A three-CD box set that enshrines Barrett's complete recorded legacy as a solo artist. Besides including his two 1970 albums, this collection includes the 1989 compilation of unreleased material, Opel. The chief attraction of this set for Barrett fans is no less than 19 previously unreleased alternate takes from throughout his quite brief solo career. All of those alternate takes, it's important to note, are alternate versions of songs that appear on the three previously available albums; no entirely unheard compositions were unearthed. Nonetheless, these alternate takes are more interesting listening than you might expect, for a couple of reasons.

The third release from Grammy-nominated group Stile Antico in the critically acclaimed The Golden Renaissance trilogy, celebrating the 500th anniversary of Giovanni Pierluigi da Palestrina. Thought to have been born around 3 February 1525, the Italian composer is considered one of the leading musicians of the late 16th century, with long-lasting influence on the development of church and secular music in Europe. The album is based around Palestrina’s famous Missa Papae Marcelli, the mass-setting in which he used a new style of polyphony and in doing so saved church music from being banned by the Catholic Church. Featuring a selection of motets honouring his time at the Papal Chapel in St Peter's, Rome and links with the church of Santa Maria Maggiore, and including his most well-known motet – Sicut cervus.

Hard Attack by Dust is an improvement over the acceptable performance of the self-titled debut from the year before. The team of producer Kenny Kerner and vocalist/guitarist/producer Richie Wise do just what the title suggests, bringing a harder attack to songs like "Pull Away/So Many Times" and "Ivory," the latter an instrumental with emphasis on guitar riffs and cymbal work. It's an all-out assault from the trio and pretty interesting, though the album as a whole works better when Thog's Fred Singer adds piano and organ. "How Many Horses" benefits from keyboard presence, and brings the group back to the Leslie West/Mountain flavors so obvious on the group's 1971 debut. That song definitely sounds like Dust was intent on remaking the Jack Bruce/Mountain classic "Theme From an Imaginary Western," one of that group's highlights…

Eddie Boyd was a half-brother of Memphis Slim and a cousin of Muddy Waters. He spent his early years on Stovall’s Plantation but ran away after a dispute with an overseer. Self-taught on guitar and piano, he worked around the south during the 30s, as both ‘Little Eddie’ and ‘Ernie’ Boyd, from a base in Memphis, before settling in Chicago where he worked in a steel-mill. He was active in music, performing with Waters, Johnny Shines and John Lee ‘Sonny Boy’ Williamson before he had his first big hit under his own name with ‘Five Long Years’, on the Job label in 1952. He recorded extensively for Chess Records, having successes with ‘24 Hours’ and ‘3rd Degree’. He journeyed to Europe during the ‘Blues Boom’ of the 60s and, considering himself too assertive to live comfortably in the USA, took up residence first in Paris and later in Finland…

Dave Stewart and The Spiritual Cowboys was an English band, formed in 1990 after frontman David A. Stewart's departure from Eurythmics. Chris Bostock from JoBoxers, Jonathan Perkins, Olle Romo and Nan Vernon were later joined by Martin Chambers from The Pretenders and John Turnbull from Ian Dury and The Blockheads. They made two albums: the self titled Dave Stewart and the Spiritual Cowboys and Honest. Their live stage act is characterized by spiritual icons and a unique double drum kit played by two drummers. This collection includes the following singles: "Jack Talking" (1990), "Love Shines" (1990), "Party Town" (1990), "Crown Of Madness" (1991), "On Fire" (1991) and " Out Of Reach "(1991).

For the third in this series of recordings drawn from his archive of concerts with Orquestra Sinfonica Portuguesa (see also Prokofiev and Rimsky-Korsakov on FHR146; Abril, Falla and Weber with Teresa Berganza on FHR153), Alvaro Cassuto has turned to music from the late Classical and mid-Romantic eras in a coupling of Schubert and Wagner. Written less than 15 years apart, these two pieces inhabit very different aesthetics while having a common link in Beethoven.

The award-winning duo of flautist Silvia Schiaffino and guitarist Renato Procopio present a musical travelogue ranging from Western to Eastern Europe before journeying further afield to Japan, Iran and Korea. As well as masterpieces such as Bartók’s Romanian Folk Dances, and a rip-roaring Monti Csárdás, this evocative selection includes the colourful and piquant, such as the music of Sakura, as well as Procopio’s own vibrant arrangement of Korean folk songs.

Dvořák’s chamber music is amongst the most extensive and significant of the 19th-century and the four surviving piano trios embody his command of the form. The first two were written in rapid succession, with No. 1 in B flat major marrying Schubertian lyricism with Slavic inflexions, serenity with joy. No. 2 in G minor is rather more classically conceived though it shares the same formal structure as No. 1 and exudes a similar quotient of lyric beauty.

The Paris-based Quatuor Tchalik is notable not least because its members are four siblings. Raised in a Russian-French family with Ukrainian roots, in which music played a central role, they have been making music together since their earliest childhood. This early and intimate contact with chamber music has allowed the four young musicians to develop their own, entirely natural approach to expressive and versatile quartet playing, creating an extraordinary artistic connection between them.

World Tour Edition of Sarah Brightman's latest album "Hymn". Comes with a new cover artwork and a bonus track: "Vide Cor Meum" (previously released in "Symphony: Live in Vienna). Hymn is the twelfth studio album by English soprano Sarah Brightman and first since 2013's Dreamchaser. The five-year gap between both studio albums marks Brightman's longest break between studio releases. This album marks Brightman's ninth studio collaboration with producer Frank Peterson. The album entering at No. 1 on both the Billboard Classical Crossover Albums and overall Classical Albums, making Brightman the female artist with the most No. 1s in both charts.

From the first listening to Héritage, the much-awaited fourth album by Songhoy Blues, it's clear that the 4-piece rock band from northern Mali are in a new frame of mind, moving into a more acoustic, creative re-imagining of the "desert blues" style that has brought them to world fame. For over a decade, when not on tour, the four members of Songhoy Blues, three of whom are originally from the north, have been based in Bamako, capital of Mali, unable to return to their homeland, where musicians are in real danger of their lives because of religious fanaticism that sees music as 'haram' (a sin). Charismatic, articulate and creative, the band burst onto the scene in 2013 with a powerful style and stage manner once described as "Timbuktu Punk".

Peter Erskine and Vienna's JAM Music Lab All-Stars celebrate the music of two iconic Viennese composers who, after moving to Hollywood in 1929 & 1934, transformed the dynamics of film as they set the standards for movie scoring. Through their work on Gone With the Wind, King Kong, and many dozens more, their role in shaping popular culture since is legion. First exposed to the music in the late '70s as he was touring with Weather Report, Erskine heard Joe Zawinul playing a beautiful melody and learned it was by Korngold, a fellow Viennese composer. He was moved to search out transcripts and recordings ever since. With his artist-in-residency at Vienna's cutting-edge JAM Music Lab University, his desire to reimagine this music in an improvised jazz setting finally became a reality. "… Erskine and the Jam Music Lab All-Stars demonstrate virtuosity, versatility and a keen attention to detail… creating a fitting tribute to the most influential figures in 20th-century music." The New York City Jazz Record