Thirty-two years after the fact, this live album presents a full-length version of the shows performed by Richard & Linda Thompson to promote their 1975 album Pour Down Like Silver, their third LP, following Hokey Pokey released earlier in 1975, and 1974's I Want to See the Bright Lights Tonight. They are accompanied by John Kirkpatrick on accordion and concertina, Dave Pegg on bass, and Dave Mattacks on drums. The recordings have not been released previously, except for "Calvary Cross" and "It'll Be Me," which were included on Richard Thompson's 1976 compilation Guitar, Vocal, but which have been remixed for this album.

31-song set. Tour debut of “Cover Me.” “Trapped,” “My Love Will Not Let You Down,” “Working on the Highway,” and “I’m on Fire” return to the set. Four songs from 2020’s Letter To You: “Ghosts,” “Letter To You,” “Last Man Standing,” and “I’ll See You in My Dreams.” “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions. “Thunder Road” is the main-set closer.

Unique 3CD compilation of The Jimmy Castor Bunch. Featuring all of Jimmy Castor’s RnB chart hits.This package is jammed packed full of Funk.With sleeve notes by MOJO and Record Collector journalist Charles Waring.Despite unashamedly injecting an infectious sense of fun and irreverence in his take on funk – as evidenced on early 70s hits ‘Troglodyte (Cave Man)’ and ‘Bertha Butt Boogie’ – Jimmy Castor was a serious musician who more than lived up to his nickname, “The Everything Man”. He could sing as well as play the saxophone, piano, vibraphone, and assorted percussion instruments, and if that wasn’t enough, he was also an accomplished bandleader, arranger and producer.

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.

The Analogue Productions/QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD. Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.

The Border is legendary country artist Willie Nelson’s 75th solo studio record of new material. Produced by Willie’s longtime collaborator, Buddy Cannon, The Border features four newly penned tracks by the pair combined with a half dozen tunes from some of their favourite songwriters including two cowritten by Rodney Crowell plus Shawn Camp, Mike Reid and Bobby Tomberlin. Backed by some of Nashville’s finest musicians, the album is another instant classic to follow up their last album of new material, A Beautiful Time which won Best Country Album at the 2023 Grammys.

All copies of the June 2024 issue of Uncut come with a free CD – Can Live 1973 – 1977 – that brings together music from Can’s indispensable live series. On these five tracks – don’t feel short-changed: the shortest one is over eight minutes long – you’ll find rock’s most forward-thinking band at their most uninhibited…

"ERIC CLAPTON - THE ULTIMATE MASTER COLLECTION" is a comprehensive box set released by the bootleg label Mid Valley in 2018. This collection spans 16 CDs, covering live performances from 1985 to 1989. The set includes concerts from various iconic venues and dates, showcasing Clapton's work during this period.

A Grand Concert of Music a rich English Baroque programme including a violin concerto (by Geminiani) and a keyboard concerto by Arne, featuring respectively Simon Standage and Trevor himself.

This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure that the academic music scene in Peru could not provide. During these specialization trips, Peruvian composers gained access to the languages of the international avant-garde of the post-war period. César Bolaños traveled to Argentina, to the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) at the Instituto Di Tella, where he produced an extensive body of work, including "Intensidad y Altura" (1964) for magnetic tape, the first electronic work produced in the CLAEM electronic music laboratory. Similarly, Edgar Valcárcel was a CLAEM fellow and also spent time at the Columbia-Princeton Electronic Music Center in New York, where he composed, among other works, "Invención" (1967) for magnetic tape. Enrique Pinilla also passed through there, composing "Prisma" (1967) for magnetic tape. Alejandro Núñez Allauca was another CLAEM fellow, where he composed "Gravitación Humana" (1970) for magnetic tape.

Six CD set exploring Cranes' output on the Dedicated label, 1989-1997. Includes albums, b-sides, remixes, rarities and live recordings. Formed in 1986 by siblings Alison and Jim Shaw, Cranes remain one of the most distinctive bands of the late 1980s and 1990s, their ever-mutating sound defying categorization and existing outside of the zeitgeist. Their recorded output during their initial ten-year incarnation is collected together here for the first time, from the raw 1989 mini album 'Self-Non-Self' (originally released on Bite Back!) through to the sophisticated 1997 epic 'Population Four'. Curated and overseen by singer Alison Shaw on behalf of the band, and resplendent in artwork by 4AD legend Chris Bigg (with detailed liner notes and discographic information), 'Collected Works Vol 1' serves as timely reminder of Cranes' magnificence as they evolved from stark, noisy soundscapes to bolder, more elaborate instrumentation and arrangements. With hints of ethereal rock, dream pop, shoegaze, industrial and neo- classical, theirs was a sound truly like no other.

Deluxe collection of expanded editions of the four best-selling albums by the ever-soulful Howard Hewett whose rise to international prominence began with the global hit making trio Shalamar. Featuring 56 tracks, this first-of-its-kind 4CD box set is titled after ‘I’m For Real’, Howard’s Top 5 RnB hit single from his debut Elektra LP, ‘I Commit To Love’.With photographs from Howard’s personal collection featured in the stellar artwork by Roger Williams, plus excellent mastering by Nick Robbins, ‘I’m For Real’ is co- produced by acclaimed music historian and writer Tim Dillinger and SoulMusic.com
founder David Nathan, whose liner notes for the box set include extensive 2022 quotes and comments from Howard himself.

3CD collection pre-queling NME’s huge selling C86 compilation. Featuring the best of the burgeoning indie scene from 1985.Including tracks from The Jesus And Mary Chain, The Stone Roses, That Petrol Emotion, The Woodentops, James, Del Amitri, The Housemartins and many more.Following the success of the three-disc compilation, ‘The Sun Shines Here’ (which documented the roots of Indie Pop from 1980-84), the prequel to C86, C85 combines “name” bands with many obscurities making their debut on CD. Several acts on C85 would eventually feature on that NME’s C86 collection: Primal Scream, The Wedding Present, the Mighty Lemon Drops, etc, who all had singles released in 1985.

Tom Petty & The Heartbreakers live at Pacific Amphitheatre, Costa Mesa, California, 3rd March 1990.

Now two years ago to leave, outtakes collection was suddenly appeared in the beginning of 2014 as “WISH YOU WERE HERE”, “ANIMALS” was revived in the ultimate quality. The advent of the impact, why overseas auction “FROM ABBEY ROAD TO BRITTANIA ROW – THE EXTRACTION TAPES” and entitled LP. In Sigma label, subjected to repair as much as possible to PINK FLOYD Hen of the original LP, and conducted a press CD as a “WISH YOU WERE HERE OUTTAKES” “ANIMALS OUTTAKES”. It was a very popular title to be sold out in the blink of an eye. Then, there has emerged cassette sound source to be a large book also, this work is what has been remastered the cassette sound source pouring core mania cardiovascular overseas.