This excellent companion volume to Founder of the Delta Blues pulls together 23 more Patton tracks (including some alternate takes that were for years thought to be lost) to give a much more complete look at this amazing artist. It's interesting here to compare the tracks from his final session to his halcyon output from 1929. Highlights include "Mean Black Cat Blues," Patton's adaption of "Sitting on Top of the World" ("Some Summer Day") and both parts of "Prayer of Death," originally issued under the non de plume of "Elder J.J. Hadley." The sound on this collection is vastly superior, from a noise-reduction standpoint, to its companion volume.

This expanded, two-CD collection features 24 tracks, all completely remastered to the highest modern standards. Included in addition to the original 10-song release is the non-LP track Smile Jamaica (the original B-side to the 'Satisfy My Soul' single written for the people of Jamaica after the assassination attempt on Marley s life at the Smile Jamaica unity concert in 1976). The second disc features the highly sought-after, unreleased live show, Live at Ahoy Hallen. This rare, unreleased audio recording of a sold out performance at Ahoy Hallen in Rotterdam, Netherlands on July 7, 1978 had originally been planned to be released with the 'Babylon By Bus' album but never came out. The Wailers were in top form that night, with stellar performances of 'Is This Love' and 'Easy Skanking' from the recently released 'Kaya,' album plus some of Marley's most beloved songs including 'Concrete Jungle,' 'No Woman No Cry,' 'War/No More Trouble,' 'Jamming,' 'I Shot The Sheriff,' 'Get Up,' 'Stand Up,' and the closing track 'Exodus,' all leaving the packed house in a frenzy. Packaged with the original artwork, Kaya: 35th Anniversary Deluxe Edition comes with a 23-page booklet that includes lyrics, rare photos, plus extensive liner notes.

2008 digitally remastered and expanded edition of Claire's 1973 sophomore album, a masterpiece of Folk Rock and the art of songwriting featuring music of both innocence and maturity. Produced by Paul Samwell Smith (who had recently worked with Cat Stevens), October is a highlight of Claire's early career and is certain to appeal to those who appreciate the art of the singer/songwriter. The possessor of one of the finest voices in popular music, Claire Hamill signed to Island records at the age of 16, recording two albums which featured contributions from John Martyn, Free and Terry Reid. With her songs covered by Eva Cassidy and cited by Kate Bush as an influence, this reissue is the first part of a program that sees the reissuing of Claire's work by Esoteric Recordings.

Count Anton George Apponyi was a relative of Haydn's patrons the Esterhazys. Although commissioned by Count Apponyi, the quartets that bear his name were actually inspired by a series of successful public concerts of Haydn's music in London organized by Johann Peter Salomon. These concerts made Haydn an international music superstar and brought about a decided change in the composer's style. The emotional, virtuosic and powerful music found in these quartets presages the spirit of the Romantic period. Following on their decidedly symphonic reading of Haydn's Seven Last Words, the Pražák Quartet is fully in tune with the grand gestures found in these first three of the six Apponyi quartets.

This CD, recorded live, will leave you smiling with delight and amazement. These symphonies are among Haydn's greatest; written in 1788-89, they exhibit every facet of his technical skill, inspired inventiveness, and emotional range. At the height of his mature mastery, he experimented with new forms, daring modulations and key changes, and breathtaking swings of mood and character. One of his fingerprints is the alternation between serene major and somber minor, especially in his variations; but he has surprises in store everywhere, as solemnity gives way to sprightliness, elegance to rusticity, tragedy to mischievous humor.

This is the Rachmaninov Third to end all Rachmaninov Thirds, a performance of such super-human pianistic aplomb, pace and virtuosity that it makes all comparisons, save with Horowitz himself, a study in irrelevance.

This was the band's comeback album after a fairly dire patch in the mid-'70s. The fact is, Back and Fourth (originally issued by Polygram) isn't really that good a record, lacking the imagination and spirit of experimentation that highlighted their early albums for Charisma. But at its best, it was smoothly commercial, standing next to those earlier albums roughly where the Bee Gees' early disco stuff stood next to material like Odessa. And it was a success, mostly thanks to the presence of Alan Hull's best song to date, the Springsteen-like "Run for Home." With its original lineup back together, Lindisfarne went for the gold this time, building their music on folk-like melodies (and a distinctly American sound, at that), country-type hooks ("King's Cross Blues"), and pleasing harmonies, exemplified by "Warm Feeling," where the group sounds like an earthier, edgier Firefall…

