After her unforgettable rendition of “Somewhere Over the Rainbow” on "American Idol" in 2006, Katharine McPhee catapulted to instant stardom. Further propelling her success was the hit single “Over It” from her 2007 chart-topping debut album. McPhee’s talents also extended to acting, which she put to good use in two popular television series, "Smash" and "Scorpion," and she is no stranger to PBS specials, having guested on "Foster and Friends" and "Chris Botti in Boston." In this jazz-filled installment of "Soundstage," McPhee gets the spotlight to herself (with a little help from her friends David Foster, Eric Benet, and Frederic Yonnet) performing selections from her fifth studio album, "I Fall In Love Too Easily." Audiences across America will fall in love very easily with this "Soundstage" performance.

Latin pop has gone through many permutations and evolutionary changes over the last decade, becoming a new frontier in the creative arts. Rosalía Vila Tobella provides yet another direction on her sophomore full-length, El Mal Querer (The Evil Will). The Catalan-born, Barcelona-based singer, songwriter, actress, and dancer gained a Latin Grammy nomination for her 2017 date, Los Ángeles, an album that offered her own stripped-down take on flamenco and won her fans among the most popular artists in Latin pop – including J Balvin, who enlisted her as a collaborator on his Top 20 single "Brillo" from Vibras.

2013's Trilogy showcased the engaging collaboration between pianist Chick Corea, bassist Christian McBride and drummer Brian Blade. Virtuoso leaders in their own right, Corea, McBride, and Blade found common ground as a trio, exploring a mix of sophisticated standards as well as originals culled from Corea's extensive book. The album cracked the Top Ten of the Billboard Jazz Albums chart and earned two Grammys, including for Best Jazz Instrumental Album. The super-trio's follow-up, 2018's Trilogy 2, features further in-concert performances captured during their various tours between 2010 and 2016 in places like Ottawa, Bologna, Zurich, and St. Louis…

Quantun Discord è l'album d'esordio del pianista Andrea Manzoni, cha a capo del trio completato da Luca Curcio al contrabbasso e Ruben Bellavia alla batteria propone un percorso di brani espressive e formalmente molto ben eseguiti.
Si tratta di passaggi nei quali la melodia - spesso lineare e priva di situazioni scomode - è al centro dei discorsi, portati in prevalenza avanti dal pianismo morbido del leader, che preferisce condurre l'insieme su esecuzioni dall'andamento ritmico sostenuto, come in "Synaptic Disconnection" e "Last Trip".

The band’s two albums for Warner Bros., dating from 1970 and 1971. Both made the US Top 200, with the single ‘Love Is Life’ creeping into the Top 100. These recordings launched Earth, Wind & Fire’s long and successful career. Digitally remastered and slipcased.

15 CD collection includes: Spoke (1997); The Black Light (1998); Hot Rail (2000); Even My Sure Things Fall Through (2001) EP; Feast Of Wire (2003); Convict Pool (2004) EP; Black Heart (2004) Maxi Single; In the Reins (with Iron And Wine) (2005) EP; Garden Ruin (2006); Carried To Dust (2008); Algiers (2012); Edge of the Sun (2015); The Thread That Keeps Us (2018).

Argentinian Sebastian Volco is an avant-garde composer, pianist, guitarist, and electronics player with wildly eclectic tastes that course through the dance culture of his country to alternative rock, jazz, and beyond. He has recorded as a solo artist, in a duo formation and up through a variety of ensembles. He has led or co-led on more than a dozen releases and Hipnotizados is the second from his ensemble Orquesta Metafisicia. Like the small orchestra's previous release 7 Movimientos (Omrecords, 2011), this is a concept project, but dark in nature.

A greatest-hits album ought to stick to the middle of the road, playing to what an artist does best. Yet it ought not simply wallow in past glories: this collection from Russian soprano Anna Netrebko, arguably the best-known soprano of the present day, hits the spot and can safely be recommended to newcomers. Netrebko is at her best in core Italian repertory like Casta Diva from Bellini's Norma or Libiamo ne 'lieti calici from Verdi's La Traviata.

Nine Skies are a French progressive rock band inspired by many influences: rock, pop, progressive, classical, jazz… The first album “Return Home” was released on the 30th November 2017 via Anesthetize Productions. The album relates, through the eyes of the protagonist, the lives of different characters from a contemporary big city. Sometimes metaphorical, sometimes particularly realistic, these different existences show the absurdities of our current world and the way we learn to live with our sufferings. The diversity of the bands influences allow to express vatious feelings while preserving the coherence of this modern musical tale.

Post-bop classics recorded live at the Seattle Art Museum.

Volume #7 and 8 in this amazing series of slow grinding R&B/Soul/Exotica tunes as they are being played in a club in Melbourne/Australia. Around midnight on the last Saturday of every month, an assemblage of juiceheads, grifters, kittens, dandies and derelicts gather in a dimly-lit, smoke-filled room and dance together real slow. These are some of the records we dance to… Thanks to all the flute players and backing singers of yore for flavouring these old records up just like we like them. –Stag-O-Lee Records

In 1920 Ferdinand Ingold, a poor but visionary Swiss settler in the small Wisconsin town of Monroe, audaciously launched a record label, Helvetia—invoking his homeland’s ancient name and celebrating its musical heritage. Praised in the immigrant press yet beset by fiscal challenges, Helvetia issued a scant 36 sides. Scattered, scarce, and nearly forgotten, Ingold’s entire catalog, newly restored and remastered, is offered here. Rollicking and somber, sentimental and lusty, these Swiss, German, and Tyrolean tunes and songs feature virtuoso instrumental combos, vocal quartets, and especially yodelers from Swiss communities in New Jersey, Ohio, and Wisconsin. Illuminating one of the first American record labels established by an immigrant for his own community, Alpine Dreaming both recalls a bygone era and resonates with all who seek better New World lives while remembering their homelands. Produced in cooperation with the Mills Music Library and the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison.

In May 2017, days before succumbing to cancer, Jimmy LaFave staged a final show in Austin at the Paramount Theatre, an all-star farewell and thank you to the music community he adoringly called home. Even in his own passing at the age of 61, LaFave’s voice provided comfort, wisdom, and healing to a hurting world. Posthumous double-disc Peace Town arrives nearly a year later, a last gift from the incomparable song crier. Like calculated final collections from David Bowie, Warren Zevon, and Leonard Cohen, each song rings with meaning. Opening on Pete Townshend’s “Let My Love Open the Door,” LaFave recasts the pop anthem with a stirring emotional appeal, followed by one of only three of his own compositions among the 20 tracks, “Minstrel Boy Howling at the Moon.”

After the success of her Deutsche Grammaphon debut which she dedicated to the composer Mieczyslaw Weinberg, Mirga Gražinyté-Tyla (together with Giedre Slekyte) now lets us discover works by Lithuanian composer Raminta Šerkšnyté: Music of transcendent beauty, harrowing and full of emotional force. A music that combines mystical experience and outbursts of vibrant energy. To Mirga, working together with Šerkšnyté has q quite special significance: “My connection with Raminta Šerkšnyté’s music is verypersonal. Probably what fascinates me most is the poetic quality and the mystery of this composer and her work. The ‘Ramintacism’, the minor thirds. Her personal voice."

In 1991, composers Elena Firsova and Dmitri Smirnov were amongst a small group of composers, including Sofia Gubaidulina, blacklisted in Russia. Firsova and Smirnov fled the country with their two young children and took refuge in the UK. Since then, their daughter, Alissa Firsova, now aged 31, has risen to become one of the most notable stars of the new composing generation working in Britain.