Dvořák’s chamber music is amongst the most extensive and significant of the 19th-century and the four surviving piano trios embody his command of the form. The first two were written in rapid succession, with No. 1 in B flat major marrying Schubertian lyricism with Slavic inflexions, serenity with joy. No. 2 in G minor is rather more classically conceived though it shares the same formal structure as No. 1 and exudes a similar quotient of lyric beauty.

The Paris-based Quatuor Tchalik is notable not least because its members are four siblings. Raised in a Russian-French family with Ukrainian roots, in which music played a central role, they have been making music together since their earliest childhood. This early and intimate contact with chamber music has allowed the four young musicians to develop their own, entirely natural approach to expressive and versatile quartet playing, creating an extraordinary artistic connection between them.

World Tour Edition of Sarah Brightman's latest album "Hymn". Comes with a new cover artwork and a bonus track: "Vide Cor Meum" (previously released in "Symphony: Live in Vienna). Hymn is the twelfth studio album by English soprano Sarah Brightman and first since 2013's Dreamchaser. The five-year gap between both studio albums marks Brightman's longest break between studio releases. This album marks Brightman's ninth studio collaboration with producer Frank Peterson. The album entering at No. 1 on both the Billboard Classical Crossover Albums and overall Classical Albums, making Brightman the female artist with the most No. 1s in both charts.

From the first listening to Héritage, the much-awaited fourth album by Songhoy Blues, it's clear that the 4-piece rock band from northern Mali are in a new frame of mind, moving into a more acoustic, creative re-imagining of the "desert blues" style that has brought them to world fame. For over a decade, when not on tour, the four members of Songhoy Blues, three of whom are originally from the north, have been based in Bamako, capital of Mali, unable to return to their homeland, where musicians are in real danger of their lives because of religious fanaticism that sees music as 'haram' (a sin). Charismatic, articulate and creative, the band burst onto the scene in 2013 with a powerful style and stage manner once described as "Timbuktu Punk".

Peter Erskine and Vienna's JAM Music Lab All-Stars celebrate the music of two iconic Viennese composers who, after moving to Hollywood in 1929 & 1934, transformed the dynamics of film as they set the standards for movie scoring. Through their work on Gone With the Wind, King Kong, and many dozens more, their role in shaping popular culture since is legion. First exposed to the music in the late '70s as he was touring with Weather Report, Erskine heard Joe Zawinul playing a beautiful melody and learned it was by Korngold, a fellow Viennese composer. He was moved to search out transcripts and recordings ever since. With his artist-in-residency at Vienna's cutting-edge JAM Music Lab University, his desire to reimagine this music in an improvised jazz setting finally became a reality. "… Erskine and the Jam Music Lab All-Stars demonstrate virtuosity, versatility and a keen attention to detail… creating a fitting tribute to the most influential figures in 20th-century music." The New York City Jazz Record

David Gray is back doing what he does better than almost anyone, and fans of complex, serious, lyrical songcraft should rejoice. Dear Life may be the deepest, strangest, loveliest album this pioneering British singer-songwriter has ever delivered. Years in the making, it is an album of emotional crisis and resolution, mortality and faith, reality and illusion, love and heartbreak, magic, science, loss and acceptance. Dear Life is David Gray’s 13th album. It’s the result of “a starburst of songwriting… it just seemed like the gods of songwriting were being kind. An album of emotional crisis and resolution, mortality and faith, reality and illusion, love and heartbreak, magic, science, loss and acceptance. While it is full of yearning and hope, there is an undercurrent of darkness, a tension between competing forces of hope and despair: a cavalcade of emotions in what is his most lyrically-focused collection to-date.

Legendary guitarist Steve Hackett presents a selection of live recordings from his annual acoustic performances at Trading Boundaries, UK. 17 tracks including Genesis classics like ‘Horizons’ and ‘Blood on the Rooftops’, as well as solo & classical tracks such as ‘Black Light’, ‘Ace of Wands’ & much more!

“I’ve always been fascinated by the ideas, colours and emotions to be found in Ravel’s music, and it has been an honour to record his complete solo piano works and concertos” (Seong-Jin Cho)

This new collection brings together classic radio sessions from Television Personalities, the masters of DIY post-punk and indie pop. Featuring two 80s BBC sessions that aired on John Peel and Andy Kershaw, along with a super rare 1992 WMBR set, this double LP features covers of Buzzcocks, The Raincoats and Daniel Johnston with previously unreleased songs and a bonus download WFMU session from 1993.

Rufus Wainwright’s Dream Requiem is an extremely prestigious project, the result of a commission from major cultural institutions in the US, UK, and Europe. This world premiere recording features a new composition by the legendary, Grammy-nominated musician, who has collaborated with the who's who of the pop music world. With narration by Meryl Streep.

Back with a newly formed quintet, gathered together for a particularly fruitful 2024 session in Southern France, the German pianist Benjamin Lackner presents a different and exciting side of his composer-approach. Trumpeter Mathias Eick is the sole returnee from Lackner’s debut Last Decade, and can be heard in striking dualism with Mark Turner’s idiosyncratic saxophone dialect, forming a key-characteristic of the interplay that permeates Spindrift. The horn-duo and pianist are joined by the nonpareil bassist Linda May Han Oh and French drummer Matthieu Chazarenc, who was part of Lackner’s trio before the pianist’s tenure with ECM. Subtle fanfares meet contemplative lyricism in a programme of originals that always puts melody and ensemble chemistry first. Saxophone and trumpet take the lead, forming their own little ensemble section, and contribute elegantly interwoven lines and striking solos to an especially harmonious group sound and a tuneful set of songs. The album was produced by Manfred Eicher.

Into Glory Ride is Manowar's second studio album and the first to feature drummer Scott Columbus. The album's title is a reference to the title track from the band's previous album Battle Hymns. In 2005, Into Glory Ride was ranked number 444 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.

Dietrich Buxtehude composed his Membra Jesu nostri in Lübeck in 1680, and the work, drenched in emotion in a most un-Bachian way, has become increasingly popular in the 21st century. The title might be translated "Limbs of Our Jesus," but actually the Latin texts, of considerable antiquity, describe seven wounds supposedly suffered by Jesus Christ on the cross, and the work thus falls into a group of works in which the number seven takes on mystical significance. Various interpretations have been offered, with the majority adopting the one-voice-per-part technique, sometimes in a severe way, sometimes carrying a feeling of intimate chamber reflection.