Mastered from the Original Master Tapes and Limited to 2,500 Numbered Copies: Sonically Superb SACD Presents the Music in True-to-the-Original Mono.

60 tracks to get the party moving including some of the greatest Blues recordings committed to record. All the great artists are featured with some of their best songs.

With his cajun fiddle, raw, yelping voice, and visceral mix of country, R&B, proto-rockabilly, and New Orleans sounds, Link Davis was a precursor to the swamp-pop style of the 1950s and '60s. GUMBO YA YA brings together some of Davis's greatest tracks from his peak period of 1948-58, including such swampy gems as “Big Mamou,” “Lonely Heart,” and “Time Will Tell.” This is a fine opportunity to catch up on the legacy of this Louisiana pioneer.

Nick Tosches once famously described Wanda Jackson as "the greatest menstruating rock & roll singer whom the world has ever known," and while he doubtless chose those words for comic effect, the nervy crudity is not entirely inappropriate. At her best, Wanda Jackson sounded wild and ravenously sensual in a way that few artists dared in the mid-'50s, especially not female vocalists, and sides like "Let's Have a Party," "Hot Dog! That Made Him Mad," and "Fujiama Mama" run neck in neck with Jerry Lee Lewis or Billy Lee Riley for sheer frenzied rockabilly energy.

Although traveling on holiday is currently falling into the distance and while we are preparing to spend the summer holidays at home, the daydreams of summer and sun, of distant countries, of flourishing nature and bathing lakes, of beaches and the sea remain. A good support for these dreams is this extraordinary compilation. Specific songs on the subject from the years 1946 to 1964, rocking the jukebox in the dairy bar and of course monumentally singing about summer love. It is the perfect soundtrack for your barbecue in the back garden!

Since The King of Rock 'n' Roll was the complete '50s masters, it was easy to assume that its five-disc '60s sequel, From Nashville to Memphis: The Essential 60's Masters, rounded up all the masters from that decade, which is simply not the case. The producers deliberately avoided the soundtracks to Elvis' movies, which perhaps makes sense, given that they are roundly and rightly disparaged as Presley's low point, which then opened the doors to presenting just what they judged as the best non-soundtrack recordings he made during the '60s.

Elvis: The New Recordings' CD is unlike any other CD available! It consists of 26 new overdubs (2015) of some of Mr. Presley's best tracks - both well known and obscure. These songs now sound amazingly fresh, beautiful and vibrant - like Elvis just recorded them today! Hear lush strings, flute, jazzy sax and clarinet, (steel, electric, acoustic) guitars, new percussion, etc. Produced by Larry Jordan (who has done overdubs on stars ranging from Patsy Cline to Bing Crosby, Rosemary Clooney and Jim Reeves - the latter of whom had a #1 this past summer in Europe from one of Jordan's overdubs) - the new Elvis offering features stunning sound quality and top musicianship.

Danny Gatton was truly the guitarist's guitarist. Hailed by Guitar Player as the "World's Greatest Unknown Guitar Player" he was cherished by the likes of Les Paul, Joe Perry, Steve Vai, Joe Pass, Eric Clapton, Jeff Beck, Vince Gill, Albert Lee and countless other guitar luminaries. Until his tragic and untimely death in 1994 he was every guitar players best resource for a treasure of "hot licks". Never one to tour he remains an underground treasure for those "in the know". If you play the guitar, you owe it to yourself to check out this great instrumental genius. This is a scorching live set from June 10th and 11th,1988 at the Birchmere in Alexandria, VA. This set features the legendary pedal steel guitarist Buddy Emmons, who also collaborated with Gatton on Redneck Jazz Explosion, (to be reissued late summer 04’). This is also the only Gatton release to feature Danny’s jazz unit known as “The Funhouse”.

The Limited Deluxe Edition features 23 songs (an additional 7 songs) including all the original songs performed in the film by Jeff Bridges and Colin Farrell, "The Weary Kind" performed by Ryan Bingham (the theme song heard in the film's trailer and closing credits) and music featured in the film by Waylon Jennings, Lucinda Williams, Buck Owens, Sam Phillips and many more. It is packaged with a 12 page booklet featuring liner notes, lyrics and photographs. The soundtrack was co-produced by 10-time Grammy Award winner T Bone Burnett. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton. Synopsis Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times.

The Shreveport, LA-based Ram label put out a cartload of rock, blues, and country records in the 1950s without ever establishing itself as a major indie. This 26-track compilation of, as the title promises, rockabilly and hillbilly sides from the decade is definitely for the "let's clean out the vault 'cause it's there'" kind of enthusiasts. That's not to say that it's terrible, just that it's a pretty unremarkable collection of minor leaguers, the biggest name – and she's hardly a big one – being Margaret Lewis. A couple of guys not primarily known for work under their own name make early appearances.

Ram Records was the creation of the late Mira Smith. A multi-talented musician, studio engineer and songwriter, Mira made many fine recordings both of blues and hillbilly artists. Most of them came from her home town of Shreveport, Louisiana but, occasionally, she would record musicians and singers from places further afield. Many of the performances she recorded have remained unissued until today, not because of any deficiency in the recordings or performances, many of which are very fine indeed, simply because Mira worked on an indie label shoestring and had insufficient capital to promote more than a handful of singles a year. An awful lot of good music just stayed in the vaults.

The Ballads Of Gene Vincent is a 2006 compilation CD by American rocker Gene Vincent. While he was known for his rockabilly classics, these songs show he could be a crooner too if he wanted. This was put together by the Bear Family.

Elvis Presley was an American singer and actor. Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as the "King of Rock and Roll" or simply "the King".

1999 digitally remastered re-issue of the second album by the legendary kings of garage rock, originally released in 1966. Includes three bonus tracks: 'The Witch' (alternate) and two live tracks. The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll.

Since The King of Rock 'n' Roll was the complete '50s masters, it was easy to assume that its five-disc '60s sequel, From Nashville to Memphis: The Essential 60's Masters, rounded up all the masters from that decade, which is simply not the case. The producers deliberately avoided the soundtracks to Elvis' movies, which perhaps makes sense, given that they are roundly and rightly disparaged as Presley's low point, which then opened the doors to presenting just what they judged as the best non-soundtrack recordings he made during the '60s.