At one level, one would have to be a collector, an Anglophile, or a 1960s pop culture enthusiast to consider this 14-CD set a good deal. In the U.K., the EP ("extended play" single), which contains more tracks than an ordinary single and fewer than an album, has always been a far more popular format than it is in the U.S. During their heyday, the Beatles regularly released EPs in Great Britain, a total of 13 of them, in fact, between June 1963 and December of 1967, and they're all assembled in this box, complete with original art and sleeves in miniature…

Live aus dem Cascade Beat Club in Köln is one of the rarest albums by a hit British Invasion band released near the peak of its popularity. Its existence is unknown even to most Swinging Blue Jeans fans, and the material doesn't even appear on the otherwise thorough four-CD set of their 1960s recordings, Good Golly, Miss Molly! The EMI Years 1963-1969…

Through original songs and some great covers, Popa Chubby – helped by Galea - investigates Country Music, pays tribute to Gene Vincent and re-visit the sound of the Sun label! You’ll do love this trip all over the fifties and the sixties!

All of their U.K. and U.S. hits are included on this compilation. Highlights are "You're No Good," "Hippy Hippy Shake," and their fine (pre-Who) cover of Johnny Kidd's "Shakin' All Over," though even for the Anglophile, about half of this CD is forgettable, especially the dreary post-1966 stuff. This anthology includes several non-LP/rare singles and unreleased songs.

In a way, the Searchers are a footnote. Never entering the upper echelon of British Invasion beat groups, the band nevertheless had legs, outlasting all but the titans of the Rolling Stones, the Kinks, and the Who. The Searchers always flew just below the radar, even if they had something of a renaissance at the tail end of the '70s with a new lineup headed by lead singer – and only constant – John McNally, with his lead guitarist companion Mike Pender directing the band through two superb power pop LPs and their jangle echoing in the stable of Shelter Records, heard strongly in the early records of Tom Petty & the Heartbreakers. They are best known for their earliest hits – 1963's "Sweets for My Sweet," 1964's "Needles and Pins" – which may be because they were their biggest hits but it's also because the Searchers never abandoned their pure pop template throughout their entire career, something that becomes blindingly evident over the course of the four-disc box set Hearts in Their Eyes.

Weighing in at a hefty 34 tracks, this is the most exhaustive Swinging Blue Jeans anthology available…

Journeyman blues icon vocalist/guitarist/violinist Clarence "Gatemouth" Brown delivers another solid mix of electric Texas blues, country, and swing on Timeless. At this point in his career, Brown essentially represents all that is "roots" music, which is another way of saying he has nothing to prove and the listener has everything to gain. To these ends, Brown's impassioned wail fills the sky on the slow blues "For Now So Long," he reworks "Unchained Melody" into an atmospheric John Coltrane-inspired piece, and he delivers a funny yet compelling Sun Ra-esque spoken word intro on "The Drifter." Featuring a full complement of horns and a rhythm section, Timeless showcases all that makes Brown a living national treasure.

The first of a duo of "two-fer" collections of Manfred Mann's earliest work from 1964 and 1965 oddly combines their first and third American albums onto a single disc. Although there aren't any extras added onto these straight 2001 reissues (except for replications of the original cheesy notes), the crisply remastered sound is in pristine stereo. As a cross between the jazzy style of the Zombies, the ragged R&B of Them, and the recycled American blues of the Pretty Things and Yardbirds, Manfred Mann hit a lot of diverse bases. Covering songs from Burt Bacharach, Muddy Waters, Goffin, King, Holland-Dozier-Holland, Bo Diddley, Joe South, and even early Bob Dylan, the band cut a wide musical swath.

1st Live Recordings is a two-volume album series released by Pickwick Records in 1979 containing live performances by The Beatles. Adrian Barber, the stage manager at the Star Club, on the instructions by King Size Taylor, the leader of The Dominoes, another group from Liverpool, recorded this on a Grundig home tape recorder at 3​3⁄4 ips in December 1962, probably during three performances at Hamburg's Star Club on 25, 28 or 29 and 30 December…

Blue Jeans a'Swinging is the first UK studio album by British Merseybeat band the Swinging Blue Jeans, released in November 1964 on HMV…

Love You Live is a double live album by The Rolling Stones, released in 1977. It is drawn from Tour of the Americas shows in the US in the summer of 1975, Tour of Europe shows in 1976 and performances from the El Mocambo nightclub concert venue in Toronto in 1977. It is the band's third official full-length live release and is dedicated to the memory of audio engineer Keith Harwood, who died in a drug-induced car accident shortly before the album's release. In 1998, Love You Live was remastered and reissued by Virgin Records, and in 2009, was re-released with an updated remastering by Universal Records.

Like Dave Edmunds, guitarist/pianist/vocalist Mickey Jupp was a champion of traditional rock & roll during the late '70s, a time when it had been all but discarded. Unlike Edmunds, Jupp wrote the majority of his own material, which updated '50s rock & roll with a tongue-in-cheek irony.

Showaddywaddy had more UK hits in the 1970s than any other act…including Abba. From their winning appearance on an edition of ‘New Faces’, the ‘Britain’s Got Talent’ of the day, to become runners-up in the series’ ‘All Winners Final’, it took just a matter of months until the band released and secured their debut hit, ‘Hey Rock And Roll’, which reached #2 in the UK Singles Chart…