The band brings back the old but yet evergreen sound of the 70's, influenced by bands like Uriah Heep, Deep Purple, Thin Lizzy and Jethro Tull but also by American bands like Kansas. Hard and immediate riffs are followed by acoustic parts, which lead to dreaming and ancient melodies. A deep and warm vocal timbre, creates interesting contrasts with very rough guitars. Definitely a jump into the past to invite you to discover once again the pure emotions that only the best Hard Rock can deliver.

The remixed 2003 classic album, Decoration Day, remastered by acclaimed engineer Greg Calbi. Features Drive-By Truckers standards, “Sink Hole,” “Marry Me,” “My Sweet Annette,” and Jason Isbell’s first songs with the band, “Outfit,” and “Decoration Day.”

Avant-fusion like you've never heard it before. Absolute Zero is an extremely under-the-radar outfit with only one EP and one official studio album to their name. CRASHING ICONS is an interesting fusion album with four double-digit length jams that stretch the boundaries of what fusion can do.

The Minnesota Orchestra and its music director Thomas Søndergård delve into the imaginative world of Thomas Adès, a singular voice in contemporary classical music. Featuring two of his most compelling orchestral works, The Exterminating Angel Symphony – a world premiere recording – and the Violin Concerto, this album captures Adès’ uncanny ability to merge intellectual rigor with raw emotional immediacy. With orchestral textures both radiant and unsettling, Adès evokes a surreal musical landscape, brought vividly to life by Søndergård’s incisive direction and violinist Leila Josefowicz’s electrifying performance.

Willie Nelson Few songwriters and performers have played a vital role in post-rock & roll country music as Willie Nelson. Although he didn't become a star until the mid-'70s, he spent the 1960s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away"), as well as releasing a series of records on Liberty and RCA that earned him a small but devoted cult following. During the early '70s, Nelson abandoned Nashville for his native Texas, setting up shop with the redneck hippies in Austin and taking control of his music on the landmark Shotgun Willie (1973) and Phases & Stages (1974). He found a kindred spirit in Waylon Jennings and, together, they spearheaded the outlaw country movement that finally made him a star by 1975.

Chet Baker An icon of West Coast cool jazz, Chet Baker rose to fame in '50s with his lyrical trumpet lines and spare, romantic singing. After being handpicked for a West Coast tour with Charlie Parker, he burst onto the scene as a member of Gerry Mulligan's pianoless quartet, whose recording of "My Funny Valentine" made him a star even beyond his cult jazz audience. Signed to Pacific Jazz, he released a series of popular albums beginning with 1954's Chet Baker Sings, which featured his definitive vocal take of "My Funny Valentine;" from then on his signature song. By the end of the decade, he had topped both the Downbeat and Metronome Magazine reader's polls, famously beating out two of the era's most renowned trumpeters Miles Davis and Clifford Brown. He was also named DownBeat top jazz vocalist in 1954.

Dire Straits is a British rock band formed in 1977 by Mark Knopfler, David Knopfler, John Illsley and Pick Withers. Dire Straits’ sound draws from various influences including jazz, folk, country, and blues rock. The band won four Grammy Awards, three Brit Awards, two MTV Video Music Awards, and various other awards.

This carefully compiled, finely presented boxed set collects the output of Creedence Clearwater Revival, still one of America's most original-sounding rock bands approaching 50 years after their recordings were made. When you hear the combination of gritty blues, rockabilly and swampified boogie that CCR perfected, it's surprising to learn that the band formed in Northern California, far closer to Haight-Ashbury than Highway 61. Collected here is every studio-recorded album the band made – all within a four-year period – along with a bonus 45rpm disc that features special mixes of a couple of songs. Included are liner notes written by former Rolling Stone editor Ben Fong-Torres and period photos from Baron Wolman and Didi Zill, who documented CCR during the band's heyday. Each record comes in a glossy fold-over sleeve constructed of heavy stock, everything fitting into an attractive box.

Review by Scott Yanow Two of pianist Kenny Barron's earlier LPs (Sunset to Dawn and Golden Lotus) are reissued in full on this double CD from 1997. The 1973 date has its moments of interest, with Barron doubling on electric piano as part of a five-piece rhythm section, performing five of his originals and a song by drummer Freddie Waits. Those post-bop sides hint a bit at fusion and funk while still remaining reasonably creative. However, it is the later set (a quintet outing with John Stubblefield on tenor and soprano, vibraphonist Steve Nelson, bassist Buster Williams and drummer Ben Riley) that is of greatest interest; the group performs four Barron tunes, including "Golden Lotus," plus "Darn That Dream." Nelson's playing at that early stage showed great potential that he has since largely realized. An excellent two-fer.

