Backstreet's back and this time with the band's first ever Christmas album, 'A Very Backstreet Christmas'. this comes 30 years in the making! With over 130MM global album sales already under their belt, 'A Very Backstreet Christmas' features holiday classics like 'O Holy Night', 'Winter Wonderland', 'I'll Be Home for Christmas', plus a few new tracks including the group's new original single 'Christmas In New York'.

Alive, She Cried is the second official live album by the American rock band the Doors, released in October 1983 by Elektra Records. It is the follow-up to the 1970's Absolutely Live, produced by Paul A. Rothchild. The album's title was taken from a line in the song "When the Music's Over".

Music That You Can Dance To is the fourteenth studio album by American pop band Sparks. It was originally released in September 1986, on the label MCA in the US and Consolidated Allied in the UK, two years after their previous album, Pulling Rabbits Out of a Hat. Music That You Can Dance To released 1986 was the band's most dance music inspired album since 1979's No. 1 in Heaven. The overall sound of the album was dominated by synthesizers and sequencers like the 1979 album but it differed from that release by the inclusion of the heavily distorted bass guitar of Leslie Bohem, and the emphasis on discordant sound effects. "Music That You Can Dance To", "Fingertips" and "The Scene" represent some of Sparks' most Hi-NRG dance music leanings.

Sings Evergreens is a compilation of recordings by French singer Amanda Lear, released in 2005 by Dance Street. Sings Evergreens contains cover versions recorded between the years 1977 and 2005, including the most recent single "Copacabana" and the re-recorded duet version of "I'll Miss You" with German-Spanish singer Manuel Sanchez from his 2005 album Ambitious (ZYX Music). The only non-cover version is "Dreamer (South Pacific)", recorded by Lear for her album Never Trust a Pretty Face in 1978. The track fades out and finishes at 3:04, although liner notes state it is the full 5:13 album version. The Sings Evergreens compilation was issued shortly before the release of With Love, Lear's 2006 studio album consisting exclusively of new recordings of evergreens and jazz standards, originally performed by some of her favourite female vocalists.

Dry is the debut studio album by English singer-songwriter and musician PJ Harvey, released on Too Pure Records on 30 March 1992. In a 1993, a critics' poll of the 100 Greatest Albums of All Time, NME ranked Dry at number 71, and in a similar poll conducted by Melody Maker in 2000, the album was placed at number 86. It was on Kurt Cobain's 50 greatest albums list It is included in the book 1001 Albums You Must Hear Before You Die ranked 716 but the 1001 albums are listed cronologically.

Pet Shop Boys resume their exceptional late-period run with Hotspot, their third in a series of high quality collaborations with producer/engineer Stuart Price. Recorded at Berlin's legendary Hansa Studios, the acclaimed duo's 14th album finds them firmly in their element, delivering crisp electro-pop invocations, wry dance bangers, and melodic gems both sunny and stormy. Still more or less in the self-described "electronic purist" mode of 2013's Electric and 2016's Super, Neil Tennant and Chris Lowe make a few allowances here, particularly on the melancholic standout, "Beneath the Heather," which features some crafty psych-inspired guitar work from Suede guitarist Bernard Butler.

In 2019, following their joint tour of Japan, guitarist Robben Ford and saxophonist/keyboardist Bill Evans recruited jazz bassist James Genus and Steely Dan drummer Keith Carlock to cut The Sun Room in a Nashville studio. The group is back with Rolling Stones' bassist Darryl Jones in the bass chair. Recorded in the same studio, this set's focus relies heavily on a more rockist jazz-funk and blues. Common Ground was co-produced by the saxophonist and Clifford Carter, and its nine tracks clock in at just under an hour.

Legendary New York hardcore pioneers AGNOSTIC FRONT return with “Echoes In Eternity,” their most ferocious and unflinching album in decades. Signed to Reigning Phoenix Music, the band deliver 15 tracks of blistering riffs, unapologetic truth, and street-born authenticity.

