A Decade Of Rock And Roll 1970 To 1980 is a compilation album from REO Speedwagon. This is a well-chosen recap of REO's dues-paying years. These electrifying guitar licks and razor-sharp pop hooks would soon send Speedwagon to arena-rock superstardom! Here are Ridin' the Storm Out; Roll with the Changes; Time for Me to Fly; Only the Strong Survive; Music Man; Reelin'; Keep Pushin'; Breakaway; Ridin' the Storm Out , and more from the band's formative years.

REO Speedwagon gets slagged regularly, but they always deliver in concert and the freewheelin' Nine Lives, their (natch) ninth, sports one cool sleeve: tight leather, suspenders, fishnets, and cat chicks. The black circle inside rocks mightily also. Bassman Bruce Hall steps up to the plate with "Back on the Road Again," a stadium stage staple that kept these Illinois boys makin' noise on the radio. The Caribbean vibe in the hard luck "Easy Money" can't touch the Scorpions' 1979 foray into reggae ("Is There Anybody There?"), but old reliable axeman Gary Richrath keeps the number burning. The obligatory ballad, "I Need You Tonight," is one of REO's best cuts ever with priceless piano from Neal Doughty, the most unsung keyboardist alive.

Live: You Get What You Play For is a live album by rock band REO Speedwagon, released as a double-LP in 1977 (and years later as a single CD omitting "Gary's Guitar Solo" and "Little Queenie"). It was recorded at Memorial Hall in Kansas City, Kansas, the Convention Center in Indianapolis, Indiana, Kiel Auditorium in Saint Louis, Missouri and Alex Cooley's Electric Ballroom in Atlanta, Georgia. It peaked at number #72 on the Billboard 200 chart in 1977. The song "Ridin' the Storm Out" reached #94 on Billboard's Hot 100 chart. The album went platinum on December 14, 1978. The Japanese CD reissue, released in 2011, restores the album and songs to its original full length by including both "Gary's Guitar Solo" and "Little Queenie", which were omitted in the original single CD release due to time constraints.

This Time We Mean It is the fifth studio album by REO Speedwagon, released in 1975. It peaked at number 74 on the Billboard 200 chart in 1975, It was the third and last album to feature Mike Murphy on vocals. The CD version of the album has been out of print for many years, but produced the single "Reelin'" (written by Murphy). The art style on the cover of the album is remarkably similar to the art style of Czech Art Nouveau painter and decorative artist, Alfons Mucha.

Lost in a Dream is the fourth studio album by REO Speedwagon, released in 1974. It peaked at number 98 on the Billboard 200 chart in 1975, It was the second album to feature Mike Murphy on vocals. The title track was written by Murphy and future bassist Bruce Hall, who would join the band in 1978. The title track was featured on the compilation A Decade of Rock and Roll: 1970-1980. The album was in print on CD format in 1992 for two months before being quickly deleted.

After all those power ballads it's easy to forget that REO Speedwagon started out as a by-the-numbers boogie band with 1971's REO, kicking odes to the "Anti-Establishment Man" and a "Gypsy Woman's Passion." This is a band that's quite different from the arena-conquering rockers of a decade later, but they were no different than their time, embodying almost every cliché of the era from the spacy hippie meditation of "Five Men Were Killed Today" to the numbing nine-minute venture into the heavy jams of the closing "Dead at Last," where a flute is hauled out, presumably to compete with Jethro Tull.

REO Speedwagon began to come into its own with its third album, Ridin' the Storm Out. Over the years, the record became a platinum-seller, due to the strength of their series of opening shows for more successful rock acts, but it originally charted at number 171. While the group still had elements of their bar band boogie, they began to streamline their approach on this album. Although it only resulted in one minor hit, with the title track scraping the bottom of the singles charts, the record was one of their most consistent efforts.

As soon as REO Speedwagon's second album – aptly titled T.W.O. – kicks off with "Let Me Ride," it's clear that the band has made some significant strides in gaining a personality. Part of this is due to singer Terry Luttrell being swapped out for Kevin Cronin, whose keening tenor is markedly different from Luttrell's bluesy gargle, and part is due to three of the songs, dramatic multi-sectioned rockers, being more distinguished than the pedestrian boogie of the debut. That boogie hasn't been abandoned – the group takes the swing out of Chuck Berry's "Little Queenie," which brings it closer to the anonymous thud that characterizes Gary Richrath's "Flash Tan Queen," along with much of the rest of the album.

Fans of live material will thoroughly enjoy this handpicked hit-and-miss 18-track compilation of REO Speedwagon's hits recorded during the band's mid- to late-'80s tours. Most of the songs work well in a live environment, with songs like "Tough Guys," "I Do' Wanna Know," and "Keep the Fire Burning" coming out on top, harnessing the most energy while keeping with their original form. Only six of the tracks are from the studio, with "Shakin' It Loose" being the most spirited, as the others are mediocre REO efforts ("L.I.A.R," "Live Every Moment," "Love Is a Rock"). As a hits package, though, The Second Decade of Rock and Roll should be spared, especially since their best song, "Keep on Loving You," has been replaced by a poorly ventured reggae version that sounds silly and out of place. While the ballads are kept to a minimum, some of their less accomplished material could have been replaced with some of their '70s work from Tuna Fish or even REO. Tracks like "Live It Up" and "One Too Many Girlfriends" represent their late-'80s disappointments in The Earth, a Small Man, His Dog, and a Chicken and Life As We Know It, sounding a wee bit uninspired.

Many albums have scaled to the top of the American charts, many of them not so good, but few have been as widely forgotten and spurned as REO Speedwagon's Hi Infidelity. In a way, the group deserved this kind of success. They had been slogging it out in the arenas of the U.S., building up a sizeable audience because they could deliver live. And then, in 1980, they delivered a record that not just summarized their strengths, but captured everything that was good about arena rock. This is the sound of the stadiums in that netherworld between giants like Zeppelin and MTV's slick, video-ready anthems. This is unabashedly mainstream rock, but there's a real urgency to the songs and the performances that gives it a real emotional core, even if the production keeps it tied to the early, previsual '80s.

34 Track CD compilation from Sony Music, featuring Rock artists associated to the Label. Featuring Boston, Foreigner, REO Speedwagon, The Doobie Brothers & Others. Nice Rock Collection.

Over the course of the 1980s, REO Speedwagon became one of the decade's leading power balladeers. However, these singles sapped the band's reputation as a rock & roll band. Although it may focus more on ballads such as "Time for Me to Fly," "Keep on Loving You," and "Can't Fight This Feeling," Hits does not completely overlook the band's rock anthems, taking care to also include such underrated rockers as "I Don't Want to Lose You," "Don't Let Him Go," and a live version of "Ridin the Storm Out," the band's first and best rock single from the 1970s. Though there is a rather large quantity of REO compilations, Hits remains the wisest investment for most listeners.