The Ultimate Collection: Classic Pop is an amazing 100 track collection of some of the biggest and best classic pop songs from the last 50 years or so. With great songs and fabulous artists covering every genre and era; from the unforgettable 70s pop of Abba “Mamma Mia”, through to Kool & The Gang’s 80s dancefloor anthem “Celebration”. From The Moody Blues 60s classic “Nights In White Satin” right through to 90s Britpop including Pulp’s “Common People” not forgetting contemporary favourites such as Lady Gaga “Poker Face”, will.i.am and Britney Spears “Scream & Shout” and Carly Rae Jepsen “Call Me Maybe”. This incredible compilation gathers together the ultimate classic pop collection from the past six decades in one 5CD box set.

From a basement in New Jersey, Tommy Falcone remade himself into a DIY Phil Spector. From 1962 to 1970, he founded and ran Cleopatra Records, discovered and mentored young Garden State talent, wrote songs and produced wild studio effects, and quit his day job to promote it all himself. Trained as an accordionist, Falcone had a whirlwind imagination and an omnivorous approach to genre, expressed through acts like the Centuries, the Tabbys, Johnny Silvio, the Inmates, Bernadette Carroll, the Hallmarks, Vickie & the Van Dykes, the Shandillons, Eugene Viscione, the Shoestring, and more. Cleopatra became a time-capsule of every 1960s pop style imaginable—garage rock, psychedelia, surf, girl groups, soul, novelties, exotica, even a crooner—a kaleidoscope of sound in search of the ever-elusive hit record.

The Fireballs moved on from the successes of "Torquay" and "Vaquero" for Top Rank and cut this gem of an album for Warwick in 1961. The leadoff single was "Rik-A-Tik," which they had already cut for Top Rank, followed by "Quite a Party," another Top 30 hit for the band. The resulting album was another collection of crisply played instrumentals, most with a Spanish theme, all expertly produced by Norman Petty. Another one to add to your Fireballs collection, and superior to many of their later Dot albums.

Dire Straits leader Mark Knopfler's intricate, introspective finger-picked guitar stylings make a perfect musical complement to the wistful tone of Bill Forsyth's comedy film, Local Hero. This album was billed as a Knopfler solo album rather than an original soundtrack album, with the notation "music … for the film." Knopfler brings along Dire Straits associates Alan Clark (keyboards) and John Illsley (bass), plus session aces like saxophonist Mike Brecker, vibes player Mike Mainieri, and drummers Steve Jordan and Terry Williams…

Born into a middle-class African-American family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant.

Born in Texas, Orbison began singing in a rockabilly and country-and-western band in high school. He was signed by Sam Phillips, of Sun Records, in 1956, but his greatest success came with Monument Records. Soon afterward, Orbison was struck by a number of personal tragedies while his record sales declined. In the 1980s, he experienced a resurgence in popularity through the success of several cover versions of his songs, and in 1988, co-founded the Traveling Wilburys, a rock supergroup with George Harrison, Bob Dylan, Tom Petty, and Jeff Lynne. He died of a heart attack later that year, at the age of 52. One month later, his song "You Got It" (1989), co-written with Lynne and Petty, was released as a solo single and became his first to break the U.S. Top 10 in twenty-five years.

Nippon Rock 'n' Roll documents the rise of Masaaki Hirao. Dubbed ''The Japanese Elvis'', he was one of the famed Rokabirii Sannin Otoko (Three Rockabillies), alongside singers Mickey Curtis and ''Kei-chan'', Keijiro Yamashita. In early 1958, the rokabirii buumu (rockabilly boom) was born, the first youth music tribe in the Land Of The Rising Sun.

This 100 Hits-Best Rock ' n 'Roll 5CD release contains the best Rock' n ' Roll Songs from the 1950s and 60s with artists like Buddy Holly, Bill Haley And His Comets, Bobby Vee, Chuck Berry, Brenda Lee, Fats Domino, Gene Vincent & His Blue Caps, the Marvelettes, Dion & the Belmonts and many others.

Six years after the commencement of a major Elvis Costello reissue campaign at Rhino, his catalog transferred over to Universal, which had been releasing new Elvis music since 1998's Painted from Memory. Like every one of his previous two big catalog shifts – a campaign with Rykodisc/Demon in 1994, a jump to Rhino in 2001 – the 2007 series is preceded by a new hits collection, this time The Best of Elvis Costello: The First 10 Years, a 22-track collection of highlights that's pretty much exactly what it says it is. It is quite similar to the last previous single-disc collection, the 1994 Ryko/Demon set The Very Best of Elvis Costello and the Attractions, which also ran 22 tracks, 19 of which also appear on The First 10 Years. The three omissions – "Watch Your Step," "New Amsterdam," and "Love Field" – will not be missed by anybody looking for a new Costello comp in 2007, particularly because all three substitutions are better choices for the casual man: "New Lace Sleeves," "Almost Blue," and "(The Angels Wanna Wear My) Red Shoes," which bizarrely wasn't on the 1994 set. With these three songs rubbing shoulders with "Alison," "Watching the Detectives," "Pump It Up," "Oliver's Army," "(What's So Funny 'Bout) Peace, Love & Understanding," and all the other usual suspects, The Best of Elvis Costello: The First 10 Years winds up being the best single-disc summary and introduction to Costello's prime years.

The 18 tracks on Sundazed's The Best of the Buckaroos are taken from nine out of print albums originally released on Capitol between 1965 and 1970, examining Buck Owens' backing band under the leadership of multi-instrumentalist, songwriter, and vocalist Don Rich. Rich never received the full credit he deserved for his role in making hits like "Tiger by the Tail," "Act Naturally," and "Love's Gonna Live Here" so unique for that era. Buck Owens' records would certainly have suffered without Rich's high harmony vocals and that twangy Bakersfield style of picking he championed on his Fender Telecaster.

Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the sixties is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your sixties Collection.

Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band.

Front-man of best-selling Rockabilly band Jack Rabbit Slim has recorded a solo album with an all-star band behind him. Featuring; Darrel Higham, Alan Wilson & Rob Tyler plus many others.

The Nut Jumpers, a hot new trio of well known musicians have come together to play their own brand of uncompromising, hard-hitting pure Rock’n’Roll. Drawing influence from a wide variety of danceable genres: Blues, Rockabilly, Garage, Latin, Swamp and more, all mixed together to create the dynamic Nut Jumper sound. The band have have recorded their debut album Boogie in the Shack and 7” single No Good No Good in Jakes Shack in Northern France. 13 self penned tracks were recorded live using 1 microphone and vintage tape recording equipment that captures the pure power and Rock’n’Roll sound of The Nut Jumpers!!!

The Real Gone Tones hail from Warsaw, Poland and play a mix of rockabilly, rhythm'n'blues, swing and country since 2011. The band performs their own material as well as covers of old, long forgotten tunes. Marla, a charming gal, leads the band on vocals which is set up of a wild drummer, a crazy slappin' bass player and a mad guitarist an an additional harmonica and second (male) vocal. In the beginning of the 2015 they released their first, long awaited album called "So Cool" which got the attention of El Toro's capo Carlos Diaz who offered them a reccording deal. With the beginning of 2016 their second album, "Hot Mess" along with an EP album "Mean Mama" Where released by El Toro Records! Watch out, cats and dolls, these two singin' devils are some real deal heartbreakers! You won't believe your eyes and ears! Judge by yourself! This new Lp follows the line of their previous stuff: pure and wild Rockabilly!