In many ways Etta James resembled a female Ray Charles in her unerring ability to tackle (and sometimes combine) all of the strands of American popular music, from rock & roll to R&B, blues, country, gospel, jazz, and pure pop and soul, while still maintaining a distinct feel and sound that was all her own, and she did this throughout a five-decade career that is impressive for its consistency. This 25-track set (mostly drawn from her time with Chess Records) is hardly definitive (it doesn't have classic James' tracks like "Anything to Say You're Mine," "Don't Cry Baby," "Something's Got a Hold on Me," or the girl group pop of "Two Sides (To Every Story)," for instance, or any of her late-career blues tracks), but it does do a good job of spotlighting James' range and versatility by collecting sides like her signature "At Last," the soul-pop masterpieces "Tell Mama" and "I'd Rather Go Blind," and saucy versions of Willie Dixon's "Spoonful" and Randy Newman's "You Can Leave Your Hat On," all of which offer ample proof that James was one of the best singers of her generation – in any style.

Zen is a Dutch rock band, founded by Siegfried 'Siebe' de Jong (vocals and saxophone) and Dirk van der Ploeg (guitar and vocals) in 1965. Van der Ploeg writes the lyrics, music and arrangements.
This is the rare first album from the 60s psych pop Dutch band, originally released in 1969. The hippie-oriented band hits the top spot on the Dutch Top 40 singles chart in January 1969, with their version of the theme from the musical "Hair".
After various line-up changes, the band dissolves in 1977. In the 1980s the first incarnation of the band plays some reunion concerts.

Belgium had a small but strong metal scene back in the '80s, which continues today. Speed Queen has been around for over 10 years but are just getting their debut album out in 2025, and joins the fray begun by groups like Killer, Crossfire and Ostrogoth with that same mix of loose, fast playing and youthful energy and enthusiasm on …with a Bang! It is an album defined by simple, direct songs about sex, booze and the heavy metal lifestyle and, if not for the smooth, modern production values, could have been a "lost" release from the mid-80s!

Widely regarded as one of Canada's best jazz singers, Russian-born, Toronto-based vocalist Sophie Milman changes tact slightly for her fourth studio album, In the Moonlight. The twinkling piano chords, shuffling, brushed stroke rhythms, and gentle brass instrumentation which defined her previous output are still very much in evidence, but having traveled to New York to record with producer Matt Pierson (Jane Monheit, Michael Franks), the Juno Award winner has capitalized on the opportunity to expand her sound by inviting a string ensemble on board for the first time in her career. However, avoiding the temptation to smother the timeless, smoky, jazz bar arrangements in layers of bombastic layers of strings, the pair only use their newly recruited musicians sparingly and when needed, with only the Duke Ellington standards "Prelude to a Kiss" and "Day Dream," and the Umbrellas of Cherbourg number "Watch What Happens" offering anything more than the occasional orchestral flourish.

The Very Best of Marianne Faithfull' is a particularly strong collection of Marianne's earliest recordings made for Decca between 1964 to 1968. This album contains every one of her singles which made the charts both in Britain and America during those fruitful four years.

Japanese Jazz legend Tsuyoshi Yamamoto's new album, A Shade Of Blue, undoubtedly reflects his love of the piano trio, a group configuration that in jazz history began in the 1940s with Nat King Cole and then was developed in the 50s by innovators like Oscar Peterson, Ahmad Jamal, and Bill Evans. Yamamoto's highly experienced trio - which has a combined age of 215 years - features bassist Hiroshi Kagawa and drummer Toshio Osumi. A Shade Of Blue reveals the three musicians' incredible musical chemistry; listening to the ten tracks they've recorded together, it's as if they breathe, think, and feel as one person; such is the musical empathy between them.