Festive baroque or sparkling virtuoso: the trumpet has many faces, and it is still an absolute exception to find a woman among the great virtuosos of this instrument. The young British trumpeter Alison Balsom is one of these exceptional phenomena. In 2006, Alison Balsom was crowned "Young British Classical Performer of the Year" by the quality watchdogs of classical music; the British Gramophone magazine also awarded her a Gramophone Award 2006. Their current album "Caprice" combines exotic and high virtuosity, lyrical and romantic.

For her marvelous new album, Luce e Ombra, soprano Myriam Leblanc assembled a collection of her favourite works by the Venetian composer Antonio Vivaldi. She chose opera excerpts, a chamber cantata, along with instrumental pieces transcribed or adapted for the Ensemble Mirabilia, consisting of Antoine Malette-Chénier on the baroque triple harp, Marie-Michel Beauparlant on the cello and Grégoire Jeay on the flute. The vocal performance, the arias’ nuances and the intimate relationship with the highly capable ensemble make for an accomplished and convincing album.

Heino Eller was much more than anything I can express in words. It was largely due to him that music in Estonia was able to achieve a cultural and professional dignity. - ARVO PÄRT. This second volume in a series dedicated to the orchestral works of Heino Eller (18871970) by the Estonian National Symphony Orchestra under conductor Olari Elts is a ground-breaking introduction to one of the founders of the Estonian school of music. The present volume consists of Ellers symphonic poems and contains some of Ellers earliest symphonic works, including one of his most well-known works, Dawn (Koit).

Tenor Cyrille Dubois and pianist Tristan Raës bring together Nadia and Lili Boulanger's finest works as they release their new record. The precocious early talent that is reflected in these mélodies echoes to their singular path. Nourished from Debussy and Fauré, these pieces also show a remarkable boldness and unusual nature that would probably have given birth to the most striking works of the twentieth century, if Lili's life hadn't been taken away aged 24, leading her sister Nadia to stop composing.

Awarded by Songlines Magazine as 2015's best album, “Mundo” marks the awaited return to records of the most international Portuguese artist after a five year interregnum (the previous record, "Fado Tradicional" was released in 2010). During that period, Mariza released her first "Best Of" in 2014. Still on the charts, “Mundo” debuted at number 1 on the Portuguese Top. Produced by Javier Limón (multiple Grammy winner and producer of the record “Terra”, released in 2008), “Mundo” features 14 songs, including the singles “Paixão”, “Melhor de Mim” and “Alma”.

Van Morrison does exactly what he wants, when he wants, and continually mines the past no matter the cost. It's been four years since the Celtic soulman issued a collection of new, original studio material (Born to Sing: No Plan B), but given the music, it could have been yesterday. Morrison has no interest in innovation, he's already done that. The pace here is (mostly) laid-back, the music drenched in jazz, R&B, blues, and classy pop. He revels throughout in an elegant slow burn; his lyric themes are bittersweet, melancholic, filled with emotional and symbolic memory; his longing for the previous prevalent.

A confident and consistent album, The Blue Cafe combines Rea's atmospheric songwriting with larger doses of his slide guitar playing than usual. An overlooked talent of his, it underlies this collection of contemporary sounding songs rooted in dance beats and blues (a strange combination, but it works). Two songs from different sides of the spectrum illustrate the album well: "Sweet Summer Day" is one of the best from a master of summer anthems ("On the Beach," "All Summer Long," etc.), while "Where Do We Go From Here?" is a bitingly perceptive indictment of the emptiness of consumer culture laid against a cool, smooth backing track. All in all, this is one of Rea's most introspective albums and a strong addition to his catalog.

Despite being renowned in certain parts of the world (especially in Italy and their hometown of Paris), the space-age outfit Rockets remains largely obscure – even though they arrived on the scene at almost he same exact time as Kraftwerk and prefaced Devo by several years. The multi-membered outfit originally formed in 1972, under the name Crystal, performing on-stage in their regular street clothes. But by 1974, Crystal had evolved into Rocket Men, issuing a debut self-titled single, while its members began to assume the identities of aliens; complete with silver makeup covering their skin, grey contact lenses, space suits, and bald heads.