Breaking the Silence is the first album by the American thrash metal band Heathen released in 1987 by Combat Records. The band members on this album was Dave Godfrey on vocals, Lee Altus on guitars, Doug Piercy on guitars, Mike Jastremski on bass and Carl Sacco on the drums. They all show great skills when it comes to the guitars, frantic and high-speeding riffs and great guitar solos.

One of the most internationally successful bands in all of heavy metaldom, Auburn, New York-born power metal outfit Manowar – Eric Adams (vocals), Karl Logan (guitars), Joey DeMaio (bass), and Donnie Hamzik (drums) – have sold over nine million records since their inception in 1980. Steeped in the pageantry of heavy metal, the group's approach was designed to be the raw, primal, Viking antithesis of classic rock, and their music followed suit, based on raw, aggressive riffs, with lyrics that were mostly about fighting, violence, honor, and death…

The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. While its lineup has continuously evolved, the Long Island-based quintet has consistently delivered sharp-edged music…

After a lengthy tenure, Germany’s Gothminister have returned with a new recording. Having been smitten with their last album and stageplay Utopia nearly half a decade ago, The Other Side seems to follow perfectly with the mixture of weighty industrial and melodic Goth rock that the band have been pursuing for several years now…

War of Words is the debut studio album by English-American heavy metal band Fight, released on September 14, 1993 by Epic Records. This is the first release Rob Halford recorded after his departure from Judas Priest in 1992. He brought with him drummer Scott Travis from the band and recruited three new members. The music is a mixture between the heavy metal sound created by Judas Priest and a thrash/groove sound similar to that of Pantera. Halford is also credited with playing guitar but only recorded vocals for the album.

Lock the mausoleum doors and chain up the cemetery gates – long-standing Gore Metal maniacs, EXHUMED re-emerge with their disgusting new album Death Revenge. The band’s 6th full-length sees them tread into ambitious new territory with their first concept album; a musical melodrama in thirteen parts based on shocking true events. Death Revenge takes place in the late 1820s in Edinburgh, Scotland and tells the macabre tale of a series of brutal murders where the victims’ cadavers were sold to anatomists, amid a grisly underground trade of grave-robbery. Recorded with producer Jarrett Pritchard (Goatwhore, Eternal, Gruesome), Death Revenge takes the band’s signature gore-drenched, death metal mayhem to theatrical and ghastly new depths.

"Best I Can" is a song by American band Queensrÿche appearing on their 1990 album Empire. The song was released as the third single from the album. Track 4 recorded live in Tokyo, Japan, 3rd November 1984.

Empire is the fourth full-length album by the American heavy metal band Queensrÿche, released on August 20, 1990. The album stands as Queensrÿche's most commercially successful release, reaching triple-platinum status and the primary single, the power ballad "Silent Lucidity", reached No. 1 on the Mainstream Rock Tracks and No. 9 on the Billboard Hot 100. "Silent Lucidity" was also nominated for the Grammy Awards of 1992 in the categories Best Rock Song and Best Rock Vocal Performance by a Duo or Group.

«Screamin' 'N' Bleedin'» is the second album by British heavy metal band Angel Witch. The album was released in 1985 through Killerwatt Records. Even though this is the second release of the band, it is the first release with the new line-up of 1984, after the split-up in 1981. In 2004, the album was re-issued by Archaic Temple Productions and included three live bonus tracks and new cover art.

Angel Witch is the first album by British heavy metal band Angel Witch. The album was released in 1980 through Bronze Records. The album made Angel Witch one of the key bands in the New Wave of British Heavy Metal movement.

Legendary British heavy metallers Angel Witch have risen from the grave (once again) with their first studio album since 1998’s Resurrection. This new album, entitled As Above, So Below, is undeniable proof that a classic NWOBHM sound can survive and even thrive in today’s metal environment.

A question popular among followers of thrash metal is undeniably this, “Which is considered the fastest thrash metal album of all time?” There would be a high percentage of answers supporting Reign In Blood, Darkness Descends, Pleasure To Kill or even Eternal Nightmare. Now here’s a startling reality. Wehrmacht’s debut album makes those albums sound as if they were meant to be listed under progressive metal…

The Cardiff outfit have vowed that their new material is just as heavy as 2015 record Emergence – and also their most progressive. Along with a new range of synth sounds to be found in the longer track, it also features new guitarist Gavin Bushell and drummer Tom Price alongside singer-guitarist Darran Charles and bassist Dan Nelson.

“Ambush” is the Tygers of Pan Tang’s latest offering, an eleven track opus which sees the band re-uniting with producer Chris Tsangarides. Whilst primarily a front runner of the NWOBHM scene, the band have fused their usual sound with a melodic rock influence to keep things fresh and interesting. This new album is their first with Chris Tsangarides since the “Spellbound” album in 1981.

Chaos A.D.: Expanded Edition includes a newly remastered version of the original album along with 17 bonus tracks. Among the highlights are a cover of Black Sabbath’s “Symptom Of The Universe” that was originally issued as a B-side, plus nine scorching live versions of album tracks like “Territory” and “Biotech Is Godzilla.” Also featured are several unreleased instrumental tracks that the band used during rehearsals for “Clenched Fist” and “Propaganda.”