Immerse yourself amongst legends and experience an incredible line-up of 32 chart-topping favourites from 4 decades on this brand-new 2LP. Opening with Elvis Presley’s biggest hit and one of the best-selling singles of all-time, ‘It’s Now Or Never’, the first side showcases the timeless and influential talent of the swinging 60s including, Roy Orbison’s, ‘Oh, Pretty Woman’, Tom Jones’, ‘It's Not Unusual’ and The Supremes with ‘Baby Love’… The second LP opens with a stella run of 80s anthems, kicking off with ‘Every Breath You Take’ from The Police, followed by ‘Brass In Pocket’ the decade’s first number one single from The Pretenders. UK pop legends Duran Duran and Culture club are included along with floor-fillers from Frankie Goes To Hollywood and Dead Or Alive… This quintessential number 1’s Vinyl, Compilation!

35th Anniversary Edition. Lush’s Gala was the band’s debut compilation album, comprising their earliest releases — Scar (1989), Mad Love (1990), and Sweetness and Light (1990) — in reverse chronological order, plus two additional tracks (a cover version of ABBA’s “Hey Hey Helen” and the extended Robin Guthrie mix of Scar track “Scarlet”). Originally released in 1990 as the band’s introduction to the US and Japanese markets, the compilation’s 35th anniversary is being celebrated with a 2025 reissue, formatted both on Standard LP/CD and as a Deluxe Edition Coloured Vinyl 3x12” and 7”, to be released November 14. Back in print for the first time since 1990, both the standard and deluxe editions are rounded out with 2025 Kevin Vanbergen remasters of the original tracklisting and deluxe edition artwork designed by Chris Bigg featuring original artwork by v23 (Vaughan Oliver and Chris Bigg). credits releases November 14, 2025

One year after …But Seriously, England's best-selling album in the year of its release, Phil Collins followed up with a live worldwide tour. The former Genesis drummer was at the height of his fame, and this Berlin concert on July 15th, 1990, perfectly documents his impressive performances from that time. Surrounded by four virtuosos (Leland Sklar on bass, Daryl Stuermer on guitar, Chester Thompson on drums and Brad Cole on keyboards), here Phil Collins reveals a kind of ‘best of’ album with the hits Against All Odds (Take A Look At Me Now), One More Night, In the Air Tonight as well as a rather muscular cover of You Can't Hurry Love by The Supremes. Everything here is XL! Brass, rhythm and melodies! And the remastered edition of this live album in 24-Bit Hi-Res quality makes the experience even more powerful. © Clotilde Maréchal

Metrik announces his fourth studio album Awake - a bold new chapter in drum & bass. London-based producer, vocalist and DJ Metrik returns in 2025 with Awake, a 12-track odyssey that pushes drum & bass into uncharted territory. Five years in the making, the album marks his most ambitious and personal work to date - a fusion of ferocious energy, immersive world-building and raw emotion. Fans have already had a taste: singles including Abyss, Immortal, Fall To The Dust, Overdrive (with Grafix) and the title track Awake have torn through clubs and festivals worldwide, while Hole - a collaboration with Enter Shikari’s Rou Reynolds - was crowned BBC Radio 1’s Hottest Record in the World.

Bolted (Deconstructed)' is a new collection of reworkings from Forest Swords' (aka producer and composer Matthew Barnes) most recent album, released as a fundraiser for winter food banks in his home city of Liverpool. The ambient, improvised reinterpretations arrive during the first anniversary of the critically acclaimed album 'Bolted', an exploration of post-industrial electronica and foggy ambient recorded in a factory space in the city, with guests including Neneh Cherry. "I'm always interested in ways I can dismantle my work once it's done – Bolted was a heavy record both creatively and sonically, so as I finished up the live shows I wanted to revisit it, cracking it open to let some light in" says Barnes of the release. "The whole idea was to be loose with the source material, and these tracks are pieced together using a couple of pieces of hardware with random stems from the sessions". The hypnotic, beatless versions of the album pushes the sonic world from bleak, alien electronics to into fresh winter air: snippets of vocals and melodies placed into dubbed out organ and synths, musique concrète, brightly hissing tape loops and chamber reverb.

Japanese pressing features the high-fidelity SHM-SACD format (single layer). Cardboard sleeve packaging. Produced by Impulse! A&R director Bob Thiele in 1963, this recording is a major showcase of the talented Charles Mingus as a bassist, pianist and writer. In his 1963 original liner notes, critic-at-large Nat Hentoff said that of all the musicians, it is impossible to remain indifferent to Mingus. This recording more than any other testifies to Hentoff's claim. More so today than in 60's, there is truly only one Mingus, Mingus, Mingus, Mingus, Mingus.