Loose Ends is a posthumous compilation album by Jimi Hendrix, released in February 1974 in the UK. It was the fourth and last Hendrix studio album released posthumously by manager Michael Jeffery. The album features a collection of outtakes and jams, with the exception of "The Stars That Play with Laughing Sam's Dice" which is the sole authorized track by Hendrix, in a new stereo mix by Eddie Kramer.

The Ministry of Inside Things, includes Chuck van Zyl on synths and Art Cohen on guitar. Their music has been inspired by the Berlin-School of cosmic spacemusic and influenced by everything from sci-fi themes to nuclear fission to chillout room abstractions.
MoIT enjoys the live environment and uses it to further explore and invent their musical stylings. The ultimate goal is to create in the mind of the listener a sense of movement through space along the arc of a dynamic contour. Owing much to improvisation, each original performance traverses many sonic terrains.
Cohen and van Zyl have had the opportunity to play live at a variety of interesting venues over the past several years…

Two CDs. In the late Sixties, the major UK labels - keen to stay abreast of the times without quite understanding what was going on - signed a number of bands that combined the adventurism and surrealism of psychedelia with a concise, radio-friendly pop sensibility. One or two went on to fame and fortune, but the majority failed to find the hit single that would have given them the chance to build and sustain a career. Kent outfit Jason Crest are one of the most admired of those bands, issuing a handful of singles while also recording a batch of tracks - 'King Of The Castle', 'Charge Of The Light Brigade', 'My House Is Burning' and others - that were arguably even more commercial and accomplished but which, for some unfathomable reason, were rejected by the men in suits.

Brilliant late '50s material by the great hard bop pianist and equally gifted supporting players, bassist Paul Chambers and drummer Philly Joe Jones. Clark was among the most inventive pianists of the period, a masterful ballad interpreter and dynamic uptempo soloist, while Chambers and Jones had few peers, either as accompanists or in the spotlight.

Today! is the second studio album, but third body of work recorded by folk/country blues musician Mississippi John Hurt. It was released in 1966 by Vanguard Records. This album contains some of the first commercial material recorded after his "rediscovery" in 1963, and is the first he recorded for Vanguard.

Electric Light Orchestra's 2012 concert album Live brings together tracks Jeff Lynne and his band recorded for a PBS special at CBS Television City in 2001. This is the ensemble that toured in support of ELO's 2001 studio album, Zoom, and appeared on VH1 Storytellers. Lynne has always been an avowed studio rat, more comfortable crafting his rock productions behind a soundboard than playing them in front of a live audience. This is partly the reason that the Lynne-helmed version of ELO stopped touring after 1981's Time. Subsequently, there haven't been very many proper ELO concert albums. Which is not to say that the band doesn't sound fantastic here, because it does. Lynne is a musical perfectionist who never fails to deliver on the grand, orchestral rock aesthetic he crafted on so many classic albums. All of which makes this 2001 collection a welcome addition to ELO's discography.

Baroque conductor Johannes Somary directs a distinguished cast led by John Aler, Julianne Baird, countertenor Drew Minter, D’Anna Fortunata, Jennifer Lane, Nathaniel Watson, Raymond Pellerin and the Armor Artis Orchestra. A tale of violent court intrigue civil strife, frustrated love, ambition and suicide.

The ‘History of the Joyous and Victorious Resurrection of Our Only Saviour and Redeemer Jesus Christ’, composed by Heinrich Schütz in 1623, is regarded as the first oratorio in the German language. When Schütz had taken up his functions at the Dresden court in 1617, it was the tradition to sing the Resurrection History of his predecessor Scandello at Easter. The new Kapellmeister gave several performances of this work before deciding to compose a new work on the same text.

This is a whole collections of 70's & early 80's disco songs. And for those of you who love disco back in the 70's or the early 80's, then your going to love this playlist.

