One of the pioneering projects in genre of dub-ambient. Ultrabass is a project of Peter Sawatzki (founder of german synthband Boytronic). Peter Sawatzki-Bar released two albums under the name of Ultrabass.
Hypnotic sequential circuits, trancegrooves, ambientfunk, worlddance - house music for meditation. Electronic music has been looking fo fresh impulses since the early eights to renew the at the time not any more progressive Berlin School. Recently the techno, dance and house music artists have displayed a lot of innovation when using elrctronics, sequencers and synthesizers. Ultrabass has been able to capture that imaginative innovation an has injected this electronic "attitude" into the context of contemporary electronic music, but rooting itself in ambient music, trance/dance grooves and hypnotic sequencing.

Byrd's music for the Anglican Church has been performed regularly in services for some 400 years. Perennial favourites recorded here include the Magnificat and Nunc dimittis from the Great Service and the anthems O Lord, make thy servant Elizabeth and Sing joyfully unto God.

Simply titled “Palestrina”, it is a new release by the world’s oldest choir – performed and recorded in the heart of the Catholic Church, and featuring works by the most celebrated Italian musician of his time and reformer of church music: Giovanni Pierluigi da Palestrina.

The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.

A monster bit of funk that's unlike anything else we can think of! Their number 15 pop smash "Funky Nassau Part 1 & 2" is the cream of this hands-on production by the Bahamas natives. The nine cuts fuses island rhythms and American jazz/funk into a doable, choppy mixture featuring guitars, bass, drums, and scratch vocals. Misclassified as a disco band, the Beginning of the End served up breezy Phil Upchurch-esque sounds, with "Come Down" and "Surrey Ride" being prime examples.