In the midst of his tenure with the Oscar Peterson Trio, Herb Ellis had the chance to turn the tables on his boss and employ him as a sideman, though the keyboard virtuoso strangely reigns in his chops and pretty much stays in the background. This pair of sessions was first issued on a Norgran LP and finally reissued as a Verve CD in early 2006. The first four tracks add Jimmy Giuffre (alternating between baritone sax, tenor sax, and clarinet) and trumpeter Harry "Sweets" Edison, along with fellow Peterson sideman Ray Brown and drummer Alvin Stoller. Ellis' originals include the easygoing "Sweetheart Blues" and the cooking bop vehicle "Pogo," where both the leader and Edison eclipse Giuffre's efforts on sax. "It Could Happen to You" focuses exclusively on Ellis, with Peterson and Edison sitting out and Giuffre adding some background color on clarinet…

Those who love rather complex and dynamic sequencer music with an acoustic edge and an occasional high-tech feel should check out the music Paul Ellis' has put down on his amazing album "Last Hiding Place of Beauty". The CD contains four long tracks, all making a powerful, straightforward statement, keenly melting vibrating sequencer patterns, fx's, and a wide range of vintage flavored synthesizer textures such as Mellotron flute. As said previously, the overall structure is rather complex, although lots of space is found within the core of every piece of music. The great interplay between bass grooves, drums, electronic and acoustic instruments is quite mind blowing, especially on the 16-minute title track. The overall outcome is simply breathing the joy of honest electronics more than once.

Canadian pianist Jarred Dunn presents Górecki’s World of the Piano, his first recording for ATMA Classique. This album highlights the piano works of Polish composer Henryk Mikołaj Górecki. For the recording of the two-piano opuses, Jarred Dunn is joined by Anna Górecka, the composer’s daughter.

Mstislav Rostropovich One of the great cellists as well as one of the leading conductors of the 20th century, Mstislav Rostropovich's passionate and virtuosic performance style sometimes seemed to reflect the turbulent events in his life, including his exile from his native Soviet Union. In addition to his ability to project with notable fullness in all registers of his instrument, he had complete command of the styles of all the musical eras and national schools in the standard cello repertoire of the time. A strong supporter of new works, he premiered over 100 pieces as a performer, including Sergey Prokofiev's Cello Sonata in C, Op. 119 in 1950, which was composed for him. In 1959 and 1966, respectively, Dmitry Shostakovich's first and second cello concertos were written for and premiered by the esteemed cellist. In the meantime, he made his conducting debut in Gorky in 1962, and five years later, he made his Bolshoi premiere conducting Tchaikovsky's Eugene Onegin. In 1970, Rostropovich's open letter in support of dissident writer Aleksandr Solzhenitsyn led to canceled concerts and, eventually, his exile from the Soviet Union.

With the release of their classic 1974 debut, I Want to See the Bright Lights Tonight, Richard and Linda Thompson set an unbelievably high standard for themselves. Although containing many of the same attributes, their follow-up, Hokey Pokey, doesn't quite reach the lofty heights of its predecessor, but then again not many records do. The Thompsons, from the opening Irish fiddle derivation of a Chuck Berry riff, through Linda's exquisite performance of "A Heart Needs a Home," to their cover of Mike Waterson's "Mole in a Hole" which closes the record, once again create a timeless amalgam of folk and rock. Recorded at the time of the Thompsons' conversion to Islam, Hokey Pokey comes across a bit lighter than Bright Lights.

Peggy Seeger's 25th and final solo album, to be released the month before her 90th birthday, is a fitting tribute to over 70 years as a working musician, feminist and activist. This is no apologetic or quiet farewell - she's going out with a thoughtful, philosophical and very satisfying BANG. Peggy's voice and songwriting are still major forces to be reckoned with. Nine brand new songs and two reinterpretations span the pillars that have sustained her career. Written and recorded with family members - established musician sons Neill and Calum (Calum also produced the album) and daughter-in-law Kate St John - this album is sheer class, suffused with love and respect.

Flowers In The Dirt Recording Sessions.

The spectacular 2011 release by Robert Hollingworth and I Fagiolini that featured Striggio's Missa Ecco sì beato giorno and Tallis' Spem in alium, for 40 voices, won a Gramophone Early Music Award and a Diapason d'Or de l'Année.