All of the important interpretations by the “high priestess of Bach” - The basis of all piano music - Incl. “Well-Tempered Clavier”, “Goldberg Variations”, the Partitas, the Italian Concerto, the French Overture, the Capriccio in B flat major, and many more.

Stark Naked and Absolutely Live is the first official live album by Alphaville. While the Dreamscapes compilation featured a full CD of live material, its tracks were culled from many different concerts: The tracks on Stark Naked and Absolutely Live were recorded specifically for the purpose of creating the album. The final listed track, Apollo, is followed by a hidden track: an acoustic version of "Dance with Me".

20 tracks new to CD. First ever anthology of Sunshot Records. Includes numerous Jamaican chart hits. The growing international interest in Jamaican music as the 60s progressed emboldened increasing numbers of dynamic and ambitious music makers on the island to launch their own record labels. By the close of the decade, Kingston's recording industry was awash with such talent, with this new generation of enterprising record producers including such future luminaries as Lee Perry, Joe Gibbs, Bunny Lee, Harry Johnson, Lloyd Charmers and the man whose early productions provide the focus of this compilation: George Phillips AKA Phil Pratt. The singer-turned-producer whose initial recordings had been distributed by former Skatalites' road manager Ken Lack introduced his Sunshot Records label early in 1969, finding almost immediate success with major Jamaican hits by celebrated singer Ken Boothe. Encouraged by these early triumphs, Pratt swiftly expanded his artists roster to include other major stars on the burgeoning reggae scene, with the likes of John Holt, Dennis Alcapone, Pat Kelly and Horace Andy all scoring significant hits with the producer.

If We Fall in Love Tonight is a ballad album released by Rod Stewart on 1 November 1996. It includes mostly previously released songs. The album was released in both the US and UK, though the versions differ slightly. It was released by Warner Bros. Records following the release of a similar ballads album by Madonna called Something to Remember. It produced the singles "If We Fall in Love Tonight" and "When I Need You". If We Fall in Love Tonight reached #8 in the UK and #19 in the US. On 9 September 1997 it received platinum certification.

Best Of 3CD Collector 65 titres. Dans une box, 3 CD chacun sous pochette cartonnée, accompagnés de 3 cartes postales et d’un magnet. Voici 50 ans, Karen Cheryl entamait une carrière qui allait faire d’elle une des chanteuses les plus populaires des années 70-80. Ce nouveau Best Of 3 CD porte sur sa période française, puisant dans ses albums de 1975, 1976, 1980, 1982 et 1983. Tous les titres présents ici ont été remasterisés d’après les bandes analogiques d’origine. Inclus entre autres les hits ‘La marche des machos’, ‘Si…’, ‘Oh ! chéri chéri…’, ‘Les nouveaux romantiques’, ‘Chante pour nous Mama’, ‘Docteur menteur’, ‘Pense à moi quand même’, ‘Twister ma peine’, ainsi que de nombreuses chansons pré-période Disco comme ‘Garde-moi avec toi’, ‘Ma vie n’appartient qu’à toi’, ’Aimée ou amoureuse’, sans oublier sa reprise de ABBA ‘Oh Mama Mia’. À la croisée de la Pop, du Disco et du Néo-Yéyé, son catalogue reste aujourd’hui une véritable ‘madeleine de Proust’ pour les fans.

In the fall of 1975, Bob Dylan embarked on his "Rolling Thunder Revue" tour. It began modestly in New England, with Dylan, Joan Baez, Bob Neuwirth, Rambin' Jack Elliot and their bands hitting small halls in the northeast with only a day or two notice given to the public. Along the way it gathered outstanding critical acclaim and picked up the likes of Joni Mitchell and Roger McGuinn to fill out the bill. By the time it reached Toronto for shows on December 1st and 2nd ’75, the revue had gathered tremendous momentum and now was filling large arenas on a nightly basis. In Toronto they were booked into Maple Leaf Gardens. The shows were running between 4 and 5 hours and despite the impressive roster of performers, this was Bob Dylan's show and his 3 sets were the bedrock of the program.