voted "Album Of The Year" in the 1976 Rolling Stone readers poll. It stayed on the chart for 97 weeks and was still No. 14 on Billboard's 1977 year-end album chart. It was ranked 41 on Rolling Stone's "Greatest Live Albums of All Time" list.

Bozzio Levin Stevens is a supergroup power trio of rock, fusion, jazz and instrumental classical music, consisting of drummer Terry Bozzio (Frank Zappa, U.K., Missing Persons, Steve Vai, Jeff Beck), bassist and Chapman Stick player Tony Levin (Peter Gabriel, King Crimson, Liquid Tension Experiment) and guitarist Steve Stevens (Billy Idol, Michael Jackson). They have recorded two albums via Magna Carta. Situation Dangerous is the second studio album by the supergroup Bozzio Levin Stevens, released on August 8, 2000 by Magna Carta Records.

Expanding the original Limited Edition release to a full double-LP/single-CD set, Unlimited is very much a dog's breakfast – albeit a highly entertaining one – of previously unreleased performances. Suzuki and Mooney take the spotlight on some songs, while on others the key foursome go at it in their usual way. A number of songs are mere snippets, like the vaguely tribal-sounding "Blue Bag," while one tune, the 20-minute "Cutaway," from 1969, is a sprawling pastiche of oddities. (Keep an ear out for the very formal request to keep modulations in frequency with other bandmembers!) Five cuts are listed as part of the band's continuing Ethnological Forgery Series, on which they recreate or interpret a variety of world musics through their own vision. The majority of songs come from 1968-1971 – manna from heaven for those interested in the band's roots. Many cuts show off the varying abilities of the players. Leibezeit plays wind instruments on five separate cuts, while Schmidt is credited with "schizophone" on the Mooney-sung funk-soul of "The Empress and the Ukraine King." Though a few tracks are seemingly here to fill space, a lot of what's present easily stands up on its own, and with the band's legend as well. The opening cut, "Gomorrha," recorded after Suzuki's departure, is quite fine, an understated but still epic piece with lovely keyboards from Schmidt and intoxicating Karoli guitar. On the Suzuki-era cut "I'm Too Leise," Leibezeit's medieval flutes and light percussion add to a half-folk/half-something-else vibe. Mooney gets an interesting moment of glory with "Mother Upduff," a spoken-word tale of tourists in Europe that turns increasingly strange after the encounter with the octopus.

All tracks recorded live in concert July 8 2009 in Pula, Croatia.Issued in a trifold digipack with front sticker showing date and venue.Third disc only contains digital photos from the concert (no audio).

The New Sound is the debut studio album by English musician Geordie Greep, released on 4 October 2024 on Rough Trade Records.The album was produced by Black Midi touring and session member Seth Evans, with co-production from Greep. The album was recorded in London and São Paulo between September 2023 and April 2024. Black Midi, the band Greep had led since 2017, went public with their indefinite hiatus in August 2024. Days after, he announced the release of The New Sound, alongside its lead single "Holy, Holy".

This 2009 live performance by German-based chamber ensemble Musica Saeculorum under the direction of Philipp von Steinaecker is a pure, polished recording; sharply defined and alternately musical and muscular in it's sensibility. Despite their German origin, this is a English language performance, with nary a hint of accent detectable; indeed, this is a sparkling performance from all involved, with crisp diction, razor-sharp attacks and both the orchestral and choral forces moving as one. Tenor Daniel Johannsen is electrifying in his solos, with crystal-clear singing and a heroic tone. Bass Dominik Wörner is similarly potent in his arias, bringing high drama and technique to his arias.

When Michael Nyman started reinventing the English baroque back in the 1980s, one critic described the result as pump- action Purcell. This recording combines these two singular musical styles through the stunning voice of countertenor Iestyn Davies and viol consort Fretwork, serving as the bridge across three centuries. The programme combines bold harmonies, wondrous inventions, and melodies that will haunt your dreams whether from the 17th century or the 21st. Recorded following a concert tour of the programme, the release includes the premiere recording of a new commission from Michael Nyman, Music after a While based upon Purcells song, or more particularly upon its strikingly original bass-line, with its insidious rising chromatics.

This sixty-second volume of the epic Vivaldi Edition is also the seventh volume of the flamboyant Red Priests violin concertos. Here we see the ageing composer more full of life than ever, adapting to the demands of the galant style in vogue since 1725, while losing nothing of his verve and imagination. These are the sole surviving concertos of the fifteen that, during his fateful last year in Viennese exile, Vivaldi sold for a pitifully small sum to Count Vinciguerra Tommaso Collalto, a Venetian nobleman then residing in his castle at Brtnice, Moravia (the castello of this volumes title). With solo writing of extreme refinement, these works fully exploit the whole range of violinistic expression and phrasing, displaying a wealth of ornamentation and a lavishly inventive sense of lyrical cantabile virtuosity.

The cult compilation Shaolin Soul meets Motown Records, with 21 soul gems unearthed by Uncle O directly from the archives of the legendary Detroit-based label.

Crimson Gold presents Ian Hunter & Mott the Hoople Gold. Led by singer-songwriter Ian of sixteen UK and us singles. CD 1 opens with the David Bowie penned 'All The Young Dudes' from 1972. Hunter, Mott the Hoople burst on to the seventies rock scene with classic tracks such as 'All The Young Dudes', 'Roll Away The Stone' and 'All The Way From Memphis'. This essential compilation features the very best of Mott the Hoople alongside classic tracks from Ian Hunter's solo albums across three CDs, plus an exclusive introduction from Mott and Hunter biographer, Campbell Devine. Gold contains a total The song shot to #3 in the UK singles chart and has been acclaimed as a timeless rock anthem. Other classic Mott the Hoople tracks on this disc include the Top Ten hits 'All The Way From Memphis' And 'Roll Away The Stone'. CC 2 features more hits including 'The Golden Age Of Rock & Roll', 'Saturday Gigs', 'Foxy, Foxy' and 'Once Bitten, Twice Shy'. CD 3 rounds off this definitive collection with fan favorite tracks from Ian Hunter's classic solo albums including 'All-American Alien Boy', 'England Rocks' and 'All Of The Good Ones Are Taken'.

Few observers expected that Whitney Houston's first big-screen role in 1992's The Bodyguard would generate a phenomenon. Not that the film itself was a phenomenon – it was a healthy success, due not only to Houston, but to her co-star Kevin Costner's drawing power – but the soundtrack's success was astonishing. The Bodyguard followed Houston's cover of Dolly Parton's "I Will Always Love You" to the top of the charts, and once they got there, neither the single nor the album budged for weeks. "I Will Always Love You" spent a record-shattering 14 weeks in the top slot, while The Bodyguard spent 20 weeks at number one, eventually selling over 15 million copies and winning the Grammy award for Album of the Year.

Recorded on August 13, 14 & 25, 1992 at Sound On Sound, New York City.