This might be the best debut album ever delivered by an American blues band, a bold, powerful, hard-edged, soulful essay in electric blues with a native Southern ambience. Some lingering elements of the psychedelic era then drawing to a close can be found in "Dreams," along with the template for the group's on-stage workouts with "Whipping Post," and a solid cover of Muddy Waters' "Trouble No More."

Blending rock, blues, country, and jazz, the godfathers of Southern rock in all its wild, woolly glory. Collection includes: 'The Allman Brothers Band' (1969); 'Idlewild South' (1970); 'At Fillmore East' (1971); 'Eat A Peach' (1972); 'Brothers And Sisters' (1973).

Four-disc collection features 36 tracks in all, culled from ABB's shows between July 25 and August 10, 2003, in Indianapolis, Pittsburgh, Darien Center, NY, Hartford, CT, Charlotte, NC, and Raleigh, NC. The 2003 lineup of the group included founding members Gregg Allman, Butch Trucks and Jaimoe, plus Warren Haynes, Marc Quiñones, Oteil Burbridge and Derek Trucks.

The Allman Brothers Band compilation album, released on the Japanese label Buena Suerte, is part of the Super Stars Best Collection series. Partially unofficial release.

One of the last large-scale concerts to take place before the pandemic started came when The Allman Brothers Band alumni teamed up as The Brothers at Madison Square Garden in New York City on March 10, 2020. While remastered video and audio of the show was rebroadcast and shared last June, the concert film/live album The Brothers / March 10, 2020 / Madison Square Garden / New York, NY featuring DVD, Blu-Ray and CDs arrives via Peach Records/The Orchard/nugs.net on July 23 with downloads also coming along with streams on nugs.net and the Amazon Prime service CODA as per Rolling Stone.

Essentially the Allman Brothers Band's Gold collection is an expanded version of both the Universal Masters and 20th Century Masters collections. It contains two discs that total 30 cuts and cover the band's catalog from 1969's Allman Brothers Band to 1975's Enlightened Rogues. There are five cuts from the first album, including the original studio version of "Whipping Post," and four from Idlewild South, including the studio read of "Midnight Ride." The cuts from At Fillmore East number four with the inclusion of the 13-minute "In Memory of Elizabeth Reed," and five from Eat a Peach, including "Melissa," "Blue Sky," and "Ain't Wasting Time No More." Five cuts come from Brothers and Sisters and, yes, "Ramblin' Man" and "Jessica" are among them.

The title of Best of the Allman Brothers: Hell and High Water is a bit misleading, it's actually only the best of the band's Arista-label output, which spanned a two albums (1980's Reach for the Sky and 1981's Brothers of the Road). There are six tracks from the former and five from the latter, making it a wise acquisition for those who need the best material from those records.

The ‘Mycology’ is a well-selected overview of The Allman Brothers Band’s surprisingly sturdy tenure with Epic Records, which included guitarist/vocalist Warren Haynes and bassist Allan Woody, came as close as possible to recreating this group’s original, glorious, creative beginnings. The country-flavored “Seven Turns” is among the finest Bett´s compositions, “End Of The line” is a slow and menacing stab of southern blues rock. “Back Where It All Begins” is their latter day southern anthem and the two bonus are simply breathtaking, Betts and Warren Haynes playing acoustic slide guitars in a reading of “Midnight Rider” and an obscure performance of “Every Hungry Woman” featuring their classic line-up.

The Allman Brothers Band has announced the expanded release of the band’s entire 1970 three-night run at Fillmore East as the latest installment of Bear’s Sonic Journals.

The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.

Spanning four discs and 55 tracks, Dreams is one of those rare box sets that tells a story while delivering the definitive word on its subject. Its success has a lot to do with its status as Polygram/Bill Levinson's sequel to the acclaimed hit Crossroads, which summarized Eric Clapton's winding career perfectly. They follow the same approach here, gathering pre-Allman Brothers Band recordings from the clan, including cuts by the Allman Joys, selecting the hits from the classic years, and adding stray cuts by solo projects to the mix. It's a smart move and it results in a terrific box that truly offers the definitive word on one of the longest-running dramas in Southern rock. Yes, the Allmans reunited rather successfully after this box, so none of that material is here, but it's not missed – this is the story of the classic band.

If truth be told, the Allman Brothers Band have always been the quintessential American rock band, shaping a rootsy mix of blues, jazz, country, and rock into an elegant, nuanced sound that single-handedly created what became known as Southern rock. Full of beautiful dual guitar leads and driven by double drummers, and possessing a lead singer who, when he was on his game, had as much soul as anyone around, the Allman Brothers Band were also an improvisational band who found all kinds of new corners in their classic catalog when they played live, no matter what the configuration of the band was at the time.