Philadelphia guitarist and songwriter Mike Polizze first appeared under the name Purling Hiss in 2009 with a self-released, self-titled CD-R. He played all the instruments and recorded the six fuzzy, corrosive pop songs himself at home as a recording-only project. Formerly playing in the heavy psych group Birds of Maya, Polizze played in and around the Philly indie scene, sharing stages with contemporaries like Kurt Vile and the War on Drugs while working on Purling Hiss songs in his basement studio…

Supercharger's Goes Way Out gained instant access into the trash rock pantheon. From the recorded in a kitchen sound and ringing guitar feedback sequels to the bratty singing and pissed-off lyrics, this album is like a guidebook on playing and recording minimalist punk rock…

By 1967, the Shadows were at the end of their hitmaking career, and very close to breaking up altogether. Before they went, however, they had one final classic to deliver, an album that arrived packaged up like a parcel, which, when unwrapped, revealed a host of solid gems, evidence that no matter how far pop music had moved from the model they helped style a decade earlier, the Shadows had no intention of being left behind…

At this point in music history, it's become a given that the Velvet Underground were one of the most important and innovative rock bands of their era, and that the four albums they released during their lifespan rank with the most challenging and satisfying work in the rock canon…

The folks at Rockbeat Records have gone deep, culling together nearly 100 ultra-rare, delightfully campy Halloween nuggets from the '60s on this well-curated three-disc set. Don't murder your next party with another tired spin of "The Monster Mash." Even the weakest of these tracks provides a greater thrill than that tired old platter. Weird it up with bands like M.R. Baseman & the Symbols, the Twelfth Night, Kenny & the Fiends, the Grim Reapers, and dozens more from the '60s garage heyday. Strewn between tracks are trailers and excerpts from various B movies and horror shows. As a Halloween set, this is priceless, and fans of '60s rock rarities will also want to take note.

The term "lost classic" is applied liberally and often erroneously to unreleased recordings that resurface years later in a maelstrom of hype. However, for the forgotten mod rock also-rans the Action, the term is not only justified, it is painfully bittersweet. On par with such classics of the era as The Who Sell Out or Ogden's Nut Gone Flake but more focused than either, the Action's Rolled Gold goes beyond "lost classic" – it is the influential masterpiece no one was ever allowed to hear. Despite being signed to Beatles producer George Martin's AIR label and benefiting from a strong club following, the Action never scored a chart hit. By the time they recorded these demo tracks in 1967, the band had grown weary of the musically limited mod scene, which was on its last legs. Guitarist Pete Watson had been replaced by Martin Stone, and the band had developed a more mature sound, one only hinted at on such previous cuts as "Twenty-Fourth Hour".