Recorded in Berlin and remotely between 2020 and 2021, the band returns with their 20th full-length studio album. The album was recorded in Berlin By Anton Newcombe, joining him in the studio for this album were Hakon Adalsteinsson (guitar), and Uri Rennert (drums).

Curated by Acid Jazz Records and Modcast founder Eddie Piller, “British Mod Sounds of The 1960s Volume 2: The Freakbeat & Psych Years” is the follow up to the hugely successful “British Mod Sounds of The 1960s”, featuring 95 original tracks across a 4CD set - a deep dive into the post-Mod scene in '60s Britain. Featuring a selection of classic and rare tracks, tracing the scene from early '65 to the dawn of a new decade.

Brand new mix of the Space Oddity (aka David Bowie) album by longtime Bowie producer/collaborator Tony Visconti, including the track Conversation Piece which was omitted from the original album. Of the 2019 Space Oddity album mix Visconti says “It was so much fun to find hidden gems of musicianship with more time to mix the second time around, a guitar twiddle here, a trombone blast there, Marc Bolan’s voice in a group choir and more detail in general that we overlooked all those years ago when the label gave us a week at the most to mix this album. And in the details you will find 22 year old David Bowie, who would soon take the world by storm."

A few months ago, we performed at a private party for a lovely group of people who asked us to play several sets of purely improvised instrumental music, accompanied by friends new and old on light projections and auxiliary sounds. This record is a collection of the best moments from that special night.

Jefferson Airplane's first live album demonstrated the group's development as concert performers, taking a number of songs that had been performed in concise, pop-oriented versions on their early albums – "3/5's of a Mile in 10 Seconds," "Somebody to Love," "It's No Secret," "Plastic Fantastic Lover" – and rendering them in arrangements that were longer, harder rocking, and more densely textured, especially in terms of the guitar and basslines constructed by Jorma Kaukonen and Jack Casady…

Rock & roll had grown louder and wilder by leaps and bounds during the '60s, but when Blue Cheer emerged from San Francisco onto the national rock scene in 1968 with their debut album, Vincebus Eruptum, they crossed a line which most musicians and fans hadn't even thought to draw yet. Vincebus Eruptum sounds monolithically loud and primal today, but it must have seemed like some sort of frontal assault upon first release; Blue Cheer are often cited as the first genuine heavy metal band, but that in itself doesn't quite sum up the true impact of this music, which even at a low volume sounds crushingly forceful…

Even among Deadheads, there's always been a sense that Jerry Garcia's studio albums have been somewhat ignored. Part of this ties back to the often repeated urban legend that the Grateful Dead were never as good in the studio as they were live – an argument that has some truth but tends to downplay the merits of the studio albums, which had their own distinct attributes. This also applies to Garcia's studio records, but as a whole they're more problematic than the Dead's catalog…

Controversial at the time, delayed because of fights with the record company over lyrical content and the original title (Volunteers of America), Volunteers was a powerful release that neatly closed out and wrapped up the '60s. Here, the Jefferson Airplane presents itself in full revolutionary rhetoric, issuing a call to "tear down the walls" and "get it on together." "We Can Be Together" and "Volunteers" bookend the album, offering musical variations on the same chord progression and lyrical variations on the same theme…

Gong slowly came together in the late '60s when Australian guitarist Daevid Allen (ex-Soft Machine) began making music with his wife, singer Gilli Smyth, along with a shifting lineup of supporting musicians. Albums from this period include Magick Brother, Mystic Sister (1969) and the impromptu jam session Bananamoon (1971) featuring Robert Wyatt from the Soft Machine, Gary Wright from Spooky Tooth, and Maggie Bell…

The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues."…

Fare Thee Well: Celebrating 50 Years of the Grateful Dead is a live album consisting of audio and video recordings from the Fare Thee Well: Celebrating 50 Years of the Grateful Dead concerts performed by surviving members of the Grateful Dead Bob Weir, Phil Lesh, Bill Kreutzmann, and Mickey Hart, with Trey Anastasio, Bruce Hornsby and Jeff Chimenti…

THINK FLOYD pulls of a decent tribute to PINK FLOYD, and it's a nice listen for those who won't be bothered by band's unoriginality (they are a tribute band, get over it)…

A welcome return to their lightest and wispiest styles, with clear, shimmering instrumental textures that are almost like sonic waterfalls. Their enigmatic, moody song structures and melodies remain, with the most histrionic edges of Annisette's vocals toned down…

With contributions by noted jazz saxophonist Ben Webster and the American gospel quintet the Stars of Faith, this is (along with Refugee) their most R&B-influenced recording, at times achieving a churchy, old-time New Orleans-like feel…