Roots band Birds of Chicago formed in 2012 as a collaboration between Chicago's JT Nero (JT & the Clouds) and Vancouver's Allison Russell (Po' Girl). Although both singer/songwriters were actively leading their own projects, their combined efforts were convincing enough to make a go of it and they set about recording their debut. Though a talented songwriter in her own right, a big part of the Birds of Chicago sound came from the material Nero had written specifically for Russell to interpret, and it was their combined voices that won over fans on 2012's self-titled Birds of Chicago LP. Mixing folk, mountain gospel, soul, and rock, the two bandleaders and a revolving cast of players became a well-seasoned touring act, and in 2013 delivered the concert album Live from Space.

Celtic Woman's brand-new album Nollaig - A Christmas Journey features Christmas favorites and Yuletide classics along with brand-new composition Nollaig na mBan and some Irish songs with a Christmas twist. Each song is a window into a winter's evening all wrapped in a feeling of joy. The word `Nollaig' is Irish for `Christmas.' It is also the name for December and is a given name for many people born within the month of December. For Celtic Woman, it epitomizes the spirit of the Christmas season.

Following the release of the 1977 album Animals and its accompanying "In the Flesh" tour, Pink Floyd went on hiatus, having become popular enough to support solo albums by bandmembers who were inclined to make them. Guitarist David Gilmour and keyboard player Richard Wright were. For his album, Wright assembled some of the backing musicians who had been accompanying Pink Floyd for years, in particular reed player Mel Collins and guitarist Snowy White. So it was no surprise that the resulting record, Wet Dream, sounded like outtakes from Pink Floyd sessions.

Soprano Katharina Konradi and pianist Daniel Heide announce their upcoming album, the third volume of their complete recordings of Liszt’s art songs.

Mirrors is the sixth studio album by Blue Öyster Cult, released in 1979. Mirrors is the first Blue Öyster Cult album not produced by long-time producer and manager Sandy Pearlman. The album is notable for a collaboration with British fantasy/science-fiction author Michael Moorcock who co-wrote a song based on his novel The Fireclown. "The Great Sun Jester" is the first of several Moorcock co-writing credits with the band. After the success of 1976's Platinum Agents of Fortune, 1977's Gold Spectres and 1978's Platinum live effort Some Enchanted Evening, the fact that Mirrors struggled to reach Gold status was disappointing to band and label alike. According to interviews with the band and the production staff, the intent for this album was to make a high charting and glossy production; however the backlash felt from this attempt was a reason for their future pairing with Martin Birch, and their attempt to return to a darker sound.

This will be quite a discovery for those who know the music of Bedrich Smetana only through his grand and nationalistic cycle of tone-poems, Ma Vlast, even if they are yet familiar with his more painfully intimate string quartets or his folkloristic operas. For Smetana, like most composers, needed to eat; and to do so he was happy to make his own contribution towards satisfying the seemingly insatiable appetite of the bourgeois 19th-century public for piano music that they could perform at home. Music of no great difficulty but boundless charm, these miniatures are now seldom heard and even less often recorded, and this is a shame, for works such as the Op.3 Characteristic Pieces show how the pianistic extroversion of Brahms and Liszt (who was a great admirer and supporter of the young Smetana, giving him valuable introductions to publishers) could be adapted to a domestic context, and with the particular inflection of Czech and Bohemian character, derived not only from simple and song-like melodies but also irregularly stressed dance-rhythms that the young Italian pianist Roberto Plano relishes to the full on this welcome new survey.

At the same time as we get to know Wilhelm Friedemann Bach’s compositions we can also take stock of the real personality of Johann Sebastian Bach’s eldest son. His works are still mostly unknown to the public at large and remain in the shadow of those by his brothers. It is true that his music still seems to be somewhat strange, imprisoned as it undoubtedly is by the composer’s profound inner drama. Born in 1710, Wilhelm Friedemann benefited more than any other of his brothers from the impact of his father’s personality; we may well remember the famous phrase attributed to Johann Sebastian «The son that gives me joy is the one that I